绘画中荒诞美的探索

发布时间：2018-07-31 12:49

【摘要】：现代艺术从二十世纪初开始,绘画领域朝着多元化发展,抽象绘画在这个时期占据着主体位置。“观念”创作方法几乎覆盖了整个二十世纪,并指导着艺术家的创作作品。抽象与表现绘画,在二十世纪美术史上占据着主要位置。自由,反传统,形式是那个时代的重要观念,甚至可以概括二十世纪初的绘画特征。然而荒诞这个词在绘画领域上,并不多见,甚至还有点陌生。从二十世纪的各艺术家表现手法来看,绘画观念朝着多元化发展。荒诞美学在视觉艺术领域具有很重要的意义,并且具有很大的空白期和研究盲点。本文主要研究油画中荒诞美学的表现,二十世纪初到二十世纪末尾,没有美术评论家对绘画中的荒诞美学有一个统一说法,在绘画史上也没有出现过所谓的“荒诞主义”。本文试图从油画表现手法,形式,要素和观念上寻找荒诞主义绘画或者荒诞派绘画。这个荒诞主义绘画是本文中所提到的绘画构想。从历史进程来看:荒诞美学观念在绘画表现史上仍然是一个未开荒的领域,因为荒诞美学在美学史上本身就是一个新兴的概念,普遍的开始出现于二十世纪初的文学和戏剧中。在本文开始部分主要对二十世纪美术史中寻找“荒诞”的观念,对二十世纪的美学创作观念进行整理和归纳,以此来试探寻找荒诞美学中所具备的要素。鉴于二十世纪美术史上,对于“荒诞”的表现没有统一,权威的说法。本文会以马丁·艾斯林所整理的《荒诞派戏剧》中的美学观念进行延伸和探索,另外还会在文学作品中表现荒诞的形式进行借鉴。在美学的指导思想上,会以黑格尔的《美学》为基础。在此基础上,本论文主要定义绘画中荒诞表现所具备的元素,和表现手法,然后把这些荒诞观念用于本人的油画创作中去,以此来探索出油画中荒诞美学的表现方式。本文会用一些油画作品(本人创作)来进行对荒诞美学探索的补充说明。另外,在油画表现上,是以当代写实技法为基础的(写实技法选择的原因也是本文要重点阐述的)。油画作品会从所需元素,构图分析,空间选择,色彩表现,意义内涵,等五个方面来进行阐述。这五个方面会主要以荒诞所需元素来做主要的内容和论证。研究方法上,本文会以文献研究法为主,观察法为辅助。对论点进行整理归纳和实证研究,以此来探索油画荒诞美学的表现形式。并以此来寻找当代油画的发展新前景。
[Abstract]:Modern art began at the beginning of the 20th century, the field of painting has been diversified, abstract painting occupies the main position in this period. The idea method covered almost the whole of the twentieth century and guided the artist's work. Abstract and expressive painting occupy the main position in the 20th century art history. Freedom, anti-tradition and form were important ideas of that era, and could even generalize the characteristics of painting in the early twentieth century. However, the term absurdity in the field of painting, is rare, even a little strange. From the 20 ~ (th) century artists' expression, the concept of painting towards diversification. Absurd aesthetics is of great significance in the field of visual art and has a great gap and blind spot. From the beginning of the twentieth century to the end of the twentieth century, no art critic has a unified view of the absurd aesthetics in painting, nor has there been any so-called "absurdity" in the history of painting. This paper tries to find the absurd painting or the absurd painting from the expression, form, elements and concepts of oil painting. This absurd painting is the concept of painting mentioned in this paper. From the point of view of historical process, the concept of absurd aesthetics is still an unopened field in the history of painting performance, because absurd aesthetics itself is a new concept in the history of aesthetics, and it has generally begun to appear in literature and drama in the early 20th century. At the beginning of this paper, the author tries to find out the concept of "absurdity" in the history of art in the 20th century, and to sort out and sum up the concept of aesthetic creation in the 20th century, so as to explore the elements of the aesthetics of absurdity. In view of the 20th century art history, the performance of the "absurd" there is no unified, authoritative view. This article will extend and explore the aesthetic concept of "absurd drama" by Martin Eisling, and also use the form of absurdity in literary works for reference. The guiding ideology of aesthetics will be based on Hegel's Aesthetics. On this basis, this paper mainly defines the elements and techniques of absurd expression in painting, and then applies these absurd ideas to my oil painting to explore the expression of absurd aesthetics in oil painting. This article will use some oil paintings (I create) to explore the absurd aesthetic supplemental explanation. In addition, in the oil painting performance, is based on the contemporary realistic techniques (realistic techniques of choice is also the focus of this article). Oil paintings will be elaborated from five aspects: the elements needed, composition analysis, space selection, color expression, meaning connotation, and so on. These five aspects will mainly take the elements of absurdity as the main content and argumentation. Research methods, this paper will be based on literature research method, observation method as an auxiliary. In order to explore the manifestation of oil painting absurdity aesthetics, the thesis is summarized and empirically studied. And in order to find the development of contemporary oil painting new prospects.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J201

【相似文献】