写实水墨人物画笔墨研究

发布时间：2018-07-31 13:23

【摘要】：写实水墨人物画是二十世纪中西文化交流的前提下所产生的新的绘画“样式”。它的历史不足百年，随着西方绘画观念、技法、画种的大量进入，给中国传统水墨人物画注入了新鲜的血液，与此同时，也对中国传统水墨人物画造成了强大的冲击。西方的写实主义和中国的传统水墨在思想上形成了极大的不同。接受西方绘画思想的画家提出了改良中国传统水墨人物画的口号。二十世纪初，中国水墨人物画进入了新的时代，随着西方写实绘画观念的进入，中国水墨人物画的创作思想发生了改变，“中西融合”成为了主流思想，画家把描绘人物本身的写实形象用笔墨的方式展现出来，把传统笔墨与西方造型进行结合，随之“写实笔墨”也大量的出现在水墨人物画中。“写实水墨”就是在中国传统水墨与西方透视绘画方法相结合下产生的水墨画样式。在“写实水墨”形成的初期出现了忽略“笔墨”的状况，吸收西方绘画改良传统水墨人物画的画家在创作是往往只注重西方的写实光影而忽视了中国传统笔墨的情趣。在近代以来，笔墨成为了中国绘画变革中维护传统与反对传统两大阵营争论的焦点。这也是笔墨问题成为中国二十世纪画坛争论的热点问题。当代写实水墨人物画的笔墨语言是在传统笔墨语言的基础上创新得到的，画家们随着社会的变化和思想的转变，在创作中开始意识到在吸取西方写实绘画的基础上需要中国传统笔墨的回归，继承和延续传统笔墨的精髓，把传统笔墨的精髓与写实造型联系起来，真正的做到“中西融合”。从人物画的发展历史来看，写实水墨人物画与传统文化的精神有着密不可分的联系。走写实水墨人物画道路的艺术家们只有理解这个关系的内在联系，，才能更好的传承传统笔墨精髓和发扬写实主义精神。在当今这个复杂多样的社会中，人物画家忠于用写实笔墨运用到创作中去，这些作品具有鲜明的时代特点和独特的笔墨特点。二十一世纪的写实主义人物画中的笔墨形式需要走新的道路，它要有新的方式，新的选择，是写实水墨人物画的笔墨运用达到真正意义上的飞跃，及时在前进摸索的道路上会充满泥泞，但是只要艺术家们坚持自己，一定会走出一片属于自己的天空。
[Abstract]:Realistic ink figure painting is a new style of painting under the premise of cultural exchange between China and the West in the 20th century. Its history is less than a hundred years, with the western painting concept, techniques, painting species into a large number, to the Chinese traditional ink figure painting injected fresh blood, at the same time, but also to the Chinese traditional ink figure painting caused a strong impact. Western realism and Chinese traditional ink have formed a great difference in thought. The painter who accepted the western painting thought put forward the slogan of improving the traditional Chinese ink figure painting. At the beginning of the 20th century, the Chinese ink figure painting entered a new era. With the entry of the western realistic painting concept, the creative thought of the Chinese ink figure painting has changed, and "Chinese and Western integration" has become the mainstream thought. The painter portrays the realistic image of the character in the way of pen and ink, combines the traditional brush and ink with the western modeling, and then "realistic ink" also appears in a large number of ink and wash figure painting. Realistic ink painting is the combination of traditional Chinese ink and western perspective painting. In the initial stage of the formation of "realistic ink", the situation of "brush and ink" was ignored, and the painters who absorbed the western painting and improved the traditional ink figure painting often paid attention to the realistic light and shadow of the west, but ignored the interest of the Chinese traditional ink painting. In modern times, pen and ink have become the focus of debate between the two camps of preserving tradition and opposing tradition in the reform of Chinese painting. It is also a hot issue in Chinese painting circles in the 20 th century. The painting language of contemporary realistic ink figure painting is based on the traditional ink and brush language. The painters are changing with the change of society and the change of thought. In the creation began to realize that on the basis of absorbing western realistic painting needs the return of Chinese traditional ink, inheriting and continuing the essence of traditional ink, connecting the essence of traditional ink and realistic modeling, and really achieve the "integration of China and the West". From the development history of figure painting, realistic ink figure painting and the spirit of traditional culture are inextricably linked. The artists who walk down the road of realistic ink figure painting only understand the internal connection of this relationship, can better pass on the essence of traditional ink and carry forward the spirit of realism. In today's complex and diverse society, character painters are loyal to the use of realistic pen and ink to create, these works have distinctive characteristics of the times and unique features. The form of brushwork in realistic figure painting in the 21 century needs to take a new road, and it should have a new way and a new choice, which is a leap in the application of realistic ink painting in the real sense. The way forward and grope will be muddy, but as long as artists insist on themselves, they will walk out of their own sky.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【相似文献】