北京荣宝斋木版水印工艺调研
发布时间：2018-08-16 10:07
【摘要】：本文以北京荣宝斋木版水印工艺为研究对象，基本内容分为四个部分：首先，阐述木版水印的基本概念、目前的研究现状及文献综述；其次，梳理中国传统木版水印与荣宝斋木版水印的历史沿革与传承；第三，介绍一般木版水印工艺与荣宝斋木版水印工艺，着重考察古代绘画与现代绘画印刷的工艺，对其所需要的设备环境、工具、印刷材料、颜色调制以及印刷技巧进行考察与比对分析，，总结古代绘画与现当代绘画在印刷工艺上的区别；最后，阐述以荣宝斋为代表的木版水印工艺的价值与意义，分别阐述木版水印在中国传统版画印制工艺中、在机械与数字复制时代的独特价值，以及它的经济与文化价值。本文以采访、实地考察、文献梳理、案例分析等为主要研究方法。
[Abstract]:The basic content of this paper is divided into four parts: firstly, the basic concept of wood-based watermarking, the current research situation and literature review; secondly, Combing the history and inheritance of Chinese traditional wood-watermarks and Rongbaozhai wood-plate watermarks; third, introducing the general wood-plate watermarking technology and Rongbaozhai wood-plate watermarks technology, focusing on the ancient painting and modern painting printing technology, The equipment environment, tools, printing materials, color modulation and printing skills are investigated and compared, and the differences between ancient painting and modern painting in printing technology are summarized. This paper expounds the value and significance of wood-plate watermarking technology represented by Rongbaozhai, and expounds the unique value of wood-plate watermark in Chinese traditional printmaking technology in the age of mechanical and digital reproduction, as well as its economic and cultural value. In this paper, interviews, field visits, literature review, case analysis as the main research methods.
【学位授予单位】：北京印刷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS851.5;J209.2
[Abstract]:The basic content of this paper is divided into four parts: firstly, the basic concept of wood-based watermarking, the current research situation and literature review; secondly, Combing the history and inheritance of Chinese traditional wood-watermarks and Rongbaozhai wood-plate watermarks; third, introducing the general wood-plate watermarking technology and Rongbaozhai wood-plate watermarks technology, focusing on the ancient painting and modern painting printing technology, The equipment environment, tools, printing materials, color modulation and printing skills are investigated and compared, and the differences between ancient painting and modern painting in printing technology are summarized. This paper expounds the value and significance of wood-plate watermarking technology represented by Rongbaozhai, and expounds the unique value of wood-plate watermark in Chinese traditional printmaking technology in the age of mechanical and digital reproduction, as well as its economic and cultural value. In this paper, interviews, field visits, literature review, case analysis as the main research methods.
【学位授予单位】：北京印刷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TS851.5;J209.2
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