从〈孝经图〉看李公麟作品中的文人画特征
发布时间：2018-08-22 17:22
【摘要】：李公麟作为“宋画第一人”,在中国绘画史上具有极其重要的地位。其开创了以“白描”作为独立表现形式的艺术手法,确立了白描的文人画格调,并对后世产生了深远的影响。 李公麟将宋以前白描的“雄壮磊落”、“精致微密”转向了“平淡冲和”、“率略简易”,将白描从院体的严谨工整转向了文人的潇洒和自由。这一转变不仅仅是一般意义上艺术手法的转变,更是审美趣味和风格境界的提升。 本文从《孝经图》入手,来探析图中所反映的文人画特征,并对其成因进行分析。通过探析来加深对以李公麟为代表的北宋文人画早期阶段的状况的了解,为自己的实践寻找更有深度的理论支撑,同时也希望通过研究能在对传统的认识、继承和发扬方面起到更好的作用。当下社会正面临着严峻的老龄化问题,希望通过对《孝经》和孝道思想的研究能够引起人们对于这一问题的关注。 文章通过收集、整合大量的文献资料并结合图像分析法等方法对本课题进行研究。本文共分五个部分进行论述,第一部分是对本课题的研究现状、意义、研究方法的介绍综述；第二部分是对《孝经》及《孝经图》产生的背景和孝子图像的演变进行梳理；第三部分对《孝经图》所反映出的文人画特征作了重点分析；首先论证了李公麟作为士夫身份所具有的深厚学养,其次论述了其往往“簿著劝诫于其间”为了“吟咏性情”的创作目的,再是对作品风格中多以白描为主所体现的不施丹粉、平淡冲和的审美格调作了论述,最后对其“有艺有道”技艺高超的特点进行了论述；其文人画特征的形成原因离不开所处时代的文化背景,北宋时期文人画的主要审美思想、以及当时士夫阶层的群体活动等因素的影响,本文第四部分对李公麟《孝经图》的文人画特征的形成原因作了分析；最后一个部分论述了李公麟文人画的艺术价值及对后世的影响。进而得出本课题的研究结论。
[Abstract]:As the first person in Song painting, Li Gonglin plays an extremely important role in the history of Chinese painting. It pioneered the art of "white drawing" as an independent form of expression, established the style of literati painting, and had a profound influence on later generations. Li Gonglin turned "magnificent and magnificent", "delicate micro-dense" to "plain rush and", "rate slightly simple", from the rigorous and neat style to literati's chic and freedom. This change is not only the change of artistic technique in general sense, but also the promotion of aesthetic taste and style. In this paper, the characteristics of literati paintings reflected in the drawings are analyzed, and the causes of their formation are analyzed. Through analysis and analysis to deepen the understanding of the early stage of the Northern Song Dynasty literati painting represented by Li Gonglin, to find a deeper theoretical support for their own practice, and also hope that through the research can be in the traditional understanding. Inheritance and development play a better role. The society is facing a severe aging problem. It is hoped that the study of filial piety and filial piety can arouse people's attention to this problem. This paper studies this subject by collecting, integrating a lot of literature and image analysis. This paper is divided into five parts, the first part is the research status, significance, research methods, the second part is to sort out the background of the generation of filial piety and filial piety pictures and the evolution of filial piety images. The third part focuses on the characteristics of the literati paintings reflected in the Book of filial piety. Firstly, it demonstrates that Li Gonglin has a deep education as a scholar. Secondly, it discusses its creative purpose of "admonishing in the middle of the book", and then discusses the aesthetic style of "reciting temperament", which is mainly reflected by the white drawing in the style of the works. In the end, the author discusses the characteristics of his "skilled youdao", the reasons for the formation of the characteristics of his literati paintings are inseparable from the cultural background of his time, and the main aesthetic thoughts of the literati paintings in the Northern Song Dynasty. As well as the influence of the group activities of the Shifu class at that time, the fourth part of this paper analyzes the forming reasons of the characteristics of the literati paintings of Li Gonglin's the Book of filial piety. The last part discusses the artistic value of Li Gonglin's literati painting and its influence on later generations. The conclusion of this research is obtained.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2197795
[Abstract]:As the first person in Song painting, Li Gonglin plays an extremely important role in the history of Chinese painting. It pioneered the art of "white drawing" as an independent form of expression, established the style of literati painting, and had a profound influence on later generations. Li Gonglin turned "magnificent and magnificent", "delicate micro-dense" to "plain rush and", "rate slightly simple", from the rigorous and neat style to literati's chic and freedom. This change is not only the change of artistic technique in general sense, but also the promotion of aesthetic taste and style. In this paper, the characteristics of literati paintings reflected in the drawings are analyzed, and the causes of their formation are analyzed. Through analysis and analysis to deepen the understanding of the early stage of the Northern Song Dynasty literati painting represented by Li Gonglin, to find a deeper theoretical support for their own practice, and also hope that through the research can be in the traditional understanding. Inheritance and development play a better role. The society is facing a severe aging problem. It is hoped that the study of filial piety and filial piety can arouse people's attention to this problem. This paper studies this subject by collecting, integrating a lot of literature and image analysis. This paper is divided into five parts, the first part is the research status, significance, research methods, the second part is to sort out the background of the generation of filial piety and filial piety pictures and the evolution of filial piety images. The third part focuses on the characteristics of the literati paintings reflected in the Book of filial piety. Firstly, it demonstrates that Li Gonglin has a deep education as a scholar. Secondly, it discusses its creative purpose of "admonishing in the middle of the book", and then discusses the aesthetic style of "reciting temperament", which is mainly reflected by the white drawing in the style of the works. In the end, the author discusses the characteristics of his "skilled youdao", the reasons for the formation of the characteristics of his literati paintings are inseparable from the cultural background of his time, and the main aesthetic thoughts of the literati paintings in the Northern Song Dynasty. As well as the influence of the group activities of the Shifu class at that time, the fourth part of this paper analyzes the forming reasons of the characteristics of the literati paintings of Li Gonglin's the Book of filial piety. The last part discusses the artistic value of Li Gonglin's literati painting and its influence on later generations. The conclusion of this research is obtained.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
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