当代意象风景油画中江南地域性色彩的挖掘
发布时间：2018-08-22 17:58
【摘要】：油画在中国的发展已有百年历史，风景油画的拓展更是中国油画的一个历史性课题，对于其执行与评论者都比较侧重。与中国山水画类似，西方的风景类油画采用的是不同的传统技艺，运用古老的样式，传统的选材而进行的，是一种历史的积淀。近代和现代的绘画历史发展中，这些方面成为中国与西方油画艺术相结合的一个结点，肯由此而产生了冲突。而江南风景油画作为其中的一个发展脉络，由于地域和传统的积淀很深，因此形成了与其它流派不尽相同的特色。 本文依托于中国意象油画的文化背景，对江南意象油画的特征进行分析，进而以沈行工的油画作品为对象，深入挖掘其作品中江南文化和地域风景色彩，，最后展望了当代江南意象风景油画的拓展方向。而江南风景油画依托着江南丰厚的自然人文，在中国油画未来的发展中必将占有重要地位。
[Abstract]:The development of oil painting in China has a history of one hundred years. The development of landscape oil painting is a historical subject of Chinese oil painting. Similar to Chinese landscape painting, the western landscape oil painting uses different traditional techniques, using the ancient style, the traditional selection of materials, is a kind of historical accumulation. In the development of modern and modern painting history, these aspects have become a node of the combination of Chinese and Western oil painting art, resulting in conflict. Jiangnan landscape oil painting as one of the development context, because of the deep accumulation of regional and traditional, so it has formed different characteristics with other schools. Based on the cultural background of Chinese image oil painting, this paper analyzes the characteristics of Jiangnan image oil painting, then takes Shen Xinggong's oil painting works as the object, and deeply excavates the Jiangnan culture and regional landscape color in his works. Finally, it looks forward to the development direction of the contemporary Jiangnan imagery landscape oil painting. Jiangnan landscape oil painting, relying on the rich natural humanities, will play an important role in the future development of Chinese oil painting.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2197872
[Abstract]:The development of oil painting in China has a history of one hundred years. The development of landscape oil painting is a historical subject of Chinese oil painting. Similar to Chinese landscape painting, the western landscape oil painting uses different traditional techniques, using the ancient style, the traditional selection of materials, is a kind of historical accumulation. In the development of modern and modern painting history, these aspects have become a node of the combination of Chinese and Western oil painting art, resulting in conflict. Jiangnan landscape oil painting as one of the development context, because of the deep accumulation of regional and traditional, so it has formed different characteristics with other schools. Based on the cultural background of Chinese image oil painting, this paper analyzes the characteristics of Jiangnan image oil painting, then takes Shen Xinggong's oil painting works as the object, and deeply excavates the Jiangnan culture and regional landscape color in his works. Finally, it looks forward to the development direction of the contemporary Jiangnan imagery landscape oil painting. Jiangnan landscape oil painting, relying on the rich natural humanities, will play an important role in the future development of Chinese oil painting.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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本文编号：2197872
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