浅析笔墨间的情感在山水画写生中的重要性

发布时间：2018-08-28 13:24

【摘要】：写生作为中国山水画学习、创作的重要途径和手段,近年来得到了众多艺术家的高度重视,在当代山水画的创作中也成为了表达自然之美的形式之一。历代的山水画家也都非常重视深入自然生活,并进行长期的观察写生记录,只不过从文献中看到的只言片语没有提及“写生”这个词,但关于“师造化”、“得心源”却屡屡被倡导。其中的“师造化”正是自然造化,“得心源”就成为了其核心的再创作了。由于当代中国的文化赋予了写生的新的定义,所以在今人眼中古人的写生就成为了目识心记后的对景生情,重在体悟了。从自然山水中概括出笔墨语言,重视观物象之态,进行深入刻画,不断地丰富和提高形象思维在绘画中的运用,从而创造出抒发情感体悟的山水作品来,供观者们欣赏以达到共鸣,在这其中重要的是训练笔墨语言的表达不断地丰富自己的情感世界,体会笔墨间的情感在写生中的重要性成为了历代画家共同面对的课题,这也是本文的论点所在。使得探讨笔墨与情感间的联系在山水画写生中的重要性有了一定的现实意义。本篇论文将围绕着中国山水画写生中笔墨间的情感元素的重要性来进行研究、论述。第一章对山水画写生与情感进行概述,分别论述写生是情感表达和笔墨发展的重要途径,以及写生在山水画发展中的地位。第二章论述笔墨在山水画写生中的表现,将从传统与当代两个方面对笔墨语言进行剖析,在继承优秀传统笔墨的基础上发展新的笔墨语言。第三章浅析笔墨间的情感在山水画写生中的重要性及其表现,我从三个方面进行了整理,首先自然山川本身所具有的情感特征,其次当画者走进山川时客观山石和个人情感碰撞所迸发出的感情,最后将情感升华进行对景抒情。第四章总结笔墨与情感对山水画写生、创作的启示。依此给中国山水画写生赋予新的含义,同时也警醒自己在以后的写生学习上有新的方向,在继承传统的基础上不断的开拓创新。
[Abstract]:As an important way and means to study and create Chinese landscape painting, sketching has been attached great importance by many artists in recent years, and has also become one of the forms of expressing the beauty of nature in the creation of contemporary landscape painting. The landscape painters of the past dynasties have also attached great importance to deepening their natural lives and making long-term observation and sketching records. However, they have not mentioned the word "sketching" in the few words they have seen in the literature, but about the "master's creation". However, "get the source of the heart" has been repeatedly advocated. Among them, "teacher creation" is the nature of creation, "heart source" has become its core re-creation. Because the contemporary Chinese culture has given a new definition of sketching, so in the eyes of modern people, the painting of the ancients has become the view of the mind after the scene, the focus on understanding. From the natural landscape, we generalize the language of pen and ink, attach importance to the state of view of objects, deeply depict it, enrich and improve the application of image thinking in painting constantly, and thus create landscape works that express emotional understanding. For the audience to appreciate in order to achieve resonance, in which it is important to train the expression of pen and ink language to constantly enrich their emotional world, to understand the importance of the painting between the feelings in the painting has become a common subject faced by the painters of all dynasties. This is also the point of this paper. To explore the relationship between strokes and emotions in the landscape painting in the importance of a certain practical significance. This paper will focus on the importance of emotional elements between strokes and ink in Chinese landscape painting. The first chapter summarizes the landscape painting sketches and emotions, respectively discusses that sketch is an important way to express emotion and brush and ink development, as well as the status of sketch in the development of landscape painting. The second chapter discusses the performance of brush and ink in the painting of landscape painting, from the traditional and contemporary two aspects of the analysis of the brush and ink language, on the basis of inheriting the excellent traditional brush and ink on the basis of the development of new pen and ink language. In the third chapter, I analyze the importance and expression of the emotion between strokes and ink in landscape painting. First of all, the emotional characteristics of natural mountains and rivers are arranged from three aspects. Secondly, when the artist walks into the mountains and rivers, the emotion burst out by the collision of the objective rock and the personal emotion, and the emotion is sublimated to express the emotion of the scene. Chapter four summarizes the inspiration of painting and emotion to landscape painting. According to this to Chinese landscape painting to give new meaning, but also wake up in the future sketch study has a new direction, on the basis of inheriting the tradition on the basis of continuous innovation.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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