汉画像石艺术对现代插画设计影响的研究
发布时间：2018-08-28 19:19
【摘要】：汉画像石是中国古代艺苑一颗璀璨的明珠,代表了中国本土艺术发展成熟期的“原生态”。它通过生动形象的造型,丰富多彩的画面,展现出汉代艺术的特殊气质和古拙风貌,表现了一种整体灵动、浪漫进取的“大一统”时代精神。它那富有形式美感的构图,蕴含生命力的线条,夸张的造型,以及多种艺术表现手法的结合,对后世的美术发展产生了极为深远的影响。而插画艺术同样有着悠久的发展历史,古往今来,它与人们的生活息息相关,以其独特的魅力丰富着我们的精神世界。这两种艺术形式都是值得我们珍视的文化瑰宝。 时至今日,处于信息化时代的现代插画艺术无论是在材料的应用、制作的方式以及传播的媒介等方面都发生了很大变化,涌现出不少优秀艺术家,创作出许多富有时代特色的优秀作品。然而,在世界一体化的进程中,中国的现代插画艺术领域在取得令人瞩目的成就的同时,也受到了欧美日韩等国外插画艺术思想及风格的羼入和商品大潮的冲击,影响到国内一部分艺术家的创作态度和职业操守,以至于许多作品都是以“文化快餐”的形式充斥于插画市场之中,这些粗制滥造、低质廉价的复制品,不仅使得中国的插画艺术领域显得杂乱无章,更是远离了中国受众的审美情趣和价值观念。因此,我们有必要重新审视我们引以为自豪的宝贵艺术遗产,树立高度的文化自觉,在广泛吸纳人类先进文明成果的同时,注重将中国的插画艺术创作植根于民族优秀传统文化的沃土之上,惟有如此,才能更好的发掘和借鉴民族传统的精髓,创造出经得起历史考验的艺术精品。 作为民族传统艺术重要元素的汉画像石艺术,其丰富而独特的造型艺术语言有很多值得现代插画借鉴之处。笔者在查阅大量资料和实地考察的基础之上,通过结合自己所学专业知识以及在创作实践中积累的经验,试图从汉画像石中的构图、造型、线条、表现手法等方面分析其独特的艺术语言,并结合具体作品着重探究汉画像石艺术对现代插画设计的影响,力求将汉画像石中蕴含的艺术语言融会贯通于现代插画的设计之中,从而丰富当前插画创作的艺术表现,提高插画的创作品质,创造出具有中国民族特色的艺术精品。
[Abstract]:The stone relief of Han Dynasty is a bright pearl of ancient Chinese art garden, which represents the "original ecology" in the mature period of the development of Chinese native art. Through vivid and vivid modeling and rich and colorful pictures, it shows the special temperament of Han Dynasty art and its ancient style and features, and shows a spirit of "unification" of the whole and romantic enterprising era. The composition of its aesthetic sense of form, containing the lines of vitality, exaggerated modeling, and the combination of various artistic expression techniques, has had a profound impact on the development of art in later generations. Illustration art also has a long history of development. It is closely related to people's life and enriches our spiritual world with its unique charm. These two forms of art are cultural treasures that we cherish. Up to now, the modern illustration art in the information age has undergone great changes in the application of materials, the way of production and the media of communication, and many outstanding artists have emerged. He created many excellent works with the characteristics of the times. However, in the process of the integration of the world, China's modern illustrator art field has made remarkable achievements, but also by the European, American, Japan and South Korea and other foreign illustrator art ideas and styles of blending and the impact of the tide of commodities. This has affected the creative attitude and professional integrity of some artists in the country, so that many of their works are flooded in the illustration market in the form of "cultural fast food", which are shoddy, low-quality and cheap copies. Not only makes the Chinese illustration art field appear disorderly, but also away from the Chinese audience's aesthetic interest and value. Therefore, it is necessary for us to re-examine the valuable artistic heritage that we are proud of, to establish a high degree of cultural awareness, and to extensively absorb the fruits of advanced human civilization. Focus on the creation of Chinese illustrator art rooted in the fertile soil of national excellent traditional culture, only in this way, we can better explore and learn from the essence of national tradition, and create a fine art that can withstand the test of history. As an important element of traditional Chinese art, the rich and unique plastic arts language of Han Dynasty is worth drawing lessons from modern illustrations. On the basis of consulting a great deal of data and investigating on the spot, the author, by combining his own professional knowledge and the experience accumulated in his creative practice, attempts to draw from the composition, modeling, and lines of the Han Dynasty stone relief. This paper analyzes its unique artistic language in terms of expression techniques, and probes into the influence of the stone relief art of the Han Dynasty on the modern illustration design in combination with the concrete works, in order to integrate the artistic language contained in the stone relief in the Han Dynasty into the design of the modern illustration. In order to enrich the artistic expression of current illustration creation, improve the creation quality of illustration, create the fine art with Chinese national characteristics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
本文编号：2210360
[Abstract]:The stone relief of Han Dynasty is a bright pearl of ancient Chinese art garden, which represents the "original ecology" in the mature period of the development of Chinese native art. Through vivid and vivid modeling and rich and colorful pictures, it shows the special temperament of Han Dynasty art and its ancient style and features, and shows a spirit of "unification" of the whole and romantic enterprising era. The composition of its aesthetic sense of form, containing the lines of vitality, exaggerated modeling, and the combination of various artistic expression techniques, has had a profound impact on the development of art in later generations. Illustration art also has a long history of development. It is closely related to people's life and enriches our spiritual world with its unique charm. These two forms of art are cultural treasures that we cherish. Up to now, the modern illustration art in the information age has undergone great changes in the application of materials, the way of production and the media of communication, and many outstanding artists have emerged. He created many excellent works with the characteristics of the times. However, in the process of the integration of the world, China's modern illustrator art field has made remarkable achievements, but also by the European, American, Japan and South Korea and other foreign illustrator art ideas and styles of blending and the impact of the tide of commodities. This has affected the creative attitude and professional integrity of some artists in the country, so that many of their works are flooded in the illustration market in the form of "cultural fast food", which are shoddy, low-quality and cheap copies. Not only makes the Chinese illustration art field appear disorderly, but also away from the Chinese audience's aesthetic interest and value. Therefore, it is necessary for us to re-examine the valuable artistic heritage that we are proud of, to establish a high degree of cultural awareness, and to extensively absorb the fruits of advanced human civilization. Focus on the creation of Chinese illustrator art rooted in the fertile soil of national excellent traditional culture, only in this way, we can better explore and learn from the essence of national tradition, and create a fine art that can withstand the test of history. As an important element of traditional Chinese art, the rich and unique plastic arts language of Han Dynasty is worth drawing lessons from modern illustrations. On the basis of consulting a great deal of data and investigating on the spot, the author, by combining his own professional knowledge and the experience accumulated in his creative practice, attempts to draw from the composition, modeling, and lines of the Han Dynasty stone relief. This paper analyzes its unique artistic language in terms of expression techniques, and probes into the influence of the stone relief art of the Han Dynasty on the modern illustration design in combination with the concrete works, in order to integrate the artistic language contained in the stone relief in the Han Dynasty into the design of the modern illustration. In order to enrich the artistic expression of current illustration creation, improve the creation quality of illustration, create the fine art with Chinese national characteristics.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5
【参考文献】
相关期刊论文 前4条
1 王萌;;论插画中线性符号的视觉张力[J];大众文艺(理论);2009年01期
2 谭丽娜;;浅谈汉代画像石造型语言在现代插画设计中的运用[J];大众文艺;2012年16期
3 彭清月;;浅谈插画的历史与在中国的发展应用[J];青年文学家;2013年15期
4 宋歌;;浅析汉画像石的构图风格[J];中原文物;2009年05期
，本文编号：2210360
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