解析历代花鸟画的画竹之法
[Abstract]:The development of flower and bird painting has a long history. "plum, orchid, bamboo, and chrysanthemum" is called the "four Superior Men" in traditional Chinese painting. "Bamboo" is one of the "four Gentlemen". "Bamboo" is one of the "four Gentlemen". They created many excellent works, which had a great influence on later generations. Following the history of the development of Chinese flower-and-bird paintings, we can clearly appreciate the bamboo paintings of people in flower-and-bird paintings. Through the analysis of their works, we can find out how they draw and write bamboo. In order to understand how the law of flowers and birds painting bamboo changes with the development of the times. In this paper, the development history of flower-and-bird painting is briefly introduced, and the characteristics of the development of flower-and-bird paintings in different periods are excavated, as well as the differences in their contents and forms of expression. This paper lists some famous flower-and-bird paintings and their styles, laying the groundwork for the next analysis of the method of flower-and-bird painting. The key part of this paper is to understand the method of drawing bamboo by famous artists of all dynasties, the method of drawing bamboo is the method of painting flowers and birds. In the history of the development of flower and bird painting, there have been many epoch-making flower-and-bird paintings, and they have all made great contributions in the field of flower and bird painting. They left precious wealth for future generations. Among these artists, some of them were very keen on bamboo painting and had a special love for bamboo. They studied hard all their lives and had their own unique ways of drawing and writing bamboo. The painters listed in the article, as well as their representative works, represent the basic methods of the flower-and-bird paintings and bamboo paintings of that era, embody the characteristics of that era, profoundly analyze their works, and make a profound analysis of the development of contemporary flower-and-bird paintings. Of great significance. At the end of the article, the relationship between the law of drawing bamboo and the development of the times is expounded. The development of the law of drawing bamboo, like the development of art, is the development on the basis of inheritance and the unity of inheritance and development. Inheritance is not copied by 100% copy. But to pass on some good things, to discard the dregs, to take the essence, this is the permanent law of art development.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J212
【相似文献】
相关期刊论文 前10条
1 何兰坐;画竹与鉴赏[J];辽宁经济;2000年02期
2 璞石;徐刚锁;;画竹必先得成竹于胸中[J];学理论;2001年06期
3 王林旭;画竹艺术探微[J];文艺研究;2002年02期
4 翁晓瑜;古今作生竹,能者未十辈?——从一首题画诗看一段画竹历史[J];宜宾学院学报;2002年05期
5 张自中;品竹·咏竹·画竹[J];华夏文化;2004年02期
6 董乃强;画竹名家管夫人[J];荣宝斋;2004年01期
7 徐恩存;;李方玉的画竹艺术[J];国画家;2007年01期
8 李伟铭;;丘金峰先生画竹序[J];美术之友;2009年05期
9 缪士毅;;画家与画竹[J];林业与生态;2012年02期
10 朱光潜;;题吴龙丘先生画竹[J];艺术评论;2012年08期
相关重要报纸文章 前10条
1 孙祥虎;画家为何爱画竹[N];西藏日报;2004年
2 顾宝仁;从板桥画竹悟企业管理[N];中国质量报;2008年
3 王玉昆;版纳情怀——王永福画竹断想[N];美术报;2013年
4 阿君;今生勿忘 恋竹情结[N];中国艺术报;2001年
5 言蕙;曾历险路思前路 欣看杨竹画雪竹[N];文艺报;2014年
6 商报记者 熊潇雨;艾庆芸:笔墨随时代而笑[N];北京商报;2010年
7 蒋巍;竹唱大风歌[N];文艺报;2007年
8 蒋剑翔;学会观察 力求写实[N];中华新闻报;2009年
9 鲁慕迅;原知竹性与君同[N];中国文化报;2005年
10 高峰;虚心劲节见高风[N];光明日报;2013年
相关硕士学位论文 前1条
1 龙云;解析历代花鸟画的画竹之法[D];河北师范大学;2014年
本文编号:2210445
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2210445.html