当代语境下的中国工业题材油画探析
发布时间:2018-09-06 10:10
【摘要】:自人类进入工业文明以来,生产力和生产方式发生巨大变革,机器生产逐渐代替人工生产模式,社会制度的完善、社会服务体系的健全使人类获得高度的精神自由。20世纪90年代以后,以信息技术革命为中心的高新技术迅猛发展,不仅冲破了国界,而且缩小了各国和各地的距离。信息技术的快速变革导致大众文化迅猛发展,社会意识和社会结构发生巨变,人类进入了全球化和大众传媒时代。在此背景下,中国工业题材油画的观念、表现语言、媒介呈现出碎片化趋势。当代语境对中国工业题材油画发展的影响已经成为不能回避的研究课题。本文第一章梳理了中国工业题材油画的发展历史以及代表作品,第二章对当代语境的内涵及当代语境对中国工业题材油画的影响进行了论述。主要研究内容和核心观点是第三章当代语境下中国工业题材油画的新发展,通过分析国内如崔国泰、薛X、张新权、王家增等艺术家的作品,就工业题材油画画面语言、审美价值和社会意识的表达方面做出系统阐释。第四章是我对工业题材油画研究形成的创作体会,主要集中在题材选取和表现手法两方面。
[Abstract]:Since mankind entered the industrial civilization, great changes have taken place in the productive forces and modes of production. Machine production has gradually replaced artificial production mode. The perfection of social system and social service system have enabled mankind to obtain a high degree of spiritual freedom. Since the 1990s, the rapid development of high and new technologies centered on the information technology revolution has not only broken through. The rapid change of information technology has led to the rapid development of mass culture, social consciousness and social structure, and mankind has entered the era of globalization and mass media. The influence of context on the development of China's industrial oil paintings has become an unavoidable research topic. The first chapter of this paper combs the history and representative works of China's industrial oil paintings. The second chapter discusses the connotation of contemporary context and the influence of contemporary context on China's industrial oil paintings. The third chapter is the new development of Chinese industrial oil paintings in the contemporary context. By analyzing the works of domestic artists such as Cui Guotai, Xue Xang, Zhang Xinquan and Wang Jiazeng, this paper makes a systematic explanation on the surface language, aesthetic value and social consciousness expression of industrial oil paintings. Experience mainly focuses on two aspects: subject selection and expression.
【学位授予单位】:青岛大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
本文编号:2226019
[Abstract]:Since mankind entered the industrial civilization, great changes have taken place in the productive forces and modes of production. Machine production has gradually replaced artificial production mode. The perfection of social system and social service system have enabled mankind to obtain a high degree of spiritual freedom. Since the 1990s, the rapid development of high and new technologies centered on the information technology revolution has not only broken through. The rapid change of information technology has led to the rapid development of mass culture, social consciousness and social structure, and mankind has entered the era of globalization and mass media. The influence of context on the development of China's industrial oil paintings has become an unavoidable research topic. The first chapter of this paper combs the history and representative works of China's industrial oil paintings. The second chapter discusses the connotation of contemporary context and the influence of contemporary context on China's industrial oil paintings. The third chapter is the new development of Chinese industrial oil paintings in the contemporary context. By analyzing the works of domestic artists such as Cui Guotai, Xue Xang, Zhang Xinquan and Wang Jiazeng, this paper makes a systematic explanation on the surface language, aesthetic value and social consciousness expression of industrial oil paintings. Experience mainly focuses on two aspects: subject selection and expression.
【学位授予单位】:青岛大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
【参考文献】
相关期刊论文 前7条
1 陈川泓;;画痴陈许[J];粤海风;2016年05期
2 陈向兵;;静寂的世界:记忆与怀想的场景——梁宇的工业叙事性油画作品[J];中国油画;2014年04期
3 王端廷;;为工业文明造像——张新权油画作品析[J];南京艺术学院学报(美术与设计版);2011年05期
4 尚辉;;开放中的审美突破与文化穿越——中国美术改革发展30年[J];艺术百家;2009年01期
5 易英;;倾斜的地平线——读赵晓佳的画[J];东方艺术;2007年15期
6 尚辉;;20世纪中国美术现实主义内涵的变化与发展[J];文艺研究;2007年06期
7 陈丹青;伟大的残骸——读崔国泰近作[J];美苑;2004年05期
,本文编号:2226019
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2226019.html