“纯真之眼”-关于《筑之美》系列作品的创作报告

发布时间：2018-09-06 10:32

【摘要】：本文“纯真之眼”是英国19世纪著名的美术批评家拉斯金提出来的一个概念,它原意指的是不带任何先入之见地观看艺术作品,就像完全不懂事的小孩子一样。这个理论曾经对现代主义运动的影响非常大。在古代希腊有一批思想家所谓的“艺术模仿自然”的模仿说中他们有一种很朴素的认识:就是人们认为艺术家是一个高举明镜,照耀四方的人,他就像镜子一样反射四周的人或者景物,不带一丝杂念的去创造自己的艺术作品。后世贡布里希对这个观点提出质疑,从图式的角度证明纯真之眼是不存在的。本文作者以为:纯真之眼虽然理论上不存在,但是如果把纯真之眼当做一种艺术创作态度,特别是针对当下一些脱离社会生活实践的创作而言,它是值得人们思考的。从事儿童绘画教育的经历亦让我受到启发,在教学过程中,虽然我是主导者,但是也在教学相长的过程中,学习到用“纯真之眼”不带任何偏见的去进行自己的美术教学、创作和思考,在《筑之美》系列作品的绘制中,我也将用这种纯真的态度去实践于我的生活,我的创作。
[Abstract]:The "Eye of innocence" is a concept put forward by Ruskin, a famous British art critic in the 19th century. It is intended to mean viewing works of art without any preconceptions, just like a completely ignorant child. This theory once had a great influence on the modernism movement. In ancient Greece, there was a group of thinkers who called the imitation theory of "art imitating nature" and they had a very simple understanding: that is, people thought that the artist was a man who held high the mirror and shone on all sides. Like a mirror, he reflects people or objects around him, creating his own works of art without a trace of distraction. Later Gombrich questioned this view, proving from a schematic point of view that the eye of innocence does not exist. The author thinks that although the pure eye does not exist in theory, it is worth thinking about if the pure eye is regarded as an attitude of artistic creation, especially for the creation which is divorced from the practice of social life. My experience in children's painting education also inspired me. In the process of teaching, although I was the leader, I also learned to use the "Eye of innocence" to teach my own fine arts without any prejudice. Creation and thinking, in the series of paintings, I will use this pure attitude to practice in my life, my creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J204

【共引文献】