当代水墨画中的“空白”及其运用
发布时间：2018-09-06 19:43
【摘要】：“空白”作为中国绘画艺术的特殊形式语言,一直被画家们所重视,它在中国绘画中有着非常重要的作用,它不仅可以营造画面中的艺术美,折射出丰富的文化内涵、美学思想,而且对我们的艺术创作和艺术欣赏都有着积极的意义。本文以中国传统绘画中“空白”的哲学渊源为切入点,通过研究中国传统绘画中“空白”的内涵与当代水墨画家对传统“空白”的继承与发展,整理出一条纵向的脉络。最后根据自己在进行艺术创作时如何思考及运用“空白”,说明绘画中“空白”的重要性。本文划分为三个部分,第一部分从老庄思想中的有无论和虚实观论述“空白”的哲学渊源,之后详细论述“空白”的内涵:布白的两种状况—“实布”和“虚布”;“空白”是虚实相生之法;“空白”与“计白当黑”。第二部分结合几位当代著名的水墨人物画家的作品,从“白的隐退”和“多意共处的白”两个维度分析随着时代的发展,“空白”在当代语境下的当代意义及水墨画家不同的探索取向。第三部分则是以本人近期创作的作品为例,写自己是如何布白的,布白之后使画面产生什么样的效果,进而说明“空白”的作用。
[Abstract]:As a special form language of Chinese painting art, "blank" has always been attached importance to by painters. It plays a very important role in Chinese painting. It can not only create the artistic beauty in the picture, but also reflect the rich cultural connotation. Aesthetic thought, and to our artistic creation and art appreciation all have the positive significance. Based on the philosophical origin of "blank" in Chinese traditional painting, this paper studies the connotation of "blank" in Chinese traditional painting and the inheritance and development of traditional "blank" by contemporary ink and wash painters, and puts forward a vertical thread. Finally, according to his own artistic creation how to think and use "blank", explain the importance of "blank" in painting. This paper is divided into three parts. The first part discusses the philosophical origin of "blank" from the view of "no matter whether it exists in Laozhuang's thought," and then discusses the connotation of "blank" in detail: "solid cloth" and "empty cloth" in two kinds of conditions of cloth white; Blank is the law of void and reality, and blank and white are black. The second part combines the works of several famous contemporary ink and wash painters, and analyzes the development of the times from the two dimensions of "the retreat of white" and "the white of coexistence of many meanings". The contemporary significance of blank in contemporary context and the different exploration orientations of ink-wash painters. The third part takes my recent works as an example, describes how he is white, what kind of effect the picture produces after whitening, and then explains the function of "blank".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212
，
本文编号：2227352
[Abstract]:As a special form language of Chinese painting art, "blank" has always been attached importance to by painters. It plays a very important role in Chinese painting. It can not only create the artistic beauty in the picture, but also reflect the rich cultural connotation. Aesthetic thought, and to our artistic creation and art appreciation all have the positive significance. Based on the philosophical origin of "blank" in Chinese traditional painting, this paper studies the connotation of "blank" in Chinese traditional painting and the inheritance and development of traditional "blank" by contemporary ink and wash painters, and puts forward a vertical thread. Finally, according to his own artistic creation how to think and use "blank", explain the importance of "blank" in painting. This paper is divided into three parts. The first part discusses the philosophical origin of "blank" from the view of "no matter whether it exists in Laozhuang's thought," and then discusses the connotation of "blank" in detail: "solid cloth" and "empty cloth" in two kinds of conditions of cloth white; Blank is the law of void and reality, and blank and white are black. The second part combines the works of several famous contemporary ink and wash painters, and analyzes the development of the times from the two dimensions of "the retreat of white" and "the white of coexistence of many meanings". The contemporary significance of blank in contemporary context and the different exploration orientations of ink-wash painters. The third part takes my recent works as an example, describes how he is white, what kind of effect the picture produces after whitening, and then explains the function of "blank".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J212
，
本文编号：2227352
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