20世纪上半叶中国人物画线型艺术的衍变与特征研究

发布时间：2018-11-04 19:43

【摘要】：线是中国人物画最重要的表现手法,它随着社会的发展而不断变化。本文通过对唐、宋、元、明、清、民国各时期人物画线型艺术的梳理,总结出各时期线型艺术的大致特征,并着重分析20世纪上半叶人物画线型艺术与前代各时期人物画线条的区别,进而论述线型艺术在此时期的衍变和特征以及解析线型发生转变的原因。全文主要分为五个部分:第一章对本论文的选题意义、目前的研究现状以及"线型艺术"的基本概念做简要的介绍;第二章主要分析唐、宋、元、明各时期重要画家的人物画作品中的线条,通过大量图像资料的分析和对比总结出各时期人物画线条的发展变化和整体特征,为下一章节的论述做必要的铺垫和分析;第三章是本文的主体章节,首先分析了清代人物画的发展及清末任渭长、任伯年等人作品线型艺术的觉醒,然后具体分析民国时期南北两地大量画家对人物画线条快速挥写的集中探索,最后,通过综合上一章节对历史各时期人物画线条艺术发展的梳理,阐述20世纪上半叶人物画线型艺术的转型发展;第四章具体论述了 20世纪上半叶人物画线型艺术转型发展的主要原因;第五章通过对此时期人物画线条的综合分析,总结出三点主要的线型艺术特征。本文的主要研究成果可以简要概括为:20世纪上半叶的人物画线条因传统书写、材料工具及商业经济的影响,由唐、宋、元、明、清以来工整严谨的勾描衍变为一气呵成、挥洒自由的快速勾写,并形成此时期自由挥写、强烈抒情和不可重复的线型艺术特征。
[Abstract]:Line is the most important expression of Chinese figure painting, it changes with the development of society. This paper summarizes the general characteristics of line art of figure painting in various periods of Tang, Song, Yuan, Ming, Qing and Republic of China. The difference between the line art of figure painting in the first half of the 20th century and the lines of figure painting in previous dynasties is analyzed, and the evolution and characteristics of the line art in this period are discussed, as well as the reasons for the transformation of line type. The thesis is divided into five parts: the first chapter briefly introduces the significance of this thesis, the current research situation and the basic concept of "line art"; The second chapter mainly analyzes the lines in the figure painting works of the important painters in Tang, Song, Yuan and Ming dynasties. Through the analysis and comparison of a large number of image data, it summarizes the development and overall characteristics of the figure painting lines in each period. For the next chapter of the discussion to do the necessary groundwork and analysis; The third chapter is the main part of this paper. Firstly, it analyzes the development of figure painting in Qing Dynasty and the awakening of line art in the late Qing Dynasty, such as Ren Weichang, Ren Bonian and others. Then it concretely analyzes the concentrated exploration of figure painting lines by a large number of painters in the north and south of the Republic of China, and finally, combs the development of figure painting line art in each period of history by synthesizing the previous chapter. This paper expounds the transformation and development of the line art of figure painting in the first half of the 20th century. The fourth chapter discusses the main reasons of the transformation and development of the figure painting line art in the first half of the 20th century; the fifth chapter summarizes the three main line art characteristics through the comprehensive analysis of the figure painting lines of this period. The main research results of this paper can be summarized as follows: the lines of figure painting in the first half of the 20th century have evolved from neat and rigorous sketches since the Tang, Song, Yuan, Ming and Qing dynasties into a coherent one due to the influence of traditional writing, material tools and commercial economy. Wielding the freedom of rapid tick, and form this period of free writing, strong lyric and non-repeatable line art features.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】