恽寿平没骨花鸟画色彩研究
发布时间：2018-11-04 20:52
【摘要】：恽寿平是清代初期的最具代表性的一位画家，尤长花鸟，作没骨花鸟画。没骨花鸟画由来已久，最早可以追溯到北宋的徐崇嗣。历经了宋、元、明三代的发展，到了清初，恽寿平在继承前人的基础上，把写意与写生相结合，创造出淡雅妍丽、形态生动、画格高逸的没骨花鸟画风。恽寿平的没骨花鸟画在题材，用笔、设色等方面都有建树，，尤其是在用色上，已达到巧夺天工，出神入化的高逸境界。 本文以恽寿平没骨花鸟画的设色为研究点，结合已有的国内论著从现在的艺术角度进行分析研究。文章分为六个部分，首先梳理了从北宋开始历代没骨花鸟画的发展，对恽寿平及之前的没骨花鸟画有了初步的认识；接着探究恽寿平生活的时代背景、生平经历；其次分析总结恽寿平没骨花鸟画的成因，对恽寿平的没骨花鸟画设色有了深入的探索；继而归纳恽寿平没骨花鸟画的设色风格特点：淡逸为宗、富于变化、笔精墨妙、色染水晕、粉笔代脂、生命之色；然后叙述恽寿平没骨花鸟画色彩体系对后世的影响；最后再论述其设色对我实践创作的影响和启迪。
[Abstract]:Yun Shouping was the most representative painter in the early Qing Dynasty. Flower and bird paintings without bones have a long history, which can be traced back to Xu Chongsi in the Northern Song Dynasty. After the development of Song, Yuan and Ming dynasties, Yun Shuping combined freehand brushwork with sketching on the basis of his predecessors in the early Qing Dynasty. Yun Shouping's boneless flowers and birds painting has made achievements in subject matter, pen, color and so on, especially in the use of color. This paper takes Yun Shuping's painting of flowers and birds as the research point, combining the existing domestic works from the point of view of the present art. The article is divided into six parts, firstly combing the development of the flower and bird painting without bone in the past dynasties from the Northern Song Dynasty, having a preliminary understanding of Yun Shouping and his previous painting without bones, then exploring the background of Yun Shuping's life and life experience; Secondly, it analyzes and summarizes the causes of Yun Shuping's painting without bone flowers and birds, and probes deeply into Yun Shuping's painting with no bone flowers and birds. Then the color style of Yun Shuping's painting without bone is summarized as follows: light and elegant style, rich in changes, fine ink of pen, color of water, chalk for fat, color of life, and then narrate the influence of Yun Shuping's color system on later generations; At last, it discusses the influence and enlightenment of its color setting on my practical creation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2311099
[Abstract]:Yun Shouping was the most representative painter in the early Qing Dynasty. Flower and bird paintings without bones have a long history, which can be traced back to Xu Chongsi in the Northern Song Dynasty. After the development of Song, Yuan and Ming dynasties, Yun Shuping combined freehand brushwork with sketching on the basis of his predecessors in the early Qing Dynasty. Yun Shouping's boneless flowers and birds painting has made achievements in subject matter, pen, color and so on, especially in the use of color. This paper takes Yun Shuping's painting of flowers and birds as the research point, combining the existing domestic works from the point of view of the present art. The article is divided into six parts, firstly combing the development of the flower and bird painting without bone in the past dynasties from the Northern Song Dynasty, having a preliminary understanding of Yun Shouping and his previous painting without bones, then exploring the background of Yun Shuping's life and life experience; Secondly, it analyzes and summarizes the causes of Yun Shuping's painting without bone flowers and birds, and probes deeply into Yun Shuping's painting with no bone flowers and birds. Then the color style of Yun Shuping's painting without bone is summarized as follows: light and elegant style, rich in changes, fine ink of pen, color of water, chalk for fat, color of life, and then narrate the influence of Yun Shuping's color system on later generations; At last, it discusses the influence and enlightenment of its color setting on my practical creation.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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本文编号：2311099
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