写生与当代青绿山水画创作研究
发布时间：2018-11-05 13:45
【摘要】：自古以来,写生与创作都是一个不可背离的话题,如何处理两者之间的关系,是青绿山水画家能否创作出佳作的关键所在。从写生与创作的转换,是指画家对自然山川作直接的审美观照之后才能发现审美的自然,体悟自然的气韵,体悟自然之真之妙,在自然客体的直接刺激下主体以自然山川为师,对其进行直接的观察和研究,以掌握自然物象的具体特征与规律,达到创作的自由,也就是由必然走向自由的过程,只有掌握的自然山川的变化规律与特征,亲近自然理解自然,才能自由的创造画面中的“自然”,将自然山川之真,之善,之美自然而然的表现出来,创造的作品才能有其“妙”处,或许妙不可言,或许妙趣横生。董其昌说:“画家以古人为师以至上乘,进此应当以天地为师。每朝看云起变化,绝近画中山。山行见奇书,需四面取之。树有左看不入画,而右看入画者,前后亦尔。看得熟了,自然传神,传神者必以形。”强调了初以古人为师,后以自然为师的重要性。画家唐志契在《绘事微言》一书中也强调:“凡画山水者看其真山水”,“画山水而不亲临极高极深,徒摹仿旧人栈道瀑布,终是模糊丘壑,未可得佳境”。又说“画不但法古,当法自然”。这些古人的创作理论不可否认的说明了势必要将写生和创作紧密相连,二者不可分割。当然在继承古代艺术家的绘画观念和技法的同时,也需要与时俱进,才能保持当代绘画语言,写生就给画者提供了一个可以不断创新的物质基础,因为自然山川的奥秘是可以不断被人们所发现所认识的,人们对自然山川的认识也是不断发展的,所以以写生为基础的当代青绿山水画创作是为了更好的创新。本文主要论证写生与当代青绿山水画创作之间的相互作用与关系。第一章阐述了论文的研究意义,第二章研究写生与古代青绿山水画的发展历程,主要研究古人师法自然的观念与实践的关系。并对这一时期的著名画家画作进行分析,论证写生与青绿山水画创作自古以来就是密切相关的。第三章主要论述当代青绿山水画的写生。围绕地域和题材差异性对画家艺术风格的影响进行分析,不同的天然景物,影响人的想象力和理性的发展,不同的天然景物,也影响人们的审美情趣,由此产生了雄浑悲壮与秀逸纤丽这样两种不同的意象和风格。分析画家在面对不同地域风情时,如何营造青绿山水画的意境,画家在面对大自然气候季节的变化时,对色彩,笔墨,构图等所采用不同形式的处理方法进行综合论述。第四章围绕当代青绿山水画的创作进行研究和分析。以当代的青绿山水画家为例分析写生对创作的滋养。主要论述写生与青绿山水创作的关系。
[Abstract]:Since ancient times, sketch and creation have been a topic that cannot be deviated from. How to deal with the relationship between them is the key to whether green landscape painters can create good works. The conversion between sketch and creation means that the painter can only discover the aesthetic nature, understand the natural charm, realize the true beauty of nature after taking direct aesthetic photos of natural mountains and rivers, and take the natural mountains and rivers as the teachers under the direct stimulation of the natural objects. Through direct observation and study, in order to grasp the specific characteristics and laws of natural objects, to achieve the freedom of creation, that is, the process of moving from inevitable to free, only the laws and characteristics of the changes of natural mountains and rivers can be grasped. Only when we are close to nature and understand nature, can we freely create the "nature" in the picture, and naturally express the truth, goodness and beauty of the natural mountains and rivers, so that the work of creation can have its "wonderful" place, perhaps wonderful, perhaps interesting. Dong Qichang said: "the painters taught by the ancients and even the best, and they should learn from heaven and earth. Every look at the cloud changes, near the painting Zhongshan. See strange books on the mountain, you need to take them from all sides. The tree has left to see not to paint, and right to see the painting, before and after. When you see it well, nature evokes, and the evangelist takes shape. " It emphasizes the importance of taking the ancients as the teacher and the nature as the teacher at the beginning. The painter Tang Zhiqi also emphasized in his book, "those who draw landscapes see their true landscapes." painting landscapes without personally visiting the very high and deep, only mimicking the waterfall of the old man, is ultimately a vague mound and mound, but not a good place. " He also said, "painting is not only a law of ancient times, but also a law of nature." These ancient creation theories undeniably show that sketch and creation must be closely linked, the two are inseparable. Of course, while inheriting the painting ideas and techniques of ancient artists, we also need to keep pace with the times in order to maintain the language of contemporary painting. Sketching provides a material foundation for painters to innovate constantly. Because the mystery of natural mountains and rivers can be continuously discovered and recognized, people's understanding of natural mountains and rivers is also constantly developing, so the creation of contemporary green landscape painting based on sketching is for better innovation. This paper mainly demonstrates the interaction and relationship between sketching and contemporary green landscape painting. The first chapter elaborates the research significance of the thesis, the second chapter studies the history of the development of sketches and ancient green landscape painting, mainly studies the relationship between the concept and practice of the ancients' natural law. By analyzing the paintings of famous painters in this period, it is demonstrated that sketches and green landscape paintings have been closely related since ancient times. The third chapter mainly discusses the contemporary green landscape painting sketch. Based on the analysis of the influence of region and subject difference on the artist's artistic style, different natural scenery influences the development of human imagination and rationality, and different natural scenery also affects people's aesthetic taste. From this, there are two different images and styles: vigorous, tragic and beautiful. This paper analyzes how to create the artistic conception of green landscape painting in the face of different regional customs, and discusses synthetically the different ways of dealing with color, ink and ink, composition and so on in the face of the seasonal changes of natural climate. The fourth chapter focuses on the contemporary green landscape painting creation research and analysis. Take contemporary green landscape painters as an example to analyze the nourishment of sketches on creation. This paper mainly discusses the relationship between sketching and green landscape creation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2312269
[Abstract]:Since ancient times, sketch and creation have been a topic that cannot be deviated from. How to deal with the relationship between them is the key to whether green landscape painters can create good works. The conversion between sketch and creation means that the painter can only discover the aesthetic nature, understand the natural charm, realize the true beauty of nature after taking direct aesthetic photos of natural mountains and rivers, and take the natural mountains and rivers as the teachers under the direct stimulation of the natural objects. Through direct observation and study, in order to grasp the specific characteristics and laws of natural objects, to achieve the freedom of creation, that is, the process of moving from inevitable to free, only the laws and characteristics of the changes of natural mountains and rivers can be grasped. Only when we are close to nature and understand nature, can we freely create the "nature" in the picture, and naturally express the truth, goodness and beauty of the natural mountains and rivers, so that the work of creation can have its "wonderful" place, perhaps wonderful, perhaps interesting. Dong Qichang said: "the painters taught by the ancients and even the best, and they should learn from heaven and earth. Every look at the cloud changes, near the painting Zhongshan. See strange books on the mountain, you need to take them from all sides. The tree has left to see not to paint, and right to see the painting, before and after. When you see it well, nature evokes, and the evangelist takes shape. " It emphasizes the importance of taking the ancients as the teacher and the nature as the teacher at the beginning. The painter Tang Zhiqi also emphasized in his book, "those who draw landscapes see their true landscapes." painting landscapes without personally visiting the very high and deep, only mimicking the waterfall of the old man, is ultimately a vague mound and mound, but not a good place. " He also said, "painting is not only a law of ancient times, but also a law of nature." These ancient creation theories undeniably show that sketch and creation must be closely linked, the two are inseparable. Of course, while inheriting the painting ideas and techniques of ancient artists, we also need to keep pace with the times in order to maintain the language of contemporary painting. Sketching provides a material foundation for painters to innovate constantly. Because the mystery of natural mountains and rivers can be continuously discovered and recognized, people's understanding of natural mountains and rivers is also constantly developing, so the creation of contemporary green landscape painting based on sketching is for better innovation. This paper mainly demonstrates the interaction and relationship between sketching and contemporary green landscape painting. The first chapter elaborates the research significance of the thesis, the second chapter studies the history of the development of sketches and ancient green landscape painting, mainly studies the relationship between the concept and practice of the ancients' natural law. By analyzing the paintings of famous painters in this period, it is demonstrated that sketches and green landscape paintings have been closely related since ancient times. The third chapter mainly discusses the contemporary green landscape painting sketch. Based on the analysis of the influence of region and subject difference on the artist's artistic style, different natural scenery influences the development of human imagination and rationality, and different natural scenery also affects people's aesthetic taste. From this, there are two different images and styles: vigorous, tragic and beautiful. This paper analyzes how to create the artistic conception of green landscape painting in the face of different regional customs, and discusses synthetically the different ways of dealing with color, ink and ink, composition and so on in the face of the seasonal changes of natural climate. The fourth chapter focuses on the contemporary green landscape painting creation research and analysis. Take contemporary green landscape painters as an example to analyze the nourishment of sketches on creation. This paper mainly discusses the relationship between sketching and green landscape creation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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