薄膜压印技法在工笔花鸟画创作中的应用研究
发布时间：2018-11-05 16:29
【摘要】：八十年代初随着经济的发展，同样影响了艺术领域的进步，当我们打开国门，窥测国外画坛的时候，发现他们那里既有古典画派的传统艺术，也有现代派的艺术，传统与现代之间是一个并存和发展的关系，形成了一个完整的艺术格局。改革开放以来，中国画的创作迎来了一个相对自由、宽松的学术环境，中西艺术交流也日益增多，新工具、新材料、新观念以及其他艺术门类的引入和借鉴，，当代工笔画不但突破了传统的绘画形式，且朝多元、多向的发展。工笔画以开放的姿态吸取东西方绘画的精华，寻求更多的表现途径，开始技法上的革新，试图以丰富和发展绘画表现形式来改变工笔画的传统面貌，让其获得新的艺术活力。 技法的探索、肌理的制作在当代工笔画的创作中已经成为发展中国工笔画的课题之一。薄膜压印技法在工笔花鸟画创作中的应用研究是在学习、借鉴、尝试肌理创作过程中提出的，此课题的提出的目的是丰富和发展工笔花鸟画创作中的表现形式，使自己的作品获得新的艺术活力。具体来说追求的是抽象的肌理和描绘具象的对象完美地统一，使人们看到的作品超越客观物象的真实而达到具有抽象的内涵，给观者留有思考和联想的空间。 本课题主要研究的是薄膜压印技法在工笔花鸟画创作中的应用。主要包括以下四个部分：一是简述中国画创作中肌理制作的历史渊源；二是笔者对薄膜压印技法的研究的论述，包括其概念、使用的工具和材料、操作步骤等；三是薄膜压印技法在工笔花鸟画创作中的应用，主要是从作品出发阐述笔者在工笔花鸟画创作的实践过程中对薄膜压印技法的应用；四是笔者在工笔花鸟画创作中的思考。
[Abstract]:In the early 1980s, with the development of the economy, it also affected the progress of the art field. When we opened the door of the country and peeped into the foreign painting world, we found that they had both the traditional art of the classical painting school and the art of the modernist school there. The relationship between tradition and modern is a coexistence and development, forming a complete artistic pattern. Since the reform and opening up, the creation of Chinese painting has ushered in a relatively free and relaxed academic environment, and the exchange of Chinese and Western art has increased day by day. New tools, new materials, new ideas and other art categories have been introduced and used for reference. Contemporary fine-brush painting not only broke through the traditional painting form, but also towards the multi-directional development. With an open attitude to absorb the essence of eastern and western painting, to seek more ways of expression, to start the technical innovation, to enrich and develop the form of painting to change the traditional face of painting, so that it can acquire new artistic vitality. The exploration of techniques and the production of texture have become one of the subjects in the development of Chinese fine brushwork. The application research of film imprint technique in the fine brushwork flower-and-bird painting creation is put forward in the process of studying, drawing lessons from and trying to create texture. The purpose of this subject is to enrich and develop the expression form in the fine brushwork flower-and-bird painting creation. To bring new artistic vitality to one's own works. Specifically, the pursuit of abstract texture and description of the object of the perfect unity, so that people see beyond the reality of the objective object and achieve abstract connotation, leaving the viewer with space for thinking and association. This paper mainly studies the application of film embossing technique in fine-brush flower-and-bird painting. It mainly includes the following four parts: first, the historical origin of texture production in Chinese painting creation; second, the author's discussion on film imprint techniques, including its concept, tools and materials used, operation steps, etc. The third is the application of the film imprint technique in the fine brushwork and bird painting creation, the author mainly expounds the application of the film imprint technique in the practice process of the fine brushwork flower-and-bird painting creation from the work, and the fourth is the author's thinking in the fine brushwork flower-and-bird painting creation.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2312645
[Abstract]:In the early 1980s, with the development of the economy, it also affected the progress of the art field. When we opened the door of the country and peeped into the foreign painting world, we found that they had both the traditional art of the classical painting school and the art of the modernist school there. The relationship between tradition and modern is a coexistence and development, forming a complete artistic pattern. Since the reform and opening up, the creation of Chinese painting has ushered in a relatively free and relaxed academic environment, and the exchange of Chinese and Western art has increased day by day. New tools, new materials, new ideas and other art categories have been introduced and used for reference. Contemporary fine-brush painting not only broke through the traditional painting form, but also towards the multi-directional development. With an open attitude to absorb the essence of eastern and western painting, to seek more ways of expression, to start the technical innovation, to enrich and develop the form of painting to change the traditional face of painting, so that it can acquire new artistic vitality. The exploration of techniques and the production of texture have become one of the subjects in the development of Chinese fine brushwork. The application research of film imprint technique in the fine brushwork flower-and-bird painting creation is put forward in the process of studying, drawing lessons from and trying to create texture. The purpose of this subject is to enrich and develop the expression form in the fine brushwork flower-and-bird painting creation. To bring new artistic vitality to one's own works. Specifically, the pursuit of abstract texture and description of the object of the perfect unity, so that people see beyond the reality of the objective object and achieve abstract connotation, leaving the viewer with space for thinking and association. This paper mainly studies the application of film embossing technique in fine-brush flower-and-bird painting. It mainly includes the following four parts: first, the historical origin of texture production in Chinese painting creation; second, the author's discussion on film imprint techniques, including its concept, tools and materials used, operation steps, etc. The third is the application of the film imprint technique in the fine brushwork and bird painting creation, the author mainly expounds the application of the film imprint technique in the practice process of the fine brushwork flower-and-bird painting creation from the work, and the fourth is the author's thinking in the fine brushwork flower-and-bird painting creation.
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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本文编号：2312645
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