论传统美柔汀版画在当代版画中的转换意义

发布时间：2018-11-06 19:44

【摘要】：美柔汀源自意大利语“mezzotint”,Mezzo为“half(半)”之意,tint为“tone(色调)”之意,mezzotint合称“halftone(半色调)”。但是石版印刷中的中间色调与铜版印刷的中间色调是不相同的,我们习惯将石版印刷中的中间色调解释为“网点(Screen Dot)”,而在传统美柔汀技法中则解释为”渐变有层次的光影变化”,而且美柔汀版画技法是由黑到白的表现语言方式。本文在现有的文字图像资料基础上,通过对传统美柔汀版画的历史演变、语言特点和现当代中外美柔汀版画家的创作作品进行比对研究,归纳当代美柔汀版画在观念、题材和方法上的转换,探讨传统美柔汀版画语言方式与当下社会的关系,从中寻找美柔汀版画艺术转换的可能性,以表达传统美柔汀版画对当代版画的创作产生的积极作用和重要意义,重构传统美柔汀版画艺术的当代文化价值。本文共分四部分,第一部分为回顾传统美柔汀版画的历史演变与发展传承,并对传统美柔汀版画的语言特点和技法进行介绍。第二、三部分是从观念和题材上阐述传统美柔汀版画的观念革新和风格多样化,以及传统美柔汀版画语言在当代版画中的转换意义。第四部分是从方法上阐述传统美柔汀版画与数码的结合以及科学技术的发展促进美柔汀版画技术的拓展,重构传统美柔汀版画的当代意义。
[Abstract]:Mejortin comes from Italian word "mezzotint", Mezzo means "half", tint means "tone" and mezzotint is called "halftone". But the middle tone in stone printing is different from the middle tone in copper plate printing. We are used to interpreting the middle tone in stone printing as "dot (Screen Dot)". In the traditional technique of Merlot, it is interpreted as "gradual change of light and shadow", and the technique of Maxiu print is the expression of language from black to white. On the basis of the existing text and image data, this paper compares and studies the historical evolution, language characteristics and contemporary American and foreign print artists' works of the traditional Merlot print, and sums up the concept of contemporary American print. The conversion of subjects and methods, the relationship between the traditional language style and the present society, and the possibility of changing the art of Meirting print. In order to express the positive effect and important significance of traditional Meiruting print on the creation of contemporary print, the contemporary cultural value of traditional Meiruting print art is reconstructed. This paper is divided into four parts. The first part is to review the historical evolution and development of the traditional Merlot print, and introduce the language characteristics and techniques of the traditional Merlot print. Second, the third part is from the concept and the theme elaborated the traditional Meiruting print idea innovation and the style diversification, and the traditional Meirting print language transformation significance in the contemporary printmaking. The fourth part is to expound the combination of traditional Merlot print and digital and the development of science and technology to promote the expansion of the technology of Merlot print and reconstruct the contemporary significance of traditional Merlot print.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J217

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