新疆歌舞题材油画创作研究
[Abstract]:Xinjiang has been known as the hometown of song and dance since ancient times. The Uygur, Kazakh, Kirgiz, Tajik, Mongolian, Sibo, Manchu, Uzbek, Tattar, Russian and other ethnic groups can sing and dance, singing and dancing can be said to be an important spiritual support in the daily life of ethnic minorities. Under the background of multi-nationality and multi-culture, Xinjiang's oil painting is bound to be inseparable from the theme of song and dance, and the scene of minority singing and dancing has become the object of painters' works. As the ancients said: "there is no good form in painting", oil painters take oil painting as the carrier according to their own experience from the real life fantasy visual image, both intuitionistic image of the depiction of the external image of real life, It also depicts the artist's inner spirit, thought, emotion and meaning. Xinjiang painters who were born and raised in Xinjiang have a special charm in depicting the scenes of Xinjiang music and dance, no matter who sees such scenes and pictures, they will be infected by the vivid vitality of painting. The national spirit of all ethnic groups in this land is presented in the form of painting, which becomes an important channel for us to better understand the feelings of ethnic minorities in Xinjiang. Studying the theme of Xinjiang oil painting is an indispensable part of studying oil painting creation and understanding the local national customs. The theme of singing and dancing in Xinjiang oil painting is the exploration of Xinjiang people's life and spiritual culture, as well as the deep understanding of the painters' thoughts, feelings and personal experiences. More in-depth experience of Xinjiang folk customs and future oil painting will have important significance.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
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