苏俄军事油画中的人道主义精神研究

发布时间：2018-11-13 12:20

【摘要】：战争虽经国家机器给予政治的、宗教的、种族的、权益的、甚至正义的种种形式和借口,但战争以毁灭生命为代价的残酷现实并不会因“正义”与否而改变。苏俄历经两次最惨痛世界大战,战火硝烟、悲欢离合、生生死死给军事油画提供了层出不穷的内容与创作源泉。战争在改变世界格局的同时也撞击着艺术家的心灵,他们在画作中演绎着现实世界的暴行与正义、邪恶与人道、仇恨与博爱、生命与死亡,在对场面追摹、英雄崇拜,以及抚今追昔中深入对人性、人道进行探究与反思。苏俄油画在世界上享有盛誉,其军事油画数量大、精品多,是苏俄油画的重要组成部分。在苏俄军事油画创作中名家荟萃、群星璀璨,其艺术作品通过战争题材这个载体充分抒发了一种“俄罗斯精神”,具有很强的艺术魅力和感人至深的力量。人道主义精神是苏俄油画的重要特征,这一特征不仅是我们研究和关注苏俄油画必须面对的艺术问题,而且也是我们研究和关注当下艺术不可忽视的一种艺术现象。本文以苏俄军事油画中彰显的人道主义精神为研究核心,在对俄罗斯民族的宗教信仰与艺术传统分析的基础上,对苏俄军事油画人道主义精神的渊源进行了追溯；对苏俄军事油画人道主义精神在军事油画中的历史演变进行了梳理。文章第三章结合作品,从讴歌英雄的使命、关注平凡的生命、直面战争的伤痛、缅怀战火中温情、诗化无尽的乡愁五个视角对苏俄军事油画人道主义精神的呈现形式与特点进行了具体阐述。第四章在分析苏俄军事油画作品中存在文化悖论的基础上,对战争与博爱、战争与和平进行了深入的探讨。在文章的最后一章探讨了苏俄军事油画的时代启示,在分析苏俄军事油画艺术特色的同时,结合我国军事题材油画创作现状,探讨我国军事题材油画的前进之路。“古为今用,洋为中用”,我们可以“以苏为镜”,择其善者而从之,不善者弃之,让人道主义的光辉照耀我国军事题材油画创作。
[Abstract]:Although war is given political, religious, racial, rights and interests by the state apparatus, and even various forms and excuses of justice, the cruel reality of war at the cost of destroying lives will not be changed by "justice" or not. Soviet Russia experienced two most painful world wars, the flames of war, joys and sorrows, life and death for the military oil painting to provide endless content and creative source. While changing the world pattern, war also impinges on the minds of artists. In their paintings, they interpret atrocities and justice in the real world, evil and humanity, hatred and fraternity, life and death, imitating scenes, worshiping heroes. And carries on the inquiry and the reflection to the humanity and humanity in the past. The Soviet Russian oil painting enjoys a high reputation in the world, its military oil painting quantity is big, the fine goods is many, is the Soviet Russia oil painting important constituent. In the Soviet Russia military oil painting, the famous artists gather together, the stars are bright, its art works fully express a kind of "Russian spirit" through the carrier of the war theme, which has very strong artistic charm and the most moving force. Humanitarianism is an important feature of Soviet oil painting, which is not only the art problem that we have to face, but also an art phenomenon that we can not ignore. Based on the analysis of the religious belief and artistic tradition of the Russian nation, this paper traces the origin of the humanitarianism spirit of the Soviet military oil painting. This paper combs the historical evolution of the humanitarianism spirit of Soviet military oil painting in military oil painting. The third chapter combines the works, from eulogizing the mission of heroes, paying attention to ordinary life, facing the pain of war, remembering the tender feelings in the war, Poetic endless nostalgia five angles of view of the Soviet Russian military painting of the presentation of the spirit of humanitarianism and characteristics of the specific elaboration. On the basis of analyzing the cultural paradox in Soviet military oil painting, the fourth chapter makes a deep discussion on war and fraternity, war and peace. In the last chapter of the article, the author discusses the enlightenment of Soviet military oil painting, analyzes the artistic characteristics of Soviet military oil painting, and discusses the way forward of our country's military oil painting combining with the present situation of our country's military subject oil painting creation. "the past is for the present, the foreign is the Chinese", we can "take the Su as the mirror", choose its good and follow, the poor abandon it, let the humanitarianism shine on our country's military oil painting.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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