晋宋隐逸新风尚与山水艺术
发布时间：2018-11-20 13:05
【摘要】：隐逸现象在中国文化史上占有重要的地位，它为士人提供了除出仕之外的另一种生活方式。隐逸是不断地发展变化的，在特定的历史阶段呈现出特定的面貌。进入到晋宋时期，各种各样的隐逸方式、隐逸理论都已经产生，隐逸文化逐渐成熟。这对晋宋时期的社会有很大的影响，客观上促进了人们对山水自然之美的认识、发现，为后来山水艺术的出现奠定了重要的基础。 与之前的隐逸相比，晋宋隐逸呈现了新的风尚。作为隐逸之人的精神产物，山水艺术在晋宋之际大量出现，这势必会受到隐逸新风尚的深刻影响。本文旨在探讨隐逸与山水艺术的关系，拟从以下几个方面展开论述： 首先，描述晋宋隐逸新风尚之“新”。与晋宋之前的隐逸相比，“新”的特征表现为为高士的名士化、朝隐的盛行、隐逸群体的出现。 其次，叙述隐逸对山水审美意识的促进作用，山水审美意识的成熟是山水艺术在晋宋之际出现的前提和基础。山水诗创作与山水画、山水画论都受到隐逸新风尚的影响。本章将着重勾勒山水审美意识与山水诗、山水画与山水画论之间的错综复杂的关系。 最后，对隐逸与山水艺术的承载者之一宗炳的三个问题进行论述。得出在晋宋隐逸新风尚的影响下，，山水画论在一定程度上影响山水诗的创作的结论。 晋宋隐逸新风尚使晋宋的山水艺术登上了历史的舞台。
[Abstract]:The phenomenon of seclusion plays an important role in the history of Chinese culture. Seclusion is constantly developing and changing, showing a specific face at a specific historical stage. In Jin and Song dynasties, all kinds of reclusive ways and theories have been produced, and the seclusion culture has matured gradually. This had a great influence on the society of Jin and Song dynasties, promoted people's understanding of natural beauty of landscape objectively, and found that it laid an important foundation for the appearance of landscape art later. Compared with the previous seclusion, Jin and Song reclusive presented a new fashion. As the spiritual product of the reclusive people, the landscape art appeared in large numbers during the Jin and Song dynasties, which is bound to be deeply influenced by the new style of seclusion. The purpose of this paper is to explore the relationship between hermitage and landscape art, and discuss it from the following aspects: firstly, it describes the new style of recluse in Jin and Song dynasties. Compared with the recluse before the Jin and Song dynasties, the characteristics of "New" are as follows: the name of Gao Shi, the prevalence of recluse and the emergence of reclusive groups. Secondly, narrate the function of hermitage to the aesthetic consciousness of landscape. The maturity of aesthetic consciousness of landscape is the premise and foundation of landscape art appearing in Jin and Song dynasties. The creation of landscape poetry and landscape painting, landscape painting theory are influenced by the new style of seclusion. This chapter will focus on the landscape aesthetic consciousness and landscape poetry, landscape painting and landscape painting theory of the intricate relationship. Finally, three problems of Zong Bing, one of the carriers of hermit and landscape art, are discussed. Under the influence of the new style of seclusion in Jin and Song dynasties, the theory of landscape painting influences the creation of landscape poems to some extent. The new style of seclusion in Jin and Song dynasties made the landscape art of Jin and Song dynasties appear on the stage of history.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.22;J212
本文编号：2344994
[Abstract]:The phenomenon of seclusion plays an important role in the history of Chinese culture. Seclusion is constantly developing and changing, showing a specific face at a specific historical stage. In Jin and Song dynasties, all kinds of reclusive ways and theories have been produced, and the seclusion culture has matured gradually. This had a great influence on the society of Jin and Song dynasties, promoted people's understanding of natural beauty of landscape objectively, and found that it laid an important foundation for the appearance of landscape art later. Compared with the previous seclusion, Jin and Song reclusive presented a new fashion. As the spiritual product of the reclusive people, the landscape art appeared in large numbers during the Jin and Song dynasties, which is bound to be deeply influenced by the new style of seclusion. The purpose of this paper is to explore the relationship between hermitage and landscape art, and discuss it from the following aspects: firstly, it describes the new style of recluse in Jin and Song dynasties. Compared with the recluse before the Jin and Song dynasties, the characteristics of "New" are as follows: the name of Gao Shi, the prevalence of recluse and the emergence of reclusive groups. Secondly, narrate the function of hermitage to the aesthetic consciousness of landscape. The maturity of aesthetic consciousness of landscape is the premise and foundation of landscape art appearing in Jin and Song dynasties. The creation of landscape poetry and landscape painting, landscape painting theory are influenced by the new style of seclusion. This chapter will focus on the landscape aesthetic consciousness and landscape poetry, landscape painting and landscape painting theory of the intricate relationship. Finally, three problems of Zong Bing, one of the carriers of hermit and landscape art, are discussed. Under the influence of the new style of seclusion in Jin and Song dynasties, the theory of landscape painting influences the creation of landscape poems to some extent. The new style of seclusion in Jin and Song dynasties made the landscape art of Jin and Song dynasties appear on the stage of history.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.22;J212
【参考文献】
相关期刊论文 前10条
1 胡秋银;南朝士人隐逸观[J];安徽大学学报;2004年01期
2 姜剑云;谢灵运与慧远交游考论[J];太原师范学院学报(社会科学版);2005年02期
3 谢宝富;两晋南朝隐逸之风的流变[J];广西师范大学学报(哲学社会科学版);2005年01期
4 王春冰;魏晋隐逸观念与山水文学的兴起[J];江汉论坛;2004年06期
5 刘红红;张玉春;;从“逍遥游”到“人境庐”——论庄子思想与传统士人出世隐逸人格在魏晋时代的确立[J];孔子研究;2010年04期
6 胡秋银;西晋士人隐逸观[J];临沂师范学院学报;2002年01期
7 蔡彦峰;;慧远“形象本体”之学与宗炳《画山水序》的理论建构[J];南京师范大学文学院学报;2011年02期
8 韦凤娟;;试论魏晋朝隐之风与山水诗的兴起[J];社会科学战线;1983年01期
9 张润平;姜剑云;;宗炳和净土宗师慧远交游考[J];山西高等学校社会科学学报;2009年12期
10 刘湘兰;从《世说新语》看魏晋名士的隐逸思想[J];湘潭师范学院学报(社会科学版);2001年06期
本文编号：2344994
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2344994.html
