青春故事—不想长大

发布时间：2018-11-20 13:06

【摘要】：有许多人,在许多的时刻心中都会或明或暗的地浮现出拒绝长大的念头”拒绝长大的心理动机源于对成人世界的恐惧,源于对衰老的恐惧,源于对死亡的恐惧,源于对时间流逝的恐惧。夹缝中的八零后已经长大,不同于七十年代人生活稳定,没有九十年出生孩子那样洒脱,大多数人正在或面临工作,开始要为生计奔波,与此同时不再像九零后那样年轻,也来不及追赶七零后的生活节奏,突然被推上社会这个大舞台。有彷徨,有不安,独自面对繁杂的生活。创作要传达的理念是这代八零后已经长大,生活中充斥更多的人生欲望,在追逐在得到也在失去,甚至有时候取得一些成绩后却侨情的发现其实并没有那么快乐,独自面对矛盾的一种生活状态,就在这矛盾中缅怀那份简单的、易得到满足的、但却回不去的童年小幸福。通过反复阅读书籍,小说《四十一炮》以细腻的人物描写,画面感十足的勾勒呈现观者,产生无限遐想。《青春故事——不想长大》创作有别以往,以书籍作为切入点,借小说作为文学依据与现实生活结合。创作基点定于对文学作品的深入联系,以文学作品为创作研究的参考文献,再通过小说中的人物形象与个人的生活经历结合, 音乐的创作需要艺术家通过一个兴奋点来获得灵感进而谱写出曼妙的音乐,文学创作要求作家通过追溯一定历史事件了解当时的社会背景作为基点写出脍炙人口的文学作品,影视作品产生更需要编剧、导演根据一定的文学著作进行编排,艺术创作大抵如此,需要作者提供出一个有章可循的脉络,一份创作的原始依据。那么绘画艺术,油画作品的诞生也需要通过围绕一个点来展开,有些作品根据作者的自身经历,有的依靠想象心中梦境,还有通过直接对景写生进行。《青春故事——不想长大》参照文学书籍作为切入点,产生这个契合点并与作品相吻合,这是创作的大方向。在艺术上最终的集点是趋向大同,海纳百川包罗万象。但在追求的方式方法上多种多样。文学、音乐、美术都应如此。
[Abstract]:There are many people who, at many moments in their hearts, have the idea of refusing to grow up. "the psychological motivation for refusing to grow up stems from the fear of the adult world, from the fear of aging, from the fear of death, From the fear of the passage of time. The 80's in the gap have grown up, different from the stable life of people in the 1970s, who are not as easy as their children born in 1990. Most people are working or facing work and are beginning to work for their livelihood, while at the same time they are no longer as young as they were after the 1990s. It was too late to catch up with the rhythm of life after 70, and was suddenly pushed onto the big stage of society. There is a loss, there is unease, alone in the face of a complex life. The idea to be conveyed in creation is that this generation has grown up after 80 years, that life is full of more desires for life, and that in the pursuit of getting and losing, and sometimes even after making some achievements, the discovery of overseas Chinese feelings is actually not so happy. Faced with contradiction alone a life state, in this contradiction to remember that simple, easy to be satisfied, but can not go back to the small happiness of childhood. Through repeated reading of books, the novel < 41 Gun > is described with delicate characters, with a full picture sense of sketching the viewer and producing infinite reverie. "Youth Story-Don't want to grow up" creates something different from the past, taking books as the starting point. The combination of fiction and real life as literary basis. The basic point of creation is to make a deep connection to literary works, to take literary works as reference documents for creative research, and then to combine the characters in novels with personal life experiences. The creation of music requires an artist to get inspiration through an exciting point and to compose a wonderful piece of music. Literary creation requires writers to write popular literary works by tracing back certain historical events and understanding the social background at that time. The production of film and television works requires screenwriters, and the director arranges them according to certain literary works. In general, artistic creation requires the author to provide a rule-based context, an original basis for creation. Well, painting art and the birth of oil paintings also need to be carried out around a point. Some of the works are based on the author's own experience, and some depend on the dreams in the imagination. There is also a direct sketch of the scene. "Youth Story-Don't want to grow up" refers to the literary books as a starting point to produce this point of convergence and consistent with the work, which is the main direction of creation. In art, the ultimate collection point is the trend of Datong, including all kinds of rivers. But in the pursuit of a variety of ways and means. So should literature, music and art.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】