王蒙山水画中繁密风格的研究

发布时间：2018-11-20 14:08

【摘要】：王蒙与黄公望、吴镇、倪瓒并称为“元四家”，王蒙独特艺术风格的形成是结合于特殊的时代背景，所以形成了区别于唐宋时期山水画审美风格。王蒙的作品意境深幽苍茫，，这是通过繁密的笔墨形式和构图特征体现出来的，这与同一时代的黄公望之逸迈，倪瓒之简淡，吴镇之沉郁的风格又形成了差别，而这种差别基本体现在他们的笔墨和构图两种表现形式上，无论哪种风格都体现了他们高逸的人品和高尚的艺术修养，王蒙的画意苍茫深邃，语体独特，构图、笔墨技法的丰富和多样性在元四家中最为突出，这就是后人赞美、模仿的地方所在。第一章主要介绍了王蒙繁密风格形成的渊源，从王蒙的师承方面，由外到内的一种方式来探讨这种繁密风格的形成。第二章主要分析了王蒙繁密风格的形成过程中，不同的时期所受到的哲学思想观念的影响不同，导致他的画面意境不同。第三章主要分析这种繁密风格的两种不同的山水画风格类型、王蒙山水画中繁密意象造型风格的主要表现形式，及对造成他们山水画独特风格自身因素的比较，以笔墨和构图的变化为主线，通过比较研究他的作品与同时代画家的作品，分析王蒙在不同时期的心理状态、造型手法等阐述他的人品成熟过程及对哲学的领悟，反过来对笔墨、构图的影响从而形成了不同的繁密意象造型风格类型。第四章介绍了王蒙繁密风格对后世山水画家的影响，这种影响主要也是从笔墨、构图两方面出发来研究，并通过分析作品和文献来说明他们对王蒙画风的继续和创新。
[Abstract]:Wang Meng, Huang Gongwang, Wu Zhen and Ni Zan are called "four Yuan families". The formation of Wang Meng's unique artistic style is combined with the special background of the times, so it is different from the aesthetic style of landscape painting in Tang and Song dynasties. The artistic conception of Wang Meng's works is deep and boundless, which is reflected by the dense forms of pen and ink and the characteristics of composition, which is different from Huang Gongwang of the same era, Ni Zan's simplicity, and Wu Zhen's gloomy style. And this difference is basically reflected in their two forms of expression: ink and composition. Whatever style they are, they embody their high moral character and noble artistic accomplishment. Wang Meng's painting has a deep meaning, a unique style, and a composition. The richness and diversity of pen and ink techniques are most prominent in the four Yuan families, which is where posterity praises and imitates. The first chapter mainly introduces the origin of Wang Meng's complicated style, and discusses the formation of Wang Meng's style from the outside to the inside. The second chapter mainly analyzes the formation process of Wang Meng's dense style, different periods by different philosophical ideas, resulting in different artistic conception of his picture. The third chapter mainly analyzes the two different types of landscape painting style, the main expression forms of the complex image modeling style in Wang Meng's landscape painting, and the comparison of the factors that cause their unique style of landscape painting. Taking the change of pen and ink and composition as the main line, through the comparative study of his works and the works of contemporary painters, this paper analyzes Wang Meng's psychological state and modeling techniques in different periods, and expounds his mature process of personality and understanding of philosophy. On the other hand, the influence on ink and ink composition has formed different styles of dense image modeling. The fourth chapter introduces Wang Meng's influence on later landscape painters, which is mainly studied from two aspects of painting and composition, and through analyzing works and literature to explain their continuation and innovation to Wang Meng's painting style.
【学位授予单位】：海南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】