探析写意花鸟画的“意境”追求
发布时间：2018-11-20 14:22
【摘要】：意境是中国传统的美学范畴，作为艺术文化中最重要的组成部分之一，千百年来中国的传统绘画艺术都以追求意境为绘画作品的最高境界和最终目的。 中国写意花鸟画，它是最具中华民族精神、魂魄性和文化特质的艺术。作为中国传统绘画艺术的一枝独秀的写意花鸟画它的精神本身是源于生活的，同时它又是高于生活的一种绘画艺术，自古以来中国写意花鸟画就以追求意境的创造为最高境界。从古至今中国传统绘画艺术对意境的创造，都是要求画家以最饱满的个人感情与客观世界相互交融，，把作者的主观情感寄托在物象上，通过主观的审美意趣对客观物象进行概括与加工，使其主客体达到一个高度的融合，成为一种精神的载体。因此我们可以看出在写意花鸟画的发展过程中，也是对花鸟画创作意境的一个追求过程。 想要让一副绘画作品具有感人的艺术魅力，就必须让这幅作品具有神韵和意境。在写意花鸟画的创作中对意境的要求又是近乎于苛刻的，因此我们在创作写意花鸟画的时候通过不同的手段去达到画面独特的意境表达就显得极其重要。因此，文章从意境谈起，分析了意境的渊源与内涵，同时介入了代表性的作品解说了绘画意境、中国美学思想影响下的写意花鸟画的意境追求、写意花鸟画意境追求过程中的形式语言。中国传统绘画作为一种与西方油画同为世界绘画史上的两大高峰，其自身所具有的艺术文化价值不言而喻，作为它的重要的分支的写意花鸟画更以独特的表现方式给世人留下了深刻的印象。为了更好的继承和发展传统艺术文化遗产，深入的研究意境这一美学概念在写意花鸟画创作中的运用就显得意义重大了。
[Abstract]:Artistic conception is the traditional aesthetic category of China, as one of the most important components of art culture, the pursuit of artistic conception is the highest realm and ultimate goal of Chinese traditional painting art for thousands of years. Chinese brushwork flowers and birds painting, it is the most Chinese spirit, soul and cultural characteristics of the art. As a kind of traditional Chinese painting art, the spirit of freehand brushwork flower and bird painting originates from life, at the same time, it is a kind of painting art that is higher than life. Since ancient times, Chinese freehand brushwork flower and bird painting takes the creation of artistic conception as the highest realm. From ancient to present, the creation of artistic conception by Chinese traditional painting art requires painters to blend the most full personal feelings with the objective world, and to place the author's subjective feelings on the images. The subjective aesthetic interest is used to generalize and process the objective object image, which makes the subject and object achieve a high degree of fusion and become a kind of spirit carrier. Therefore, we can see that in the development process of freehand brushwork, it is also a pursuit of artistic conception of flower-and-bird painting. In order for a painting to have touching artistic charm, it must have charm and artistic conception. In the creation of freehand flower-and-bird painting, the requirement of artistic conception is almost harsh, so it is extremely important for us to achieve the unique artistic conception expression through different means when we create freehand brushwork flower and bird painting. Therefore, the article starts from the artistic conception, analyzes the origin and connotation of the artistic conception, at the same time interposes with the representative works to explain the artistic conception of painting, and the artistic conception pursuit of the freehand brushwork and bird painting under the influence of the Chinese aesthetic thought. The formal language in the pursuit of artistic conception of freehand brushwork flower and bird painting. As one of the two peaks in the history of world painting, Chinese traditional painting has its own artistic and cultural value. As an important branch of it, freehand brushwork has impressed the world with its unique expression. In order to inherit and develop the traditional artistic and cultural heritage, it is of great significance to deeply study the aesthetic concept of artistic conception in the creation of freehand brushwork.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2345150
[Abstract]:Artistic conception is the traditional aesthetic category of China, as one of the most important components of art culture, the pursuit of artistic conception is the highest realm and ultimate goal of Chinese traditional painting art for thousands of years. Chinese brushwork flowers and birds painting, it is the most Chinese spirit, soul and cultural characteristics of the art. As a kind of traditional Chinese painting art, the spirit of freehand brushwork flower and bird painting originates from life, at the same time, it is a kind of painting art that is higher than life. Since ancient times, Chinese freehand brushwork flower and bird painting takes the creation of artistic conception as the highest realm. From ancient to present, the creation of artistic conception by Chinese traditional painting art requires painters to blend the most full personal feelings with the objective world, and to place the author's subjective feelings on the images. The subjective aesthetic interest is used to generalize and process the objective object image, which makes the subject and object achieve a high degree of fusion and become a kind of spirit carrier. Therefore, we can see that in the development process of freehand brushwork, it is also a pursuit of artistic conception of flower-and-bird painting. In order for a painting to have touching artistic charm, it must have charm and artistic conception. In the creation of freehand flower-and-bird painting, the requirement of artistic conception is almost harsh, so it is extremely important for us to achieve the unique artistic conception expression through different means when we create freehand brushwork flower and bird painting. Therefore, the article starts from the artistic conception, analyzes the origin and connotation of the artistic conception, at the same time interposes with the representative works to explain the artistic conception of painting, and the artistic conception pursuit of the freehand brushwork and bird painting under the influence of the Chinese aesthetic thought. The formal language in the pursuit of artistic conception of freehand brushwork flower and bird painting. As one of the two peaks in the history of world painting, Chinese traditional painting has its own artistic and cultural value. As an important branch of it, freehand brushwork has impressed the world with its unique expression. In order to inherit and develop the traditional artistic and cultural heritage, it is of great significance to deeply study the aesthetic concept of artistic conception in the creation of freehand brushwork.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 刘英;论花鸟画的意境[J];西北美术;1995年01期
本文编号：2345150
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