黄宾虹与贾科梅蒂绘画的共同性

发布时间：2019-02-15 16:39

【摘要】：本文通过对黄宾虹与贾科梅蒂绘画作品的调查和分析,融合自身对绘画的实践,从两者绘画的本质出发,结合图片资料发现两位画家有各自的绘画特点,同时也存在相对应的共同性。艺术的诞生与人类的诞生从某种意义上来讲可以说是同等重要。作为人类的特殊活动形式,艺术的出现则是人本质的需求。然而黄宾虹与贾科梅蒂两者的作品无论是从中国传统绘画还是西方现代绘画上来讲都在追求一种高境界的艺术思想。作为独特的艺术形式的出现而绘画的出现则是艺术海洋中的一页扁舟,从扁舟变成航母的过程则是无法预料的。但人类追求美的历程始终不曾改变。最早的绘画作品则是作为人直立行走所留下来的脚印,美也就产生了。艺术也就产生了,那么“艺术是什么”?我一直认为艺术作品中的美绝不三可以追求的结果,也不是无故的产生,如同美也不是轻易的消失那样。而绘画通过艺术作品的形式展现同样并非偶然。绘画作品追求的本质问题不绘因为地域环境与人文背景不同所产生的结果大相径庭。因为这一切都是围绕人的存在而产生的某种特殊结果。这种特殊的艺术形式的出现离不开视觉,而在绘画中这种视觉被统称为“视觉语言”,这种“视觉语言”又区别物理上是视觉,物理上对视觉是这样解释的:视觉是通过视觉系统的外围感觉器官(眼)接受外界环境中一定波长范围内的电磁波刺激,经中枢有关部分进行编码加工和分析后获得的主观感觉。人所感知的外界信息有很大程度来自视觉感官,然而传统艺术作品纯属视觉感官的型产物,通过这种视觉感官带来的效果在一定意义上也存在相同之处,其次,抛开视觉本身回归到画面内在的语言形式我们不难返现其中也有相同之处,这篇论文我主要是围绕;艺术是什么?而追寻着最终的答案:何为“真理”?在《现代汉语词典》中“真理”是这样解释的:真实的道理,即客观物象及其规律在人的意识中正确的反映。因为一切艺术的形式活动都无法摆脱人的存在,也可以说艺术作品同样脱离不开艺术家而存在,艺术作为一种特殊的形式出现在人类的生存环境中,其结构围绕的是客观现实,也就是说;艺术是客观生活的反映,艺术高与生活。从艺术史的角度来看,无论是从和种学说和中观念,无非涉及到的都离不开现实生活,因为现实生活是艺术家进行艺术创作的源泉。只有通过对客观生活的深刻体会,所感所悟才会有创作的热情与动力。因为艺术创作只有将客观的具体的形象进行再创造,才能创作出无限的必然性。艺术的生命在于艺术家会将自己对客观世界的主观认知“置入”其艺术作品中,并用一种前所未有的无蔽状态创作,可想而知这样创作出来的作品势必是感人的。
[Abstract]:Through the investigation and analysis of Huang Binhong and Giacometti's painting works, this paper combines their own practice of painting, starting from the essence of their paintings and combining with the picture materials, finds that the two painters have their own painting characteristics. At the same time, there is a corresponding commonality. The birth of art and the birth of mankind in a sense can be said to be equally important. As a special form of human activity, the appearance of art is the need of human nature. However, the works of Huang Binhong and Giacometti both pursue a high artistic thought in terms of Chinese traditional painting and western modern painting. As a unique form of art, the appearance of painting is a boat in the ocean of art, and the process from boat to aircraft carrier is unpredictable. But the course of human pursuit of beauty has never changed. The earliest paintings were left as footprints of upright walking, and beauty came into being. Art comes into being, so what is art? I have always believed that beauty in works of art is never the result of three pursuits, nor does it arise without cause, as beauty does not disappear easily. And painting through the form of works of art is also not accidental. The essence of painting works is not drawn because the regional environment and the humanistic background produce different results. Because all this is around the existence of man and produce a special result. The appearance of this special art form is inseparable from vision, and in painting this kind of vision is collectively called "visual language", and this "visual language" distinguishes physics from vision. The physical explanation for vision is that vision receives electromagnetic stimulation within a certain wavelength range of the external environment through the peripheral sensory organ (eye) of the visual system. The subjective sensation obtained by coding and analyzing the related parts of the central nervous system. The external information that people perceive to a great extent comes from the visual senses. However, the traditional works of art are purely the product of the visual senses. The effects brought by this kind of visual senses are similar in a certain sense. Secondly, It is not difficult to return to the language form of the picture from the vision itself. I mainly focus on this paper. What is art? And pursue the final answer: what is "truth"? In the Dictionary of Modern Chinese, "Truth" is interpreted as follows: the true truth, that is, the objective object image and its laws are correctly reflected in human consciousness. Because all the formal activities of art cannot get rid of the existence of human beings, it can also be said that works of art also exist without artists. Art, as a special form, appears in the living environment of human beings, and its structure revolves around the objective reality. That is to say; Art is the reflection of objective life, art high and life. From the point of view of art history, whether from the theory of harmony and the concept of middle, nothing but the real life can not be separated from the real life, because the real life is the source of the artist's artistic creation. Only through the deep experience of objective life, will there be enthusiasm and motivation of creation. Because artistic creation can create infinite inevitability only by recreating objective and concrete images. The life of art is that the artist will "put his subjective cognition of the objective world" into his works of art, and create it with an unprecedented state of masking. It can be imagined that the work created in this way is bound to be moving.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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