由“俗”归“雅”——吴友如光绪十六年后的新选择
发布时间：2019-02-15 22:16
【摘要】：生活在晚清时代的吴友如,其画作及成就因《点石斋画报》而为世人所知。然而,因《点石斋画报》作为通俗画报所呈现之"俗"与吴友如的艺术理想相背离,光绪十六年后,吴友如毅然通过前后创办《飞影阁画报》与《飞影阁画册》,实现其由"俗"归"雅"的"华丽转身"。吴友如的这一选择既在企图实现其"法超三昧,誉播千秋"的传统文人画家理想,更是对传统文化的一种坚守,对于19世纪末20世纪初的中国弥足珍贵。
[Abstract]:Wu Youru, who lived in the late Qing Dynasty, is known for his paintings and achievements. However, because the "vulgarity" presented by Dingshi Zhai Pictorial as a popular pictorial newspaper deviated from Wu Youru's artistic ideal, after 16 years of Guang Xu, Wu Youru resolutely established "Feiying Pavilion Pictorial" and "Feiying Pavilion Picture album" before and after the founding of Guang Xu. Realize its "gorgeous turn" from "vulgar" to "elegant". Wu Youru's choice is not only trying to realize his ideal of traditional literati painters, but also holding firmly to the traditional culture, which is precious to China in the late 19th century and early 20th century.
【作者单位】： 安徽大学艺术学院;
【基金】：2015年度安徽省哲学社会科学规划项目《清末民初新市民阶层影响下的视觉文化》[AHSKY2015D143]系列成果之一
【分类号】：J212
[Abstract]:Wu Youru, who lived in the late Qing Dynasty, is known for his paintings and achievements. However, because the "vulgarity" presented by Dingshi Zhai Pictorial as a popular pictorial newspaper deviated from Wu Youru's artistic ideal, after 16 years of Guang Xu, Wu Youru resolutely established "Feiying Pavilion Pictorial" and "Feiying Pavilion Picture album" before and after the founding of Guang Xu. Realize its "gorgeous turn" from "vulgar" to "elegant". Wu Youru's choice is not only trying to realize his ideal of traditional literati painters, but also holding firmly to the traditional culture, which is precious to China in the late 19th century and early 20th century.
【作者单位】： 安徽大学艺术学院;
【基金】：2015年度安徽省哲学社会科学规划项目《清末民初新市民阶层影响下的视觉文化》[AHSKY2015D143]系列成果之一
【分类号】：J212
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相关期刊论文 前7条
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