水彩创作中意象语言的探究与思考
发布时间：2019-02-23 17:33
【摘要】：从十四世纪末至今的六百余年时间里，水彩艺术已经逐渐走出了一条适合自身的发展模式道路，伴随着水彩画的发展历程，艺术家的审美意向也逐渐呈现出多元化的特征，形成了不同的美学流派和主观立场。同样，，水彩艺术意象语言的多样性呈现，也更多地带给艺术家们无尽的创作灵感和乐趣。而水彩艺术创作中意象语言的主观性是区别于其他艺术表现形式的核心特征之一，它具有现代艺术所呈现的造型语言、空间语言、色彩语言等视觉科学的特性,艺术家利用意象性的图式语言创造方式与主体情感淋漓的宣泄的把握，在这个过程中充分地运用多种构成关系和图形语言，从而创造一个“艺术的再造世界”的画面来突显自己的审美情感取向，从而摆脱了绘画摹仿及再现对象的藩篱，意象语言以表现物象神韵及艺术家的精神世界为主旨，并以特定的方式创造某种画外意象而呈现主体情感，以达到情感与意象语言的相互融合与相互支撑。 本文将就近年来当代水彩艺术创作的现状所呈现的意象语言的创造活动进行深入剖析，总结具有价值的创造案例及应有的发展态势，提出新的具有开拓人文情感意象语言研究方法。从视觉、构图、形式、个案、材料、着色、用笔及主题情感等多方面展开，以探讨当代意象性水彩艺术图式语言中的情感意象性的表现的现实意义、当代水彩艺术意象性审美情感取向和当代水彩艺术意象性图式语言表现的重要性。本文还将从近年来水彩艺术创作的现状出发，以传统美学思想为本的意象性语言为拓展点，寻求建立立足于本土文化精神的当代意象性水彩体系，探讨当代水彩艺术意象性语言中情感意象表现的价值与意义。
[Abstract]:In the more than 600 years since the end of the 14th century, watercolor art has gradually gone out of the way of its own development model. With the development of watercolor painting, the artist's aesthetic intention has gradually taken on a diversified character. Formed the different esthetics school and the subjective stand. In the same way, the diversity of watercolor art imagery and language brings more inspiration and pleasure to artists. The subjectivity of image language in watercolor art creation is one of the core features which are different from other artistic forms of expression. It has the characteristics of visual science such as modeling language, space language, color language and so on, which are presented by modern art. In this process, the artist makes full use of a variety of constitutive relations and graphic language to make full use of the imaginative schematic language creation mode and the subject's emotional dripping catharsis. In order to create a picture of "reconstructing the world of art" to highlight their aesthetic emotional orientation, thus getting rid of painting imitation and reproduction of the object of the fence, image language to represent the spirit of the object and the spirit of the artist as the main idea. In order to achieve the mutual fusion and mutual support of emotion and image language, a certain image is created in a specific way to present the subject emotion. This paper will make a deep analysis of the creative activities of image language presented by the present situation of contemporary watercolor art creation in recent years, and sum up the valuable creative cases and the development situation due to them. A new research method of image language with humanistic emotion is put forward. From the visual, composition, form, case, material, coloring, pen and theme emotion, etc., in order to explore the contemporary image of watercolor art schematic expression of emotional imagery practical significance, Contemporary watercolor art image aesthetic emotion orientation and contemporary watercolor art image schematic language expression importance. Based on the current situation of watercolor art creation in recent years, this paper will seek to establish the contemporary image watercolor system based on the spirit of local culture, based on the traditional aesthetic thought of image language as the expansion point. This paper probes into the value and significance of the expression of emotional image in the imagery language of contemporary watercolor art.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
本文编号：2429058
[Abstract]:In the more than 600 years since the end of the 14th century, watercolor art has gradually gone out of the way of its own development model. With the development of watercolor painting, the artist's aesthetic intention has gradually taken on a diversified character. Formed the different esthetics school and the subjective stand. In the same way, the diversity of watercolor art imagery and language brings more inspiration and pleasure to artists. The subjectivity of image language in watercolor art creation is one of the core features which are different from other artistic forms of expression. It has the characteristics of visual science such as modeling language, space language, color language and so on, which are presented by modern art. In this process, the artist makes full use of a variety of constitutive relations and graphic language to make full use of the imaginative schematic language creation mode and the subject's emotional dripping catharsis. In order to create a picture of "reconstructing the world of art" to highlight their aesthetic emotional orientation, thus getting rid of painting imitation and reproduction of the object of the fence, image language to represent the spirit of the object and the spirit of the artist as the main idea. In order to achieve the mutual fusion and mutual support of emotion and image language, a certain image is created in a specific way to present the subject emotion. This paper will make a deep analysis of the creative activities of image language presented by the present situation of contemporary watercolor art creation in recent years, and sum up the valuable creative cases and the development situation due to them. A new research method of image language with humanistic emotion is put forward. From the visual, composition, form, case, material, coloring, pen and theme emotion, etc., in order to explore the contemporary image of watercolor art schematic expression of emotional imagery practical significance, Contemporary watercolor art image aesthetic emotion orientation and contemporary watercolor art image schematic language expression importance. Based on the current situation of watercolor art creation in recent years, this paper will seek to establish the contemporary image watercolor system based on the spirit of local culture, based on the traditional aesthetic thought of image language as the expansion point. This paper probes into the value and significance of the expression of emotional image in the imagery language of contemporary watercolor art.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
【参考文献】
相关期刊论文 前1条
1 庄一兵;;水彩画风景写生中的景、情、境[J];美术界;2007年12期
本文编号：2429058
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