徐悲鸿与蒋兆和水墨人物画创作差异研究
发布时间：2019-03-02 18:18
【摘要】：本文主要从创作思维差异和语言形态差异两方面论述徐悲鸿与蒋兆和的水墨人物画创作差异。在创作思维方面,徐悲鸿兼及古典与浪漫的艺术创作思维,而蒋兆和则是现实主义的艺术创作思维。在语言形态的差异中,主要从三方面展开论述,一是两者画面构图的差异,徐悲鸿水墨人物画创作的构图是三维空间统一之下的局部采取二维平面的构图方式,画面在同一时空之中。而蒋兆和《流民图》的画面构图是二维长卷统一之下的局部采取三维空间的构图方式,整个画面的时间和空间是流动的。二是两者画面人物形象的差异,徐悲鸿受到西方古典主义的影响,更多的追求人物形象的古典唯美,而蒋兆和则以现实生活中的真实人物作为画面的主要表现对象。三是两者的笔墨与设色的差异,徐悲鸿的笔墨多是在中国传统白描技法上进行改良,蒋兆和的笔墨则是在书法用笔的基础上由素描直接转化而来,其笔墨表现具有开创性。徐悲鸿水墨人物画创作中色彩借鉴了西方绘画,丰富了其画面色彩的表现力,而蒋兆和的水墨人物画创作中,色彩则更多是作为笔墨的补充,其着色方法是与笔墨运用相统一的。从两者创作思维差异和画面语言形态差异两方面总结出“徐蒋体系”中两个主要代表人物的水墨人物画创作差异。
[Abstract]:This article mainly discusses the difference between Xu Beihong and Jiang Zhaohe in the creation of ink figure painting from two aspects: the difference of creative thinking and the difference of language form. In the aspect of creative thinking, Xu Beihong and classical and romantic artistic creative thinking, while Jiang Zhaohe is realistic artistic creative thinking. Among the differences in language form, it is mainly discussed from three aspects, one is the difference of picture composition between the two, the composition of Xu Beihong's ink figure painting is part of two-dimensional plane composition under the unity of three-dimensional space. The picture is in the same space and time. On the other hand, Jiang Zhaohe's picture composition is composed of three-dimensional space under the unification of two-dimensional long rolls, and the time and space of the whole picture are flowing. The other is the difference between the two images. Xu Beihong is influenced by the western classicism and pursues the classical beauty of the character image more, while Jiang Zhaohe takes the real person in the real life as the main expression object of the picture. The second is that Xu Beihong is influenced by the western classicism and pursues the classical beauty of the character image. The third is the difference between pen ink and color setting. Xu Beihong's pen ink is mostly improved in Chinese traditional white drawing technique, Jiang Zhaohe's pen ink is directly transformed from sketch on the basis of calligraphy pen, and its pen and ink performance is groundbreaking. In the creation of Xu Beihong's ink figure painting, the color used for reference in western painting, enriched the expressive force of its picture color, and Jiang Zhaohe's ink figure painting creation, color is more as a supplement to pen and ink. Its coloring method is unified with the use of pen and ink. This paper sums up the differences in the creation of two main characters in Xujiang system from two aspects: the difference of creative thinking and the difference of picture language form between them.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2433333
[Abstract]:This article mainly discusses the difference between Xu Beihong and Jiang Zhaohe in the creation of ink figure painting from two aspects: the difference of creative thinking and the difference of language form. In the aspect of creative thinking, Xu Beihong and classical and romantic artistic creative thinking, while Jiang Zhaohe is realistic artistic creative thinking. Among the differences in language form, it is mainly discussed from three aspects, one is the difference of picture composition between the two, the composition of Xu Beihong's ink figure painting is part of two-dimensional plane composition under the unity of three-dimensional space. The picture is in the same space and time. On the other hand, Jiang Zhaohe's picture composition is composed of three-dimensional space under the unification of two-dimensional long rolls, and the time and space of the whole picture are flowing. The other is the difference between the two images. Xu Beihong is influenced by the western classicism and pursues the classical beauty of the character image more, while Jiang Zhaohe takes the real person in the real life as the main expression object of the picture. The second is that Xu Beihong is influenced by the western classicism and pursues the classical beauty of the character image. The third is the difference between pen ink and color setting. Xu Beihong's pen ink is mostly improved in Chinese traditional white drawing technique, Jiang Zhaohe's pen ink is directly transformed from sketch on the basis of calligraphy pen, and its pen and ink performance is groundbreaking. In the creation of Xu Beihong's ink figure painting, the color used for reference in western painting, enriched the expressive force of its picture color, and Jiang Zhaohe's ink figure painting creation, color is more as a supplement to pen and ink. Its coloring method is unified with the use of pen and ink. This paper sums up the differences in the creation of two main characters in Xujiang system from two aspects: the difference of creative thinking and the difference of picture language form between them.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前1条
1 蒋兆和;怀念悲鸿先生[J];美术研究;1983年03期
，本文编号：2433333
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