浅析日本浮世绘美人画
发布时间：2019-03-03 15:28
【摘要】：浮世绘是日本民族艺术的珍贵遗产。它的产生与发展都与江户时期的社会、历史、文化和经济等条件密切相关。它代表了广大市民阶层的审美情趣,其中以女性为创作题材的绘画作品在日本称为“美人画”,而在中国,称为“仕女画”。从历代“美人画”和“仕女画”的作品中可以看出,两者在艺术审美特征和艺术表现方式上各有千秋,展现出不同文化背景下两国对东方女性美的理解和认知。追溯中日两国的文化历史,不难发现中华文化在日本浮世绘美人画的演变历程中扮演着重要的角色并对其的产生和发展有着深远的影响,特别是早期日本浮世绘美人画从中国传统工笔仕女画中借鉴了许多艺术形象和艺术风格。本文将对浮世绘及日本浮世绘美人画的发展历史、风格特点、著名画师、历史影响等方面进行阐述,了解日本浮世绘美人画的发展轨迹。本文重在将日本浮世绘美人画与中国传统工笔仕女画在艺术表现形式上进行比较和异同点的分析,更好地了解日本浮世绘美人画及它在中国工笔仕女画的传统样式上,延伸出拥有日本特点的绘画艺术。通过对日本浮世绘美人画的艺术审美特征的研究,不仅可以了解江户时代日本美术与中国及西方美术之间的交流情况,更启发我们思考在绘画创作中如何借鉴和创新。
[Abstract]:Floating painting is a precious legacy of Japanese national art. Its emergence and development are closely related to the social, historical, cultural and economic conditions of the Edo period. It represents the aesthetic interest of the masses of citizens, in which women-based paintings are called "beauty paintings" in Japan and "lady paintings" in China. From the works of "Beauty painting" and "Lady painting" in the past dynasties, we can see that they have their own artistic aesthetic characteristics and artistic expressions, showing the understanding and cognition of Oriental female beauty in different cultural backgrounds. Tracing back to the cultural history of China and Japan, it is not difficult to find that Chinese culture plays an important role in the evolution of Japan's floating painting of beauty and has a profound impact on its emergence and development. Especially the early Japanese floating painting beauty paintings draw many artistic images and artistic styles from the traditional Chinese painting. This article will explain the development history, style characteristics, famous painter and historical influence of floating painting and Japanese floating painting beauty painting, so as to understand the development track of Japanese floating painting beauty painting. This article focuses on comparing the Japanese floating painting beauty painting with the Chinese traditional fine brushwork painting in the form of artistic expression and the analysis of similarities and differences, to better understand the Japanese floating painting beauty painting and its traditional style in the Chinese fine brushwork painting of beautiful woman, and the traditional style of the Japanese floating painting beauty painting and its traditional style in Chinese fine brushwork painting. It extends the art of painting with Japanese characteristics. Through the study of the artistic aesthetic characteristics of Japanese floating painting beauty painting, we can not only understand the communication between Japanese art and Chinese and western art in the Edo era, but also inspire us to think about how to draw lessons from and innovate in painting creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2433828
[Abstract]:Floating painting is a precious legacy of Japanese national art. Its emergence and development are closely related to the social, historical, cultural and economic conditions of the Edo period. It represents the aesthetic interest of the masses of citizens, in which women-based paintings are called "beauty paintings" in Japan and "lady paintings" in China. From the works of "Beauty painting" and "Lady painting" in the past dynasties, we can see that they have their own artistic aesthetic characteristics and artistic expressions, showing the understanding and cognition of Oriental female beauty in different cultural backgrounds. Tracing back to the cultural history of China and Japan, it is not difficult to find that Chinese culture plays an important role in the evolution of Japan's floating painting of beauty and has a profound impact on its emergence and development. Especially the early Japanese floating painting beauty paintings draw many artistic images and artistic styles from the traditional Chinese painting. This article will explain the development history, style characteristics, famous painter and historical influence of floating painting and Japanese floating painting beauty painting, so as to understand the development track of Japanese floating painting beauty painting. This article focuses on comparing the Japanese floating painting beauty painting with the Chinese traditional fine brushwork painting in the form of artistic expression and the analysis of similarities and differences, to better understand the Japanese floating painting beauty painting and its traditional style in the Chinese fine brushwork painting of beautiful woman, and the traditional style of the Japanese floating painting beauty painting and its traditional style in Chinese fine brushwork painting. It extends the art of painting with Japanese characteristics. Through the study of the artistic aesthetic characteristics of Japanese floating painting beauty painting, we can not only understand the communication between Japanese art and Chinese and western art in the Edo era, but also inspire us to think about how to draw lessons from and innovate in painting creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【参考文献】
相关期刊论文 前3条
1 张红;;小议中国传统仕女画和日本浮世绘美人画之异同[J];电影文学;2009年04期
2 滕军;;论浮世绘的实用美术性格[J];日语学习与研究;2007年06期
3 吕建昌;含蓄逸雅和浮华媚艳——中国仕女画与日本美人画散论[J];上海大学学报(社会科学版);2000年01期
，本文编号：2433828
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