中国工笔绘画的移情表达
发布时间：2019-03-05 08:13
【摘要】：我想在此试图讨论一个不同与以往的新时代背景下的中国绘画的现状试图通过移情的系列活动为中心，以其活动所需的一系列元素为条件，以社会现状为根据，假定出当下的艺术状况，，最终带入当下艺术家各种案例以求资正。并试图以此方式帮助自己弄清绘画的方向与思路。有时可能会偏于片面，暂且以一为始，希望终回大路。
[Abstract]:I would like to try to discuss here the current situation of Chinese painting in a different context from the past in the new era, trying to focus on a series of empathic activities, conditional on a series of elements needed for its activities, and based on the social status quo. Assuming that the present art situation, and finally bring into the artists of the present various cases in order to seek positive funding. And try to help themselves in this way to understand the direction and thinking of painting. Sometimes it may be one-sided, starting with one, hoping to return to the road eventually.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2434700
[Abstract]:I would like to try to discuss here the current situation of Chinese painting in a different context from the past in the new era, trying to focus on a series of empathic activities, conditional on a series of elements needed for its activities, and based on the social status quo. Assuming that the present art situation, and finally bring into the artists of the present various cases in order to seek positive funding. And try to help themselves in this way to understand the direction and thinking of painting. Sometimes it may be one-sided, starting with one, hoping to return to the road eventually.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【相似文献】
相关硕士学位论文 前1条
1 马爽;中国工笔绘画的移情表达[D];天津美术学院;2014年
本文编号：2434700
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