任伯年人物画的继承与创新
发布时间：2019-03-05 09:53
【摘要】：任伯年是我国近现代绘画历史当中的重要代表人物，其主要的绘画内容涵盖了中国古典的山水画、花鸟画以及人物肖像画等，其绘画的风格在于运笔的潇洒自如，想象的活泼而生动，在色彩运用上对中西方艺术的兼收并蓄，因此任伯年的绘画不仅独具风格而且新颖别致，属于雅俗共赏的绘画艺术，在任伯年的绘画当中有民间流传较广的神话传说和历史人物，有日常生活中的人物、花鸟等等，任伯年的绘画思路开阔，著名的绘画大师徐悲鸿曾经这样评价任伯年，称他是中国画坛近三百年来的第一人。而论文则是从任伯年的人物画来探讨其对中国古典绘画的继承，以及结合现代中西方绘画艺术的创新。中国的人物绘画发展到现代已经形成了一个固定的格局，艺术的产生和发展与时代有着密切的联系，而任伯年被公认为是中国古代绘画艺术向近现代绘画艺术的转折点和中国近现代绘画艺术的里程碑式的人物，在古典绘画继承和创新基础上对西方绘画艺术也进行了借鉴和融合，任伯年的人物创作先后师从于曾鲸、陈洪绶、任熊、郎世宁等画家，在中国的古典写意山水和人物画作继承的基础上融合了西方绘画的写实主义风格，有着独特的创新主义风格和精神，同时任伯年的人物画作受到了西方传教士和海派绘画风格的影响，是中国近现代绘画历程当中中西融合的重要先驱。 薛永年先生对于任伯年对近代中国绘画的贡献的评价时候说道，任伯年是中国绘画史上的一个奇迹，，任伯年的绘画成就着承上启下的划时代意义，他的画作影响了中国整个二十世纪，而同时任伯年的创作有着较大的争议，近代评论家认为任伯年的绘画过分的率纵，属于过于世俗的文化类型，将中国的绘画从高雅文化转变成了普通的大众世俗文化，但这种类型的评价大多来自于文人，而实际上虽然中国的绘画艺术长期以来被认为是“雅”文化，但是过分的追求高雅反而使得绘画脱离了观众的生活，没有实际的意义和价值。任伯年在人物画像方面，吸收了中国传统的民间人物画像的写实主义风格的同时，重点描绘了世俗社会的人物百态，融合了西方的绘画艺术。但是无论是是世俗的还是高雅的文化，任伯年在绘画过程中充分继承了中国传统绘画的精髓，将传统的中国的绘画进行了创新性的发展，成为中国艺术领域当中的一枝独秀，而在西方文化进入中国的同时，任伯年看到了西方绘画当中的优势特点，在自己的绘画当中加以借用，使得个人的绘画呈现出更加独特的一面，也引导着人们开始重新思考绘画的表现与方法，接受和认可世俗绘画的方式。本文从任伯年人物绘画的形成原因，绘画风格和继承创新三个主要方面进行分析，来深入挖掘任伯年的人物画的独特性。
[Abstract]:Ren Bonian is an important representative figure in the history of modern painting in China, whose main painting content covers Chinese classical landscape painting, flower-and-bird painting and portrait painting, and so on. His painting style lies in the natural and natural style of painting. Imaginative lively and vivid, in the use of color to both Chinese and western art, so Ren Bonian's painting is not only unique style but also novel and unique, belong to elegant and common appreciation of painting art, In Ren Bonian's paintings, there are folk myths, legends and historical figures, figures in daily life, flowers and birds, and so on. Ren Bonian's painting ideas are wide open, and Xu Beihong, a famous master of painting, once spoke of Ren Bonian in this way. He is said to be the first person in the Chinese painting world for nearly three hundred years. The thesis discusses the inheritance of Chinese classical painting from Ren Bonian's figure painting and the innovation of modern Chinese and western painting art. The development of Chinese figure painting has formed a fixed pattern to the modern times, and the emergence and development of art are closely related to the times. And Ren Bonian is recognized as a turning point from the ancient Chinese painting art to the modern painting art and a landmark figure in the Chinese modern painting art. On the basis of inheritance and innovation of classical painting, the western painting art was also used for reference and merged. Ren Bonian's characters were created successively by Zeng whale, Chen Hongshou, Ren Xiong, Lang Shining, and other painters. On the basis of the inheritance of Chinese classical freehand landscape and character paintings, the realistic style of western painting is fused, with its unique innovative style and spirit. At the same time, Ren Bonian's paintings are influenced by the western missionaries and the painting style of the Shanghai School, which is an important forerunner of the integration of the Chinese and the Western painting in the course of modern painting. When Mr. Xue Yongnian commented on Ren Bonian's contribution to modern Chinese painting, he said: Ren Bonian is a miracle in the history of Chinese painting, and Ren Bonian's painting achievements carry on the epoch-making significance of the link between the past and the next. His paintings influenced China throughout the twentieth century, while Ren Bonian's creation was controversial. Modern critics believe that Ren Bonian's paintings are excessively overindulgent and belong to an overly secular cultural type. Chinese painting has been transformed from elegant culture to ordinary popular secular culture, but most of this type of evaluation comes from literati. In fact, although Chinese painting art has long been regarded as "elegant" culture, But the excessive pursuit of elegance makes the painting out of the audience's life, has no practical significance and value. Ren Bonian absorbed the realism style of the Chinese traditional folk figure portrait, at the same time, he mainly described the characters of the secular society and integrated the western painting art. But whether it is worldly or elegant culture, Ren Bonian fully inherited the essence of Chinese traditional painting in the process of painting, and made the traditional Chinese painting innovative development, becoming a unique talent in the field of Chinese art. At the same time when the western culture entered China, Ren Bonian saw the advantages and characteristics of Western painting and borrowed it in his own painting, which made the individual painting show a more unique side. It also leads people to rethink the expression and method of painting and to accept and recognize the way of secular painting. This paper analyzes the causes of Ren Bonian's figure painting, painting style and inheritance and innovation in order to explore the uniqueness of Ren Bonian's figure painting.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2434780
[Abstract]:Ren Bonian is an important representative figure in the history of modern painting in China, whose main painting content covers Chinese classical landscape painting, flower-and-bird painting and portrait painting, and so on. His painting style lies in the natural and natural style of painting. Imaginative lively and vivid, in the use of color to both Chinese and western art, so Ren Bonian's painting is not only unique style but also novel and unique, belong to elegant and common appreciation of painting art, In Ren Bonian's paintings, there are folk myths, legends and historical figures, figures in daily life, flowers and birds, and so on. Ren Bonian's painting ideas are wide open, and Xu Beihong, a famous master of painting, once spoke of Ren Bonian in this way. He is said to be the first person in the Chinese painting world for nearly three hundred years. The thesis discusses the inheritance of Chinese classical painting from Ren Bonian's figure painting and the innovation of modern Chinese and western painting art. The development of Chinese figure painting has formed a fixed pattern to the modern times, and the emergence and development of art are closely related to the times. And Ren Bonian is recognized as a turning point from the ancient Chinese painting art to the modern painting art and a landmark figure in the Chinese modern painting art. On the basis of inheritance and innovation of classical painting, the western painting art was also used for reference and merged. Ren Bonian's characters were created successively by Zeng whale, Chen Hongshou, Ren Xiong, Lang Shining, and other painters. On the basis of the inheritance of Chinese classical freehand landscape and character paintings, the realistic style of western painting is fused, with its unique innovative style and spirit. At the same time, Ren Bonian's paintings are influenced by the western missionaries and the painting style of the Shanghai School, which is an important forerunner of the integration of the Chinese and the Western painting in the course of modern painting. When Mr. Xue Yongnian commented on Ren Bonian's contribution to modern Chinese painting, he said: Ren Bonian is a miracle in the history of Chinese painting, and Ren Bonian's painting achievements carry on the epoch-making significance of the link between the past and the next. His paintings influenced China throughout the twentieth century, while Ren Bonian's creation was controversial. Modern critics believe that Ren Bonian's paintings are excessively overindulgent and belong to an overly secular cultural type. Chinese painting has been transformed from elegant culture to ordinary popular secular culture, but most of this type of evaluation comes from literati. In fact, although Chinese painting art has long been regarded as "elegant" culture, But the excessive pursuit of elegance makes the painting out of the audience's life, has no practical significance and value. Ren Bonian absorbed the realism style of the Chinese traditional folk figure portrait, at the same time, he mainly described the characters of the secular society and integrated the western painting art. But whether it is worldly or elegant culture, Ren Bonian fully inherited the essence of Chinese traditional painting in the process of painting, and made the traditional Chinese painting innovative development, becoming a unique talent in the field of Chinese art. At the same time when the western culture entered China, Ren Bonian saw the advantages and characteristics of Western painting and borrowed it in his own painting, which made the individual painting show a more unique side. It also leads people to rethink the expression and method of painting and to accept and recognize the way of secular painting. This paper analyzes the causes of Ren Bonian's figure painting, painting style and inheritance and innovation in order to explore the uniqueness of Ren Bonian's figure painting.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
【参考文献】
相关期刊论文 前2条
1 傅吉鸿;中国画的写意性初探[J];伊犁教育学院学报;2004年02期
2 曹军戎;曹彦明;;论任伯年的绘画特色与民间艺术的关系[J];艺术百家;2007年02期
本文编号：2434780
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