从“澄怀观道”到“旅游指南”——“卧游”观念在晚明旅游绘本中的世俗化转向
发布时间：2019-03-07 22:42
【摘要】："卧游"是中国艺术史上的一个重要命题,最早由南朝文人宗炳提出。宗炳的"卧游"重在"澄怀观道",即以山水画为凭借实现心灵的安顿与精神的逍遥。到了明代,以沈周、董其昌为代表的文人画家继承并发展了"卧游"的观念。然而随着旅游之风的盛行,此时又出现了一种全新的"卧游"媒介——图文并茂的旅游指南。这类出版物一再标榜插图的"卧游"之用,目的是为了迎合普通民众仿效精英阶层生活方式的需求。本文将从社会与技术的层面考察旅游指南出现的原因,并从创作和使用这两个角度出发,分析旅游指南中的卧游图与传统山水画的区别,从而揭示出"卧游"观念在晚明旅游绘本中的世俗化转向。
[Abstract]:Sleeper Tour is an important proposition in the history of Chinese art, which was first put forward by Zong Bing, a scholar in the Southern Dynasty. Zong Bing's "Sleeping Journey" focuses on "Chenghuahuangdao", that is, the realization of spiritual peace and spiritual freedom through landscape painting. In the Ming Dynasty, Shen Zhou and Dong Qichang, represented by scholars and painters, inherited and developed the concept of "lying around". However, with the popularity of tourism, there is a brand-new "sleeper" medium-picturesque tourist guide. Such publications have repeatedly touted the use of illustrations as "sleepers" in order to cater to the needs of ordinary people following the elitist way of life. This article will examine the reasons for the emergence of tourist guides from the social and technical levels, and from the two perspectives of creation and use, analyze the difference between the sleeper map and the traditional landscape painting in the tourist guide. Thus it reveals the secularization turn of the concept of "lying on a tour" in the tourist picture book of the late Ming Dynasty.
【作者单位】： 南京大学新闻与传播学院;
【基金】：国家社会科学基金艺术学青年项目“晚明以西湖为中心的文人艺术生活研究”(12CF087)
【分类号】：J212
本文编号：2436524
[Abstract]:Sleeper Tour is an important proposition in the history of Chinese art, which was first put forward by Zong Bing, a scholar in the Southern Dynasty. Zong Bing's "Sleeping Journey" focuses on "Chenghuahuangdao", that is, the realization of spiritual peace and spiritual freedom through landscape painting. In the Ming Dynasty, Shen Zhou and Dong Qichang, represented by scholars and painters, inherited and developed the concept of "lying around". However, with the popularity of tourism, there is a brand-new "sleeper" medium-picturesque tourist guide. Such publications have repeatedly touted the use of illustrations as "sleepers" in order to cater to the needs of ordinary people following the elitist way of life. This article will examine the reasons for the emergence of tourist guides from the social and technical levels, and from the two perspectives of creation and use, analyze the difference between the sleeper map and the traditional landscape painting in the tourist guide. Thus it reveals the secularization turn of the concept of "lying on a tour" in the tourist picture book of the late Ming Dynasty.
【作者单位】： 南京大学新闻与传播学院;
【基金】：国家社会科学基金艺术学青年项目“晚明以西湖为中心的文人艺术生活研究”(12CF087)
【分类号】：J212
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