延安时期版画艺术民俗性的研究
发布时间：2019-03-20 08:16
【摘要】：延安时期(1937-1945年)的版画艺术在中国绘画史上独树一帜,特别是在这个非常特殊的历史时期,大家关注的是版画艺术的革命性、战斗性,而往往忽略了版画艺术的民俗性。版画作为一门比较独特的艺术形式,历史悠久,但是延安时期版画艺术的历史渊源应该从鲁迅先生倡导的新兴木刻艺术讲起,也是中国创作型版画的开始,特别是抗日战争的爆发,艺术家奔赴延安,以美术作为革命的武器,但是在版画艺术的发展之中,通过《在文艺座谈会上的讲话》精神的指引,版画艺术家将民间美术融入到了版画的创作之中,走出了一条具有民俗特性的艺术化大道,对其它地区或是之后版画艺术的发展产生了重大的影响。 第一章：主要是分析延安版画民俗性的初步形成,以鲁迅先生倡导的新兴版画艺术为起点,去分析新兴版画艺术的起源及诞生的历史环境,以及新兴版画在延安这种特殊环境的影响下所产生的新观念、新技法,还有同国统区版画艺术的关系；第二章：主要是对延安传统版画与新版画的比较研究,特别注重延安版画艺术的民俗特性。通过《在文艺座谈会上的讲话》精神的影响,去分析对延安版画艺术民俗性形成所起的作用,并比较它们的异同；第三章：本章是本论文的重点章节,主要是对延安时期版画艺术的民俗性进行重点研究,当时的中国正处于比较特殊的历史时期,也许大家关注的是版画艺术在革命及战斗中所起的作用,而忽略了极为重要的民俗特性。民俗文化作为我们生活中非常重要的一部分,我们可以很好的把民俗文化与艺术创作进行结合；第四章：主要是分析延安时期版画艺术的民俗性对新中国版画艺术的影响。延安时期版画艺术的民俗性与新中国版画艺术民俗性的异同,及延安时期版画艺术的民俗性对新中国版画艺术民俗发展的影响。 延安版画作为在特殊历史时期和社会环境下成长起来的艺术,在中美美术史上占有独特的地位,不仅要分析其思想内涵,而且要对他的形成原因、特点及影响进行重新认识与评估。这对于之后中国美术的健康发展以及中国美术走向世界、走向未来,具有极大的启迪作用。
[Abstract]:The printing art of Yan'an period (1937-1945) is unique in the history of Chinese painting, especially in this very special historical period, people pay attention to the revolutionary and fighting nature of printmaking art, and often ignore the folklore of printmaking art. As a unique art form, printmaking has a long history, but the historical origin of printing art in Yan'an period should start with the new woodcarving art advocated by Mr. Lu Xun, which is also the beginning of Chinese creative printing. In particular, with the outbreak of the Anti-Japanese War, artists went to Yan'an to use art as a revolutionary weapon, but in the course of the development of print art, they adopted the spiritual guidance of "speaking at a forum on literature and art." Printmaking artists incorporate folk art into the creation of printmaking, and walk out of an artistic road with folk characteristics, which has a great impact on the development of print art in other areas or after. The first chapter is mainly to analyze the initial formation of the folk nature of Yan'an printmaking, taking the emerging print art advocated by Mr. Lu Xun as the starting point, to analyze the origin and the historical environment of the birth of the new printmaking art. And the new ideas, new techniques, and the relationship between the new printmaking and the printmaking art of the national district under the influence of the special environment of Yan'an, as well as the new ideas and techniques of the new printmaking; Chapter two: a comparative study of Yan'an traditional prints and new prints, especially focusing on the folk characteristics of Yan'an printmaking art. Through the influence of the spirit of "speaking at the Symposium on Literature and Art", this paper analyzes the effect on the formation of artistic folklore of Yan'an printmaking, and compares their similarities and differences. Chapter three: this chapter is the key chapter of this paper. It mainly focuses on the folklore of printing art in Yan'an period. At that time, China was in a relatively special historical period. Perhaps you are concerned about the role of printmaking in revolution and fighting, ignoring the most important folk-custom characteristics. Folk culture is a very important part of our life, we can combine folk culture with artistic creation very well. Chapter four: mainly analyzes the influence of the folklore of printing art in Yan'an period on the art of new China. The similarities and differences between the folklore of printing art of Yan'an period and that of New China, and the influence of the folklore of print art of Yan'an period on the development of folk custom of printing art of New China. Yan'an printmaking, as an art growing up in the special historical period and social environment, occupies a unique position in the history of Chinese and American art. It is necessary not only to analyze its ideological connotation, but also to analyze the reasons for its formation. Re-recognize and evaluate the characteristics and impacts. This has a great enlightenment for the healthy development of Chinese art and the development of Chinese art towards the world and the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
本文编号：2444024
[Abstract]:The printing art of Yan'an period (1937-1945) is unique in the history of Chinese painting, especially in this very special historical period, people pay attention to the revolutionary and fighting nature of printmaking art, and often ignore the folklore of printmaking art. As a unique art form, printmaking has a long history, but the historical origin of printing art in Yan'an period should start with the new woodcarving art advocated by Mr. Lu Xun, which is also the beginning of Chinese creative printing. In particular, with the outbreak of the Anti-Japanese War, artists went to Yan'an to use art as a revolutionary weapon, but in the course of the development of print art, they adopted the spiritual guidance of "speaking at a forum on literature and art." Printmaking artists incorporate folk art into the creation of printmaking, and walk out of an artistic road with folk characteristics, which has a great impact on the development of print art in other areas or after. The first chapter is mainly to analyze the initial formation of the folk nature of Yan'an printmaking, taking the emerging print art advocated by Mr. Lu Xun as the starting point, to analyze the origin and the historical environment of the birth of the new printmaking art. And the new ideas, new techniques, and the relationship between the new printmaking and the printmaking art of the national district under the influence of the special environment of Yan'an, as well as the new ideas and techniques of the new printmaking; Chapter two: a comparative study of Yan'an traditional prints and new prints, especially focusing on the folk characteristics of Yan'an printmaking art. Through the influence of the spirit of "speaking at the Symposium on Literature and Art", this paper analyzes the effect on the formation of artistic folklore of Yan'an printmaking, and compares their similarities and differences. Chapter three: this chapter is the key chapter of this paper. It mainly focuses on the folklore of printing art in Yan'an period. At that time, China was in a relatively special historical period. Perhaps you are concerned about the role of printmaking in revolution and fighting, ignoring the most important folk-custom characteristics. Folk culture is a very important part of our life, we can combine folk culture with artistic creation very well. Chapter four: mainly analyzes the influence of the folklore of printing art in Yan'an period on the art of new China. The similarities and differences between the folklore of printing art of Yan'an period and that of New China, and the influence of the folklore of print art of Yan'an period on the development of folk custom of printing art of New China. Yan'an printmaking, as an art growing up in the special historical period and social environment, occupies a unique position in the history of Chinese and American art. It is necessary not only to analyze its ideological connotation, but also to analyze the reasons for its formation. Re-recognize and evaluate the characteristics and impacts. This has a great enlightenment for the healthy development of Chinese art and the development of Chinese art towards the world and the future.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
【参考文献】
相关期刊论文 前3条
1 古元;回到农村去[J];美术;1958年01期
2 古元;到“大沷艺”去学习[J];美术;1962年03期
3 谢春;;鲁迅与近代中国新兴木刻的发展[J];中国美术馆;2008年10期
，本文编号：2444024
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