根敦群培与西藏当代艺术群体
发布时间：2019-03-20 17:24
【摘要】：现代主义美术起源于欧洲,其所标榜的自由与个人意志打破了以往古典主义美术对欧洲美术的垄断。而伴随着西学在东方的传播,西方的各种艺术形式,包括现代主义美术也影响了亚洲各个地区。本文尝试描绘在这样的背景之下,西藏是如何在原有的藏传佛教美术传统的基础上发展出自己的现当代艺术,并且侧重于研究西藏现代艺术和当代艺术产生的原因。本文将会从西藏现代艺术的开端——根敦群培的艺术开始探讨这样的现代性,研究他如何吸收西方写实绘画以及印度现代艺术。近些年来,西藏藏族艺术家在拉萨形成了自己的当代艺术群体,本文将尝试对此做一个简要的介绍,并分析在这个时间段当中西藏艺术家的新的思想,找出这些西藏艺术家向当代艺术转变的原因,以及他们与根敦群培精神上的联系。
[Abstract]:Modernist art originated in Europe, and its freedom and individual will broke the monopoly of classical art to European art. With the spread of western learning in the east, all kinds of western art forms, including modernist art, also affected all parts of Asia. In this context, this paper attempts to describe how Tibet developed its own contemporary art on the basis of the original Tibetan Buddhist art tradition, and focused on the study of the causes of modern art and contemporary art in Tibet. This paper will start from the beginning of modern art in Tibet-Gendun group training art to explore such modernity, to study how he absorbed Western realistic painting and modern Indian art. In recent years, Tibetan artists in Tibet have formed their own contemporary art community in Lhasa. This article will try to make a brief introduction to this, and analyze the new ideas of Tibetan artists in this period of time. Find out why these Tibetan artists are changing to contemporary art, and how they relate to the spirit of Gendun group training.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2444437
[Abstract]:Modernist art originated in Europe, and its freedom and individual will broke the monopoly of classical art to European art. With the spread of western learning in the east, all kinds of western art forms, including modernist art, also affected all parts of Asia. In this context, this paper attempts to describe how Tibet developed its own contemporary art on the basis of the original Tibetan Buddhist art tradition, and focused on the study of the causes of modern art and contemporary art in Tibet. This paper will start from the beginning of modern art in Tibet-Gendun group training art to explore such modernity, to study how he absorbed Western realistic painting and modern Indian art. In recent years, Tibetan artists in Tibet have formed their own contemporary art community in Lhasa. This article will try to make a brief introduction to this, and analyze the new ideas of Tibetan artists in this period of time. Find out why these Tibetan artists are changing to contemporary art, and how they relate to the spirit of Gendun group training.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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