爱德华蒙克绘画中真实情感的表达
发布时间：2019-04-03 17:52
【摘要】：爱德华蒙克（1863-1944），是19世纪末至20世纪初具有世界声誉的挪威艺术家，西方表现主义绘画的先驱。蒙克是一位多产的画家，在他的一生中创作了大量的作品。每一幅作品都传达出强烈的悲剧意味，带有强烈的感情色彩，每一幅作品都是人类真实心灵的写照。蒙克描绘了人类复杂的精神世界，他赤裸的表现着对死亡的恐惧，对爱情的极度渴望，展现他的性格敏感、忧郁、孤独。所以他的绘画表现出前所未有强烈的主观性和悲伤压抑的情调。蒙克作品中描绘的对象本身成为了一种所要表达的情绪的载体，画面中具体对象的细节被简化，虽然它们依然还是具象的，但最终想要表达的是他切身经历的对生存和死亡的感受，每一幅作品都淋漓尽致的展现了蒙克自身的精神情绪，展现了他面对死亡的恐惧，，面对生存的焦虑，面对爱情的怯懦。爱德华蒙克处在了一个历史非常时期，美术史称之为“实验性美术”。爱德华蒙克是继印象派之后，第一批比梵高更深入探索前景的艺术家，是最纯粹的表现主义先驱。表现主义绘画是一种“有意味”形式，他们的表述方式不再是再现客观事物，而是更加注重主观意识。在创作上，他们重视表露个人情感，重视个人情绪的宣泄。在造型上追求强烈的对比，追求扭美和变形美。 论文主要阐述和论证爱德华蒙克绘画中真实情感的表达。首先从表现主义历史时代的演变来看待蒙克绘画风格的变迁，蒙克在艺术绘画语言上突破了自然主义和印象派风格,成为表现主义的先声。其次论证了真实情感在绘画题材中的体现，其中题材归纳为三大主题，以“死”为题材、以“爱”为题材，还有一类我把它归纳为以“解脱”为题材，其中还包括以“大自然”和以“工人与工业”为题材的画，借以分析蒙克绘画中真实情感的流露。同时论证蒙克真实情感在绘画语言中的体现。蒙克的绘画不是在模仿自然，而是通过色彩和线条的选择去表现真实感情。那么我们就有必要探讨一下，抛开一切题材，蒙克是怎样依靠色调和形状的效果来表达情感的。论文的最后得出结论即是爱德华·蒙克绘画中真实情感的影响，从三个方面进行阐述：一是蒙克毫不回避内心的真实感情，即便他们可能并不是美更谈不上“崇高”，二是以往的“美”的含义迫切遭到了质疑，他的造型，尤其是色彩与“美”几乎扯不上丝毫的关系（当然他不是为了“丑”，而是为了真实的表现），三是绘画语言很单纯、直接，形式自身没有独立的审美意义。从而进一步明确爱德华蒙克绘画中真实情感的表达的重要性。 蒙克这三个方面，不仅影响了表现主义画家，还深深地影响了整个现代美术史，反映了在特定的时空下的政治、经济、文化和社会生活背景，且影响深远，甚至在表现主义的社团停止活动以后很长时间，表现主义的美术思想和艺术手法对德国和其他国家的许多艺术家仍然有很强的吸引力。
[Abstract]:Edward Monk (1863-1944), a Norwegian artist with the world's reputation from the end of the 19th century to the beginning of the 20th century, was the forerunner of the western expressionism painting. Monk is a prolific painter who has created a great deal of work in his life. Each of the works conveys a strong sense of tragedy, with a strong emotional color, each of which is a reflection of the true human mind. Monk depicts the human complex spiritual world, his naked expression of the fear of death, the extreme desire for love, the sensitivity to his character, the melancholy, and the loneliness. So his painting shows an unprecedented degree of subjectivity and sadness. the objects depicted in the monk's work are themselves a carrier of the mood to be expressed, and the details of the specific objects in the picture are simplified, although they are still image-like, but ultimately what he wants to express is the feeling of survival and death that he has experienced, Each of the works shows the spirit of Monk itself, showing his fear of death, the anxiety of survival, and the cowardice of love. Edward Monk is in a very historical period, and art history is called a "experimental art". After the impressionism, Edward Monk, the first artist to explore the future more deeply than the Van Gogh, is the most pure expressionist. Expressionism painting is a kind of "to mean" form, their expression method is no longer the objective thing, but more focus on the subjective consciousness. In the creation, they attach importance to the expression of personal emotion, and attach importance to the release of personal emotion. The pursuit of the strong contrast in the shape, the pursuit of the beauty of the twist and the deformation. The paper mainly expounds and proves the real emotion table in Edwarmonke's painting The first is to view the change of Monk's painting style from the evolution of the history of expressionism, and Monk breaks through the naturalism and the impressionism in the art painting language, and becomes the first of the expressionism. The second is to demonstrate the expression of the real emotion in the subject of painting, in which the subject is divided into three main themes: the theme of death, the theme of "love", and a class of "free" as the subject, which also includes the theme of "nature" and "worker and industry". To analyze the flow of real emotion in Monk's painting. Demonstrating the body of Monk's real emotion in the language of painting Now, Monk's painting is not to imitate nature, but to express the sense of reality through the selection of colors and lines Empathy. Then we need to explore and put aside all the subject matter, Monk is how to express the emotion by means of the effect of hue and shape. The final conclusion of the paper is the influence of the real emotion in Edward Monk's painting, and the three aspects: First, Monk does not shy away from the true feelings of the heart, even if they may not be beautiful or not, "nobleness" 【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2453412
[Abstract]:Edward Monk (1863-1944), a Norwegian artist with the world's reputation from the end of the 19th century to the beginning of the 20th century, was the forerunner of the western expressionism painting. Monk is a prolific painter who has created a great deal of work in his life. Each of the works conveys a strong sense of tragedy, with a strong emotional color, each of which is a reflection of the true human mind. Monk depicts the human complex spiritual world, his naked expression of the fear of death, the extreme desire for love, the sensitivity to his character, the melancholy, and the loneliness. So his painting shows an unprecedented degree of subjectivity and sadness. the objects depicted in the monk's work are themselves a carrier of the mood to be expressed, and the details of the specific objects in the picture are simplified, although they are still image-like, but ultimately what he wants to express is the feeling of survival and death that he has experienced, Each of the works shows the spirit of Monk itself, showing his fear of death, the anxiety of survival, and the cowardice of love. Edward Monk is in a very historical period, and art history is called a "experimental art". After the impressionism, Edward Monk, the first artist to explore the future more deeply than the Van Gogh, is the most pure expressionist. Expressionism painting is a kind of "to mean" form, their expression method is no longer the objective thing, but more focus on the subjective consciousness. In the creation, they attach importance to the expression of personal emotion, and attach importance to the release of personal emotion. The pursuit of the strong contrast in the shape, the pursuit of the beauty of the twist and the deformation. The paper mainly expounds and proves the real emotion table in Edwarmonke's painting The first is to view the change of Monk's painting style from the evolution of the history of expressionism, and Monk breaks through the naturalism and the impressionism in the art painting language, and becomes the first of the expressionism. The second is to demonstrate the expression of the real emotion in the subject of painting, in which the subject is divided into three main themes: the theme of death, the theme of "love", and a class of "free" as the subject, which also includes the theme of "nature" and "worker and industry". To analyze the flow of real emotion in Monk's painting. Demonstrating the body of Monk's real emotion in the language of painting Now, Monk's painting is not to imitate nature, but to express the sense of reality through the selection of colors and lines Empathy. Then we need to explore and put aside all the subject matter, Monk is how to express the emotion by means of the effect of hue and shape. The final conclusion of the paper is the influence of the real emotion in Edward Monk's painting, and the three aspects: First, Monk does not shy away from the true feelings of the heart, even if they may not be beautiful or not, "nobleness" 【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关期刊论文 前3条
1 土方定一 ,毛良鸿;爱德华·蒙克——近代人类心灵的肖像画家[J];世界美术;1981年02期
2 聂晓玲;;表现内心世界 以灵魂作画——爱德华·蒙克的独特艺术风格[J];社会科学论坛;2006年01期
3 罗晓飞;;绝望的“呐喊”——解读表现主义先驱画家蒙克的艺术[J];中外文化交流;2006年07期
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