加山又造的动物画艺术研究
发布时间：2019-04-04 16:07
【摘要】：加山又造(Matazo Kayama)是日本战后新崛起的一批代表现代日本画新发展的艺术家之一。他的艺术创作经历极其丰富,一生中创作出了无数的经典作品,为后世留下了许多宝贵财富。加山又造的艺术创作所涉及的领域极为广泛,内容之丰富艺术手法之独特让人叹为观止。被人们称作日本艺术中的“鬼才”同时也有“东方的毕加索”之称。本文主要围绕二十世纪五十年代到六十年代对于加山又造早期创作的动物画系列展开论述。文章主要内容分为三个部分。第一部分主要分析动物画这一概念的来源,就日本人的动物画是如何被提出来的等问题进行讨论。主要是从中国文化艺术和日本文化艺术两方面进行论述。第二部分主要描写动物画的历史发展。分别描写了日本早期的动物图案的出现、与动物有关的花鸟画的成熟期、动物画的雏形以及动物画的确立等这几个方面展开论述。其目的在于梳理日本动物画是如何发展的。第三部分也是本文的重点。主要剖析加山又造的动物画艺术。包括加山又造的动物画形成原因、艺术思想、个人经历、时代背景、重要流派、动物画的继承关系、动物画的艺术风格等问题。通过这个章节主要是想阐述加山又造早期动物画的更多的信息。加山又造对于中国人来说是一个很熟悉的名字。他曾经几次到中央美术学院讲学,同时被聘请为客座教授。而他在中国也有许多学生,影响了中国绘画界很多年。他的绘画方式和艺术创作经历被中国人所认知,同时他也特别喜欢中国文化。日本古代传统文化一直是受到中国古代文化的影响,他在自己艺术生涯的晚期便喜欢上了中国古代艺术,曾经多次到中国各大有名的地区进行写生考察,同时创作出了《仿北宋山水》等具有日本民族特色的山水作品,这是对于中国古代艺术的一种现代的探究方式。他同时还吸收日本“光琳宗达派”的装饰性而创作出一批有名的贴金画、人体画等。艺术创作风格还涉及到陶瓷、版画、壁画、实用艺术等诸多方面,是一个艺术创作经历极其丰富的艺术家。而早期的动物画创作是加山又造刚刚从学校毕业的一个典型的艺术创作经历,是他艺术生涯中的第一步。同时也正是这一步使他在日本战后的艺术发展道路上开始闪光。这一阶段是他对于文化艺术吸收、借鉴、创作的一个过程。也是他以后艺术道路的一个起点。对于他一生的艺术生涯有着重要的作用。同时也是他艺术之路更加丰富、更加传奇的一个重要环节。
[Abstract]:Kashan created (Matazo Kayama) is one of the artists who represent the new development of modern Japanese painting in Japan's new rise after the World War II. His artistic creation experience is extremely rich, has created numerous classical works in his life, has left a lot of precious wealth for the succeeding generations. Kashan's artistic creation involves a wide range of fields, the rich content of art techniques unique to people. It is called the "ghost talent" of Japanese art and also the name of "Picasso of the East". This paper focuses on the series of animal paintings created in the early period of Kashan from 1950's to 60's. The main content of the article is divided into three parts. The first part mainly analyzes the origin of the concept of animal painting, and discusses how the Japanese animal painting is put forward. Mainly from the Chinese culture and art and Japanese culture and art two aspects to discuss. The second part mainly describes the historical development of animal painting. This paper describes the appearance of early animal patterns in Japan, the mature period of flower-and-bird paintings related to animals, the embryonic forms of animal paintings and the establishment of animal paintings. Its purpose is to sort out the development of Japanese animal painting. The third part is also the focus of this paper. This paper mainly analyzes the art of animal painting made by Jiashan. Including the formation reason of animal painting, artistic thought, personal experience, time background, important genres, inheritance relationship of animal painting, artistic style of animal painting and so on. The main purpose of this chapter is to elaborate more information about the early animal paintings in Kashan. Kashan is a very familiar name for the Chinese people. He has been to the Central Academy of Fine Arts several times, and has been hired as a visiting professor. And he also has many students in China, influenced the Chinese painting circle for many years. His painting style and artistic creation experience are recognized by the Chinese, and he also likes Chinese culture. Japanese ancient traditional culture has always been influenced by the ancient Chinese culture, he liked Chinese ancient art in the late stage of his artistic career, and he has visited various famous areas of China many times for sketching purposes. At the same time, it has created the landscape works with Japanese national characteristics, such as "imitating the Northern Song Dynasty Landscape", which is a modern way of exploring Chinese ancient art. He also absorbed the decorative nature of Japan's Kuan Lin sect and created a number of famous gold stickers, body paintings, and so on. Art creation style also involves ceramics, prints, murals, practical art and many other aspects, is an art creation experience is extremely rich artist. The early animal painting was a typical experience of art creation just graduated from school, and it was the first step in his art career. It was this step that made him shine on Japan's post-war art path. This stage is a process in which he absorbs, draws lessons from, and creates for culture and art. It was also a starting point for his future artistic path. It plays an important role in his life's artistic career. At the same time, it is also an important link of his more rich and legendary artistic road.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2453969
[Abstract]:Kashan created (Matazo Kayama) is one of the artists who represent the new development of modern Japanese painting in Japan's new rise after the World War II. His artistic creation experience is extremely rich, has created numerous classical works in his life, has left a lot of precious wealth for the succeeding generations. Kashan's artistic creation involves a wide range of fields, the rich content of art techniques unique to people. It is called the "ghost talent" of Japanese art and also the name of "Picasso of the East". This paper focuses on the series of animal paintings created in the early period of Kashan from 1950's to 60's. The main content of the article is divided into three parts. The first part mainly analyzes the origin of the concept of animal painting, and discusses how the Japanese animal painting is put forward. Mainly from the Chinese culture and art and Japanese culture and art two aspects to discuss. The second part mainly describes the historical development of animal painting. This paper describes the appearance of early animal patterns in Japan, the mature period of flower-and-bird paintings related to animals, the embryonic forms of animal paintings and the establishment of animal paintings. Its purpose is to sort out the development of Japanese animal painting. The third part is also the focus of this paper. This paper mainly analyzes the art of animal painting made by Jiashan. Including the formation reason of animal painting, artistic thought, personal experience, time background, important genres, inheritance relationship of animal painting, artistic style of animal painting and so on. The main purpose of this chapter is to elaborate more information about the early animal paintings in Kashan. Kashan is a very familiar name for the Chinese people. He has been to the Central Academy of Fine Arts several times, and has been hired as a visiting professor. And he also has many students in China, influenced the Chinese painting circle for many years. His painting style and artistic creation experience are recognized by the Chinese, and he also likes Chinese culture. Japanese ancient traditional culture has always been influenced by the ancient Chinese culture, he liked Chinese ancient art in the late stage of his artistic career, and he has visited various famous areas of China many times for sketching purposes. At the same time, it has created the landscape works with Japanese national characteristics, such as "imitating the Northern Song Dynasty Landscape", which is a modern way of exploring Chinese ancient art. He also absorbed the decorative nature of Japan's Kuan Lin sect and created a number of famous gold stickers, body paintings, and so on. Art creation style also involves ceramics, prints, murals, practical art and many other aspects, is an art creation experience is extremely rich artist. The early animal painting was a typical experience of art creation just graduated from school, and it was the first step in his art career. It was this step that made him shine on Japan's post-war art path. This stage is a process in which he absorbs, draws lessons from, and creates for culture and art. It was also a starting point for his future artistic path. It plays an important role in his life's artistic career. At the same time, it is also an important link of his more rich and legendary artistic road.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
【参考文献】
相关期刊论文 前10条
1 丁威德;;凝滞的动感——论加山又造的艺术风格[J];大众文艺;2016年01期
2 李洁;;“二战”后日本画的演变与中国当代岩彩画[J];文艺研究;2010年01期
3 吴苏荣贵;;浅论现代日本画[J];内蒙古大学艺术学院学报;2009年04期
4 张导曦;;现代日本画五座大山之一——加山又造[J];湖北美术学院学报;2009年02期
5 梅忠智;;日本画的困惑与当代中国画现状[J];国画家;2006年04期
6 黄宗湖;寻找加山又造先生[J];美术之友;2005年05期
7 曹生龙;日本绘画与中国绘画的关系[J];苏州大学学报(工科版);2002年06期
8 冯远;现代日本画的启示[J];新美术;1994年02期
9 姚治华;不停顿地向美神挑战——看“加山又造美术作品精选展”[J];美术;1993年07期
10 杨力舟;富丽华贵的抒情诗——论加山又造的艺术[J];美术;1993年07期
相关硕士学位论文 前4条
1 韩萌;当代日本画的中国元素探析[D];河南大学;2015年
2 何莹;加山又造绘画语言探究[D];云南师范大学;2013年
3 叶林艳;宋代题画诗研究[D];中南民族大学;2013年
4 史宏云;传统与现代视角下的中日工笔花鸟画[D];山西大学;2005年
，本文编号：2453969
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2453969.html
