莫迪里阿尼与林风眠绘画中女性形象比较研究
发布时间：2019-04-08 14:39
【摘要】：在东西方绘画中，女性题材的绘画不计其数。艺术家们以女性为题材创造了风格迥异、绚丽多姿的女性形象。绘画作品中的女性形象的创造不仅与艺术家生活的时代和艺术历程密切相联，也承载了艺术家的个人情感、艺术追求。 纵观20世纪的画坛，作为东西方的绘画大师莫迪里阿尼和林风眠各自创造了具有独特个性的女性绘画形象。两位艺术大师来自不同的国家，他们的文化不同，他们的画种也不同，但他们作品中的女性形象似乎存在着某种特殊的联系。这些女性形象造型独特，都存在着一定的变形和夸张；女性人物面部奇特的五官组合也存在着一定的相似性；女性人物的表情都流露出一种淡淡的哀愁，她们在画面中显得宁静神秘，呈现出一种独特的忧郁美。他们作品中的女性形象存在的种种神奇的相似性，引起了笔者的注意和思考。这些女性形象的成因、他们的相似性和不同点、她们所体现的艺术家的个人情感和艺术追求、她们对艺术家生活的时代反应、所蕴含的艺术理念和美学思想都是本文探究的对象。 本文由三大部分组成。本文的第一部分主要从时代背景与文化氛围和人生历程的方面分别对两位艺术家进行阐述。第二部分是具体分析了两位画家女性形象所吸收的艺术要素。并分别对两位艺术家创造的女性形象所展现的不同女性美进行诠释。第三部分是本课题的重点，通过对两位画家塑造女性形象运用的线条、造型、色彩三个方面进行系统的分析，比较其艺术语言的相似和差异。 通过对莫迪里阿尼和林风眠绘画中女性形象的比较研究，充分感悟两位画家关于绘画中的女性形象更深层次的内涵和意义，加强自己对女性绘画题材的认识和对绘画中女性美的感悟能力，从艺术家对艺术创新方法中汲取灵感和动力。同时也对绘画中女性形象的研究做出一些开拓和尝试。
[Abstract]:In East and West painting, the female subject matter painting is innumerable. Artists to women as the theme of the creation of a very different style, colorful female images. The creation of female images in paintings is not only closely related to the age and artistic process of the artist's life, but also bears the artist's personal feelings and artistic pursuit. Throughout the 20th century painting circles, as East and West painting masters Modiriani and Lin Fengmian created a unique image of female painting. Two masters of art come from different countries, their cultures are different, their paintings are different, but the female images in their works seem to have some special connection. These female images are unique, there are some deformations and exaggerations, and there is a certain similarity between the peculiar facial features of the female characters. The expressions of female characters reveal a light sadness, they appear quiet and mysterious in the picture, showing a unique melancholy beauty. The miraculous similarities of the female images in their works have aroused the author's attention and thinking. The causes of these women's images, their similarities and differences, the personal feelings and artistic pursuits of the artists they embody, their responses to the times of artists' lives, The artistic ideas and aesthetic thoughts contained in this paper are the objects of this paper. This paper consists of three major parts. The first part of this paper mainly from the background of the times, cultural atmosphere and life history of the two artists respectively. The second part is the specific analysis of the artistic elements absorbed by the female image of the two painters. And to the two artists created by the female image of the different interpretations of the beauty of women. The third part is the focus of this topic, through the two painters to shape the use of the female image of the line, shape, color three aspects of systematic analysis, compare their artistic language similarity and difference. Through a comparative study of the female images in Modiriani and Lin Fengmian's paintings, the author fully understands the deeper connotation and significance of the two painters about the female image in the painting. To strengthen their own understanding of the theme of female painting and the ability to understand the beauty of women in painting, draw inspiration and motivation from artists' creative methods of art. At the same time, it also makes some explorations and attempts on the study of female image in painting.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2454664
[Abstract]:In East and West painting, the female subject matter painting is innumerable. Artists to women as the theme of the creation of a very different style, colorful female images. The creation of female images in paintings is not only closely related to the age and artistic process of the artist's life, but also bears the artist's personal feelings and artistic pursuit. Throughout the 20th century painting circles, as East and West painting masters Modiriani and Lin Fengmian created a unique image of female painting. Two masters of art come from different countries, their cultures are different, their paintings are different, but the female images in their works seem to have some special connection. These female images are unique, there are some deformations and exaggerations, and there is a certain similarity between the peculiar facial features of the female characters. The expressions of female characters reveal a light sadness, they appear quiet and mysterious in the picture, showing a unique melancholy beauty. The miraculous similarities of the female images in their works have aroused the author's attention and thinking. The causes of these women's images, their similarities and differences, the personal feelings and artistic pursuits of the artists they embody, their responses to the times of artists' lives, The artistic ideas and aesthetic thoughts contained in this paper are the objects of this paper. This paper consists of three major parts. The first part of this paper mainly from the background of the times, cultural atmosphere and life history of the two artists respectively. The second part is the specific analysis of the artistic elements absorbed by the female image of the two painters. And to the two artists created by the female image of the different interpretations of the beauty of women. The third part is the focus of this topic, through the two painters to shape the use of the female image of the line, shape, color three aspects of systematic analysis, compare their artistic language similarity and difference. Through a comparative study of the female images in Modiriani and Lin Fengmian's paintings, the author fully understands the deeper connotation and significance of the two painters about the female image in the painting. To strengthen their own understanding of the theme of female painting and the ability to understand the beauty of women in painting, draw inspiration and motivation from artists' creative methods of art. At the same time, it also makes some explorations and attempts on the study of female image in painting.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【参考文献】
中国期刊全文数据库 前3条
1 薛雁群;;回声与创造——莫迪里阿尼的裸体艺术[J];美苑;1989年03期
2 李新生;;西方女性绘画形象的忧郁美[J];文艺研究;2007年02期
3 李新生;;艺术家创作心理与忧郁女性形象[J];文艺理论与批评;2006年04期
，本文编号：2454664
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2454664.html
