重构与叠加—套色木刻版画色彩的隐喻性思维研究
发布时间：2019-04-08 18:20
【摘要】：隐喻被人们理解成人类思维的一种认知方式,它一直在艺术中存在着,这种思维方式伴随着艺术的成长。色彩的隐喻性思维是隐喻性思维的一种表现形式,是通过人们对色彩的认知和运用来表现艺术家创作的情感。画面色彩的隐喻性是为艺术作品创作观念服务的并能有效的表现出艺术作品中的隐喻性。俗话说,世间万物,有了光才有了色,光是视觉之源,色彩才是视觉的展现。色彩拥有着神奇的力量,它能带给我们强烈的心灵感受和视觉上的冲击力,正是因为它这种独一无二的表现形式,也成为艺术家们抒发内心情感的最佳选择。艺术作品中的一切色彩都是艺术家给予的,艺术本身就是再创造的过程,它本身就是隐喻的,而艺术中的色彩是艺术创作的一部分,所以说,色彩是隐喻的。色彩的隐喻性思维可以说是伴随着人类使用颜色创作的产生而产生的。我们要想真正的去理解艺术中色彩的隐喻性思维,需要我们对色彩有足够的认知,还要提高我们对色彩的敏感度。之所以研究套色木刻版画中的色彩隐喻性思维,是因为版画作为最古老的艺术表现形式之一,它有着悠久的历史。版画作为绘画中的特殊表现方式,以它的复数性和传播性最为大众统治者所喜爱,它能快速地传递文化和思想。套色木刻的出现使版画在视觉展现上有了一定的优势,它能更加准确的传递人们的思想意图。比如说中国的套色木刻版画在色彩上就受到了中国传统民族文化的影响,中国传统的套色木刻也最能体现出中国的传统色彩美学思想。而西方的套色木刻版画受到了西方科学的色彩理念的影响,充分的利用了色彩的规律和构成来表现画面,这些都是套色木刻版画中色彩的重要性的体现。中国的现代套色木刻版画正是集合了传统与科学精华的产物,套色木刻版画中蕴含着大量需要我们去理解和认知的色彩信息。对于其中色彩的理解和认知直接影响着我们对版画作品的理解和认知。在探索木刻版画色彩隐喻性思维的过程中,使我对色彩这门绘画中永恒性表现形式有了更加深刻的理解,版画的套色木刻以最直接,最纯粹的方式告诉我们绘画中色彩蕴含的隐喻性思维。我通过对色彩的认识和对其隐喻性的探索,证明艺术家是如何运用色彩的规律去表现自己的内心情感。优秀的艺术作品,就是艺术家合理的利用了隐喻这种手法,通过作品直击观者的内心,使其达到心灵上的沟通和认同。
[Abstract]:Metaphor is understood as a cognitive mode of human thinking, it has always existed in art, this mode of thinking is accompanied by the growth of art. Metaphorical thinking of color is a form of metaphorical thinking, which expresses the emotion of artists' creation through people's cognition and application of color. The metaphorical nature of the picture color serves for the artistic creation concept and can effectively express the metaphorical nature of the artistic work. As the saying goes, all things in the world, only with light has color, light is the source of vision, color is the visual display. Color has the power of magic, it can give us a strong spiritual feeling and visual impact, because of its unique form of expression, but also become the best choice for artists to express their inner feelings. All colors in artistic works are given by artists, art itself is the process of re-creation, it is metaphorical in itself, and colors in art are part of artistic creation, so color is metaphorical. Metaphorical thinking of color can be said to be accompanied by the creation of color creation. In order to truly understand the metaphorical thinking of color in art, we need to have enough knowledge of color, but also to improve our sensitivity to color. The reason for studying the metaphorical thinking of color in woodcut prints is that as one of the oldest forms of artistic expression, printmaking has a long history. Printmaking, as a special way of expression in painting, is the most popular ruler's favorite because of its multiplicity and dissemination. It can quickly transmit culture and thought. The appearance of wood engraving makes printmaking have a certain advantage in visual display, it can transmit people's thought intention more accurately. For example, the color of Chinese woodcut prints is influenced by the traditional Chinese national culture, and the traditional Chinese color woodcuts can best reflect the traditional color aesthetics of China. The western color woodcut prints are influenced by the western scientific color idea, and make full use of the law and composition of the color to express the picture. These are the embodiment of the importance of the color in the color woodcut printmaking. Modern Chinese woodcut engraving is the product of the traditional and scientific essence, which contains a lot of color information that we need to understand and recognize. The understanding and cognition of color directly affect our understanding and cognition of printmaking. In the process of exploring the metaphorical thinking of color in woodcut prints, I have a deeper understanding of the permanent form of expression of color in this painting, and the wooden engraving of engraving is the most direct. The purest way tells us the metaphorical thinking of color in painting. Through my understanding of color and its metaphorical exploration, I prove how artists use the law of color to express their inner feelings. Excellent works of art, that is, the artist reasonable use of metaphor this technique, through the works directly hit the inner mind of the viewer, so that it can achieve spiritual communication and identity.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J217
本文编号：2454805
[Abstract]:Metaphor is understood as a cognitive mode of human thinking, it has always existed in art, this mode of thinking is accompanied by the growth of art. Metaphorical thinking of color is a form of metaphorical thinking, which expresses the emotion of artists' creation through people's cognition and application of color. The metaphorical nature of the picture color serves for the artistic creation concept and can effectively express the metaphorical nature of the artistic work. As the saying goes, all things in the world, only with light has color, light is the source of vision, color is the visual display. Color has the power of magic, it can give us a strong spiritual feeling and visual impact, because of its unique form of expression, but also become the best choice for artists to express their inner feelings. All colors in artistic works are given by artists, art itself is the process of re-creation, it is metaphorical in itself, and colors in art are part of artistic creation, so color is metaphorical. Metaphorical thinking of color can be said to be accompanied by the creation of color creation. In order to truly understand the metaphorical thinking of color in art, we need to have enough knowledge of color, but also to improve our sensitivity to color. The reason for studying the metaphorical thinking of color in woodcut prints is that as one of the oldest forms of artistic expression, printmaking has a long history. Printmaking, as a special way of expression in painting, is the most popular ruler's favorite because of its multiplicity and dissemination. It can quickly transmit culture and thought. The appearance of wood engraving makes printmaking have a certain advantage in visual display, it can transmit people's thought intention more accurately. For example, the color of Chinese woodcut prints is influenced by the traditional Chinese national culture, and the traditional Chinese color woodcuts can best reflect the traditional color aesthetics of China. The western color woodcut prints are influenced by the western scientific color idea, and make full use of the law and composition of the color to express the picture. These are the embodiment of the importance of the color in the color woodcut printmaking. Modern Chinese woodcut engraving is the product of the traditional and scientific essence, which contains a lot of color information that we need to understand and recognize. The understanding and cognition of color directly affect our understanding and cognition of printmaking. In the process of exploring the metaphorical thinking of color in woodcut prints, I have a deeper understanding of the permanent form of expression of color in this painting, and the wooden engraving of engraving is the most direct. The purest way tells us the metaphorical thinking of color in painting. Through my understanding of color and its metaphorical exploration, I prove how artists use the law of color to express their inner feelings. Excellent works of art, that is, the artist reasonable use of metaphor this technique, through the works directly hit the inner mind of the viewer, so that it can achieve spiritual communication and identity.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J217
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