论力群木刻版画的美学特征和艺术价值

发布时间：2019-04-11 16:05

【摘要】：力群是中国新兴版画最重要的奠基人和开拓者之一。力群先生自幼钟情绘画,1933年于杭州艺术专科学校毕业后,受到鲁迅先生的鼓励,开始从事木刻版画艺术创作。从“左翼文化运动”时期革命斗争题材的创作,到“毛泽东延安文艺座谈会讲话”时期拙朴生动的乡村民俗题材,再到“新中国时期”借物抒情的花鸟风景题材,力群始终用自己的刻刀表达着对国家忠贞的热爱,以及对祖国人民未来美好生活的展望。力群的木刻版画艺术对中国现代木刻版画发展具有重要的影响。艺术家在青年时代就以木刻版画艺术致力于民族解放的伟大事业,一直到解放后,通过严谨的西方造型法则和深厚的中国画造诣,积极的探索符合民族审美的木刻版画风格,形成了独特的个人艺术魅力,影响和推动了新一代中国木刻版画的发展。被中国美术家协会授予“中国新兴版画杰出贡献奖”。力群用独特的刀法和构思创作出一大批具有鲜明个人色彩的的木刻版画作品,其作品博取中外,古拙厚重；重视传统,倾情民间；妙趣横生,借景抒情。在构图上,巧妙推敲,富有中国审美情趣；在造型上,写实传神,古朴生动,兼备了中国传统绘画的精神和西方写实绘画的造型特征；在刀法上,通过中、推、侧、摇、逆等刀法的变化,配合三角刀、平口刀、圆口刀的使用,使画面木味浓重,效果丰富；在色彩上,通过简洁明快的套色概括,表现出鲜明的节奏和韵律。力群的木刻版画影响着新一代的中国木刻版画艺术家,在中国美术史上具有重要的艺术价值与地位。力群的版画艺术创作时间跨度很长,从二十世纪三十年代到改革开放后的三十年,从1933年创作的黑白木刻《病》到2008年创作的套色版画《春天》,跨越了75年的时间。通过深入分析力群四个不同创作时期的30多张经典作品,来探讨艺术家木刻版画的时代特点和美学特征,进而深入研究作品的艺术内涵和美学价值。
[Abstract]:Li Qun is one of the most important founders and pioneers of China's emerging prints. After graduating from Hangzhou Art College in 1933, Mr. Li Qun was encouraged by Mr. Lu Xun to create woodcut prints. From the creation of revolutionary struggle theme in the period of "left-wing cultural movement", to the humble and vivid rural folk theme of "Mao Zedong Yan'an Literature and Art Symposium speech", to the theme of "New China period" expressing the scenery of flowers and birds. Li Qun has always used his own knife to express his love for national loyalty, as well as the prospect of a better life for the people of the motherland in the future. Li Qun's woodcut printing art has an important impact on the development of modern Chinese woodcut prints. In his youth, artists devoted themselves to the great cause of national liberation with woodcut prints, until after liberation, through rigorous Western modeling rules and profound Chinese painting attainments, they actively explored the woodcut printmaking style in line with the national aesthetic. Has formed the unique individual artistic charm, has influenced and promoted the development of the new generation of Chinese woodcut prints. Awarded by the Chinese artists Association for Outstanding contribution to China's emerging prints. Li Qun used unique knife method and conception to create a large number of wood engraving works with distinct personal color, his works have won the Chinese and foreign, ancient and thick; attach importance to tradition, love folk; interesting, lyric scenery. In composition, ingenious elaboration, rich in Chinese aesthetic interest; in shape, realistic and vivid, simple and vivid, both the spirit of traditional Chinese painting and Western realistic painting modeling characteristics; In the knife method, through the middle, push, side, shake, reverse knife method changes, with the use of triangular knife, flat knife, round knife, so that the picture of thick wood flavor, rich effect; On the color, through the succinct and bright color summary, displays the distinct rhythm and the rhythm. Li Qun's woodcut prints influence the new generation of Chinese woodcut printmaking artists, and have important artistic value and status in the history of Chinese art. Li Qun's print art creation time span is very long, from the 1930s to the reform and opening up 30 years, from 1933 creation of black-and-white woodcut "disease" to 2008 color printing "spring", span 75 years. Through an in-depth analysis of Li Qun's more than 30 classical works in four different periods of creation, this paper discusses the characteristics of the times and aesthetics of the woodcut prints of artists, and further studies the artistic connotation and aesthetic value of the works.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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