阴影透视在写实性绘画中的应用与发展

发布时间：2019-04-11 17:18

【摘要】：“阴影”一词只要出现就会平添几分神秘的色彩,古往今来许多中西方的艺术家都被它独有的静谧、玄妙所吸引。在没有完善的技法理论体系之前对于阴影的绘制一直是一项难题。早期艺术家们想要把阴影这一重要元素表现在画面中却不知如何去控制,多数画家都只有选择主观意识(俗称凭感觉)去绘制阴影,出现了“明暗法”、“渐隐法”、“明暗对照法”等等一系列的方法。但由于阴影本身为客观存在事实,只单单凭借感觉是远远不够的。所以以上出现的方法都没能完全满足于艺术家对阴影处理的要求。对于阴影的研究必定是科学和艺术的双重考虑下进行的,是需要点滴的积累,研究与验证下得到的。阴影透视便是艺术家们研究发现,即遵循自然客观规律,又可满足绘画创作需要的技法理论。阴影透视是绘制阴影的重要手段,也是解读画面阴影的方式,自从画家们着手去研究如何用科学的技法来辅助绘画,就不乏有人对阴影这一画面元素产生浓厚的兴趣。随着透视理论消点法的日渐完善,为阴影透视透视提供了理论支持。艺术家们终于攻克了阴影绘制这一难题。许多画家善用阴影透视,诸多“光影大师”的出现,表象的立体效果,更加使绘画作品意境深远,赋予了更多的思维。本文重点是对阴影透视在写实绘画中应用的分析,不同于以往的文章从光开始分析影,本篇文章将从画面中的阴影出发,使用以便于提高对阴影处理的准确度,解决阴影在画面中的合理性,运用阴影透视去分析光源。运用阴影透视这一理论支持分析画面的光源以至于达到对画作更加深刻的分析与思考。
[Abstract]:"Shadow" as long as it appears will add a bit of mysterious color, many ancient and western artists are attracted by its unique quiet, mysterious. Until there is no perfect theoretical system of techniques, the rendering of shadows has been a difficult problem. Early artists wanted to express the important element of shadow in the picture, but did not know how to control it. Most painters only chose subjective consciousness (commonly known as feeling) to paint shadows, resulting in the emergence of "dark and light methods" and "gradually hidden methods". A series of methods such as "contrast between light and shade" and so on. But because the shadow itself is an objective reality, it is far from enough to just rely on the feeling. Therefore, none of the above methods can fully meet the artist's requirements for shadow processing. The study of shadow must be carried out under the double consideration of science and art, and it needs to be accumulated, studied and verified. Shadow perspective is a technique theory which follows the objective law of nature and meets the needs of painting creation. Shadow perspective is an important means of drawing shadows and a way to interpret shadows. Since painters began to study how to use scientific techniques to assist painting, there has been a lot of interest in the picture element of shadow. With the perfection of the extinction point method of perspective theory, it provides theoretical support for shadow perspective. The artists finally overcome the difficult problem of shadow painting. Many painters make good use of shadow perspective, the appearance of many "master of light and shadow", the appearance of three-dimensional effect, more far-reaching artistic conception of painting, endowed with more thinking. This paper focuses on the analysis of the application of shadow perspective in realistic painting, which is different from the analysis of shadow from light in the past. This article will start from the shadow in the picture and use it in order to improve the accuracy of shadow processing. To solve the rationality of shadow in the screen, shadow perspective is used to analyze the light source. The theory of shadow perspective is used to support the analysis of the light source of the picture so as to achieve more profound analysis and thinking of the painting.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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