地域文化影响下的东北当代绘画研究
发布时间：2019-04-21 07:03
【摘要】：东北的地域文化作为一种文化类型,内涵丰富且多彩纷呈,并显示其独有的特色。地理环境上在中国的边疆中得天独厚。“冰雪文化”,“黑土文化”都是它的代名词。民族文化上显示着强大的包容性和传承性,拥有着顽强的凝聚力和旺盛的生命力。宗教文化相互融合。正是这特殊的文化土壤,养育了东北当代代表性绘画群体：“北大荒版画”、“关东画派”、“冰雪画派”、水彩画艺术群体。诞生了丰富灿烂的当代绘画：题材上表达出对地域情感的挚爱；内容上显示出对社会现实的关注和对逝去事物的怀念。东北当代的绘画在国内、国际上虽然取得一定成就,但思想观念的陈旧与狭隘,信心和责任感的缺失,艺术理论和艺术批评的滞后,学术交流的贫乏,群众基础薄弱和艺术市场的匮乏都是制约其发展的因素,只有在根本上解决文化上的矛盾,才能产生出具有民族意识和时代精神的艺术作品。本论文旨在研究东北地域文化下的东北当代绘画,有什么样的地域文化必然产生其有文化特色的绘画作品,东北地域内的绘画面貌必然反衬相映的地域文化特征。
[Abstract]:As a kind of culture type, the regional culture of Northeast China is rich in connotation and colorful, and shows its unique characteristics. The geographical environment is unique in the frontier of China. Ice and snow culture and black soil culture are synonymous with it. National culture shows strong inclusiveness and inheritance, with tenacious cohesion and vigorous vitality. Religious culture intermingles with each other. It is this special cultural soil that nurtured the contemporary representative painting group in Northeast China: Beidahuang printmaking, Guantong painting School, Snow painting School and Watercolor painting Art Group. The rich and splendid contemporary painting was born: the theme expressed the love of the regional emotion; the content showed the concern for the social reality and the nostalgia for the lost things. Although contemporary painting in Northeast China has made some achievements at home and abroad, the old and narrow ideas, the lack of confidence and responsibility, the lag of artistic theory and criticism, and the paucity of academic exchange, The weak foundation of the masses and the lack of the art market are the factors restricting its development. Only by solving the cultural contradictions fundamentally can the artistic works with national consciousness and the spirit of the times be produced. The purpose of this thesis is to study the contemporary painting of Northeast China under the regional culture of Northeast China. What kind of regional culture is bound to produce its paintings with cultural characteristics, and the appearance of paintings in the Northeast region is bound to reflect the regional cultural characteristics.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2461957
[Abstract]:As a kind of culture type, the regional culture of Northeast China is rich in connotation and colorful, and shows its unique characteristics. The geographical environment is unique in the frontier of China. Ice and snow culture and black soil culture are synonymous with it. National culture shows strong inclusiveness and inheritance, with tenacious cohesion and vigorous vitality. Religious culture intermingles with each other. It is this special cultural soil that nurtured the contemporary representative painting group in Northeast China: Beidahuang printmaking, Guantong painting School, Snow painting School and Watercolor painting Art Group. The rich and splendid contemporary painting was born: the theme expressed the love of the regional emotion; the content showed the concern for the social reality and the nostalgia for the lost things. Although contemporary painting in Northeast China has made some achievements at home and abroad, the old and narrow ideas, the lack of confidence and responsibility, the lag of artistic theory and criticism, and the paucity of academic exchange, The weak foundation of the masses and the lack of the art market are the factors restricting its development. Only by solving the cultural contradictions fundamentally can the artistic works with national consciousness and the spirit of the times be produced. The purpose of this thesis is to study the contemporary painting of Northeast China under the regional culture of Northeast China. What kind of regional culture is bound to produce its paintings with cultural characteristics, and the appearance of paintings in the Northeast region is bound to reflect the regional cultural characteristics.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
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