徽商对扬州画派艺术赞助的动机研究
发布时间：2019-04-21 08:11
【摘要】：明清时代可以说是中国传统艺术的集大成时期,而其中的扬州画派无疑十分引人注目,它的崛起并发展壮大,其意义已不仅仅是为艺术史增添了新的艺术风格或观念那么简单,它形成于一个新旧交替的时期,艺术从传统模式向商业模式,即近代模式转换。从画派中年龄最大的华]R在雍正初年(1723年)始到扬州算起,到画派中年纪最轻的罗聘在嘉庆初年(1796年)去世于扬州为止,这七八十年间正是扬州地区的商品经济高度发展的年代,社会上出现了一批拥资无数又雅好文艺的权贵大贾,其中最主要的一个群体就是到扬州业盐的徽商,可以说,他们在中国艺术的私人赞助史上写下了最辉煌的一笔。 本文是从赞助人而非艺术家的角度看待艺术史,拟将徽商对扬州画派的艺术赞助放到广阔的宏观背景中去考察,以徽商对扬州画派的艺术赞助为切入点,通过考察扬州画派获得赞助的社会背景,以及徽商作为赞助人的自身条件,分析徽商对扬州画派具体赞助的行为方式,试图从宏观和微观两个层面对徽商艺术赞助进行完整剖析,还原当时真实的社会情境,并且与艺术史上之前的艺术赞助进行对比,通过与中国古代供养人、西方美第奇家族等的比较,深刻全面把握徽商对扬州画派艺术赞助行为的特征,探讨这一现象在艺术经济史上承前启后的重要意义,从而揭示其对扬州画派艺术赞助的意图和动机。
[Abstract]:The Ming and Qing dynasties can be said to be an integrated period of Chinese traditional art, and the Yangzhou School of painting is undoubtedly very remarkable, its rise and development, its significance has not only added a new artistic style or concept for the history of art is so simple. It formed in a new and old period, art from the traditional model to the business model, that is, the modern model transformation. From the oldest Chinese] R in the early years of Yongzheng (1723) to Yangzhou, to the death of Luo Pin, the youngest of the painting school, in Yangzhou in the early Jiaqing year (1796), In the past 70 or 80 years, the commodity economy in Yangzhou has been highly developed, and there has been a great deal of power and prestige in the society, which is rich in capital and elegant in literature and art. One of the most important groups is the Huizhou merchants who have come to Yangzhou Salt, which can be said to be the most important group. They wrote one of the most brilliant in the history of private sponsorship of Chinese art. This article looks at the history of art from the point of view of the patron rather than the artist, and intends to put the artistic sponsorship of Yangzhou painting school by Huizhou merchants into a broad macro background, taking the art sponsorship of Yangzhou painting school by Huizhou merchants as the starting point. By examining the social background of Yangzhou painting school and the conditions of Huizhou merchants as sponsors, this paper analyzes the behavior of Yangzhou painting school sponsored by Huizhou merchants. This paper attempts to make a complete analysis of the Huizhou merchants' art sponsorship from the macro and micro levels, restore the real social situation at that time, and compare it with the art sponsorship before the history of art, and through the support of ancient China, Comparing the western Medici family, this paper deeply and comprehensively grasps the characteristics of Huizhou merchants' artistic sponsorship to Yangzhou painting school, and probes into the important significance of this phenomenon in the history of art economy, which links the past with the future. Thus reveals his intention and motivation to Yangzhou painting school art sponsorship.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
本文编号：2462004
[Abstract]:The Ming and Qing dynasties can be said to be an integrated period of Chinese traditional art, and the Yangzhou School of painting is undoubtedly very remarkable, its rise and development, its significance has not only added a new artistic style or concept for the history of art is so simple. It formed in a new and old period, art from the traditional model to the business model, that is, the modern model transformation. From the oldest Chinese] R in the early years of Yongzheng (1723) to Yangzhou, to the death of Luo Pin, the youngest of the painting school, in Yangzhou in the early Jiaqing year (1796), In the past 70 or 80 years, the commodity economy in Yangzhou has been highly developed, and there has been a great deal of power and prestige in the society, which is rich in capital and elegant in literature and art. One of the most important groups is the Huizhou merchants who have come to Yangzhou Salt, which can be said to be the most important group. They wrote one of the most brilliant in the history of private sponsorship of Chinese art. This article looks at the history of art from the point of view of the patron rather than the artist, and intends to put the artistic sponsorship of Yangzhou painting school by Huizhou merchants into a broad macro background, taking the art sponsorship of Yangzhou painting school by Huizhou merchants as the starting point. By examining the social background of Yangzhou painting school and the conditions of Huizhou merchants as sponsors, this paper analyzes the behavior of Yangzhou painting school sponsored by Huizhou merchants. This paper attempts to make a complete analysis of the Huizhou merchants' art sponsorship from the macro and micro levels, restore the real social situation at that time, and compare it with the art sponsorship before the history of art, and through the support of ancient China, Comparing the western Medici family, this paper deeply and comprehensively grasps the characteristics of Huizhou merchants' artistic sponsorship to Yangzhou painting school, and probes into the important significance of this phenomenon in the history of art economy, which links the past with the future. Thus reveals his intention and motivation to Yangzhou painting school art sponsorship.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2
【引证文献】
相关期刊论文 前1条
1 李精明;;20世纪以前中西艺术赞助研究中文文献述评[J];莆田学院学报;2015年04期
，本文编号：2462004
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