蒙古族题材的水彩画研究

发布时间：2019-04-25 06:52

【摘要】：蒙古族题材水彩画，是指绘画内容以表现蒙古族人民生活状态、反映民族地域特色、体现本土文化意识的，以水彩画技法为主的艺术形式所创作出的蒙古族题材的绘画作品。蒙古族题材水彩画包含以下两个基本特征:第一,选材蒙古族及与之相关元素为表现题材；其次是以水彩画的艺术表现形式，利用其自身的语言表达，传达出蒙古族特有的人文精神。掌握以上两个基本要点，对研究蒙古族题材水彩画的方向才更有把握。蒙古族有浓厚的民俗风情和鲜明的民族特色，成为画家们取之不尽用之不竭的创作资源。近二十年涌现出数量众多形式各异的蒙古族题材水彩画，反映出蒙古民族灿烂的民族文化和丰富多彩的民族风情，不但有文化价值，，对当代中国水彩画的发展也有重要的意义。本文第一章对蒙古族题材水彩画的概念进行阐述，并分析其形成原因。第二章以蒙古草原文化为背景，将蒙古族题材水彩画的发展归纳为三个阶段：建国初期的萌芽阶段；改革开放后的成长阶段；新世纪多元风格的持续发展阶段。第三章以蒙古族题材水彩画为线索，分析梳理该题材绘画的表现内容，并总结其特征。第四章依据蒙古族题材水彩画的发展及其特点，探讨其现实意义。第五章根据对蒙古族题材水彩画的分析，探索该怎样合理把握在社会发展新语境下，传承、发展体现蒙古族人文精神的当代水彩画。历史发展到了今天，经济全球化的出现为水彩画艺术发展带来了许多新的挑战。随着社会的进步，水彩画家们根据个人不同的条件，探索和研究可以直接反应蒙古族民族文化和民族特点的不同绘画语言，他们勇于创新，在各自不同的领域里有了不同程度突破。但是该如何把握适当的尺度，如何保持传统文化精神，把蒙古族题材水彩画推向新的高度，已成为当代致力于蒙古族题材创作的水彩画家目前肩负的重要责任。
[Abstract]:Mongolian-themed watercolor painting refers to the Mongolian subject-matter painting works created by the artistic form of watercolor painting, which expresses the Mongolian people's living condition, reflects the national regional characteristics, and embodies the local cultural consciousness, and takes the watercolor painting technique as the mainstay of the art form. Mongolian watercolor painting contains the following two basic characteristics: first, the selection of Mongolian and its related elements for the performance of the theme; Secondly, the artistic form of watercolor painting, using its own language expression, to convey the Mongolian unique humanistic spirit. Master the above two basic points, to study the direction of Mongolian watercolor painting is more sure. Mongolians have strong folk customs and distinctive national characteristics, and become the inexhaustible creative resources of painters. In the last two decades, a large number of Mongolian watercolor paintings of various forms have emerged, reflecting the splendid national culture and rich and colorful national customs of the Mongolian nation, which is not only of cultural value, but also of great significance to the development of contemporary Chinese watercolor paintings. In the first chapter, the concept of Mongolian watercolor painting is expounded, and the cause of its formation is analyzed. In the second chapter, based on the Mongolian grassland culture, the development of Mongolian watercolor painting is divided into three stages: the initial stage of the founding of the people's Republic of China; the growth stage after the reform and opening-up; the sustainable development stage of multi-style in the new century. The third chapter takes Mongolian watercolor painting as a clue, analyzes and combs the performance content of the subject matter painting, and summarizes its characteristics. According to the development and characteristics of Mongolian watercolor painting, the fourth chapter discusses its practical significance. The fifth chapter, based on the analysis of Mongolian watercolor painting, explores how to reasonably grasp how to inherit and develop the contemporary watercolor painting which embodies the humanistic spirit of Mongolian people in the new context of social development. With the development of history, the emergence of economic globalization has brought many new challenges to the development of watercolor art. With the progress of society, watercolor painters explore and study different painting languages that can directly reflect the Mongolian national culture and national characteristics according to individual conditions, and they are brave to innovate. Different levels of breakthroughs have been made in their respective fields. However, how to grasp the appropriate scale, how to maintain the spirit of traditional culture, and how to push the Mongolian watercolor painting to a new height, has become an important responsibility of the contemporary watercolor painters committed to the creation of Mongolian themes.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

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