泼墨画法对中国山水画发展的推动作用——评《中国近现代美术史》

发布时间：2019-04-25 21:53

【摘要】：正中国山水画是中国艺术的代表。笔墨、色彩与布局是构成中国画最主要的表现形式,具有独特的艺术魅力。张大千的泼墨画法以"泼"的形式打破了中国山水画的传统固有风格,开创了中国近现代山水画的新画风。阮荣春、胡光华所著《中国近现代美术史》一书提出:"西洋画的引进与西方艺术思想在中国的兴起,开创了中国绘画的新时代。"表明受西方绘画影响的泼墨画法对中国山水画发展有着重要的意义。一、泼墨山水画是中国传统山水画的传承泼墨山水画的渊源,可追溯到唐代王洽,近代可追寻到晚清民国时期,张大千在其作品《高岩古寺》题记中提到:"自王洽创为泼墨,米老
[Abstract]:Chinese landscape painting is the representative of Chinese art. Ink and ink, color and layout are the main forms of expression of Chinese painting, with unique artistic charm. Zhang Daqian's ink-splashing method broke the traditional style of Chinese landscape painting in the form of "splashing" and created a new style of Chinese landscape painting in modern times. Nguyen Rong-chun, Hu Guanghua's History of Modern Chinese Fine Arts, puts forward the following: "the introduction of Western painting and the rise of western art thoughts in China have created a new era of Chinese painting." It shows that the ink-splashing painting method influenced by western painting is of great significance to the development of Chinese landscape painting. First, ink-splashing landscape painting is the origin of traditional Chinese landscape painting, which can be traced back to Wang Qi in the Tang Dynasty, and can be traced back to the late Qing Dynasty and the Republic of China. In the inscription of "Gao Yan Ancient Temple" in his work, Zhang Daqian mentioned: "since Wang Qiaoxiang became ink-splashing, it can be traced back to the late Qing Dynasty and the Republic of China." Millet
【作者单位】：内江师范学院四川张大千研究中心;
【基金】：四川省哲学社会科学研究“十二五”规划基地项目“碰撞与交融——张大千绘画艺术中的西方影响研究”(SC11E018)的阶段性成果
【分类号】：J212

【相似文献】