广西古代石刻与绘画的历史性描述
发布时间：2019-04-25 22:49
【摘要】：广西古代美术的文化指向很清晰,即从区域性的原发形态在与他文化交流与融合的过程中,不断发生演变,逐渐汇入汉文化的整体格局之中。因为这一地区民族文化的特异性,雅俗文化的分层现象十分突出,而且俗文化层的存在力量非常强大,传承性的因素就远远大于变异性因素,不受主流社会的意识形态干扰,不受精英文化层的观念影响。但入元之后,情况有所变化,雅俗文化之间的互动性加强了,地区间的文化交流也加强了,至明末清初,雅文化层上的绘画逐渐凸显,其影响力渐次扩大,出现了如石涛那样的画家。
[Abstract]:The cultural direction of ancient fine arts in Guangxi is very clear, that is, from the regional primitive form in the process of cultural exchange and integration with other cultures, constantly evolving, gradually converging into the overall pattern of Han culture. Because of the specificity of national culture in this area, the stratification phenomenon of elegant and vulgar culture is very prominent, and the existence power of vulgar culture layer is very strong, the factors of inheritance are far greater than the factor of variability, and they are not disturbed by the ideology of mainstream society. Not influenced by the ideas of the elite culture. But after entering the Yuan, the situation has changed, the interaction between elegant and vulgar cultures has been strengthened, and the cultural exchanges between regions have been strengthened. By the end of the Ming Dynasty and the early Qing Dynasty, the painting on the elegant culture layer gradually became prominent, and its influence gradually expanded. There were painters like Shi Tao.
【作者单位】： 上海美术学院;
【分类号】：J212
本文编号：2465536
[Abstract]:The cultural direction of ancient fine arts in Guangxi is very clear, that is, from the regional primitive form in the process of cultural exchange and integration with other cultures, constantly evolving, gradually converging into the overall pattern of Han culture. Because of the specificity of national culture in this area, the stratification phenomenon of elegant and vulgar culture is very prominent, and the existence power of vulgar culture layer is very strong, the factors of inheritance are far greater than the factor of variability, and they are not disturbed by the ideology of mainstream society. Not influenced by the ideas of the elite culture. But after entering the Yuan, the situation has changed, the interaction between elegant and vulgar cultures has been strengthened, and the cultural exchanges between regions have been strengthened. By the end of the Ming Dynasty and the early Qing Dynasty, the painting on the elegant culture layer gradually became prominent, and its influence gradually expanded. There were painters like Shi Tao.
【作者单位】： 上海美术学院;
【分类号】：J212
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1 相金鹏;当代广西地域青绿山水画创作研究[D];广西大学;2015年
2 刘玄;现当代广西少数民族题材人物画作品研究[D];广西师范大学;2014年
3 陆俞志;广西当代绘画的发展现状研究[D];广西师范大学;2014年
，本文编号：2465536
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