西方现代绘画人物变形研究

发布时间：2019-04-27 07:02

【摘要】：人物一直是西方绘画中的主要题材，无论是文艺复兴时期的古典美，还是到今天抽象化的变形人物形态，人物形象的塑造在西方绘画史上的各个时期都展现出了不凡的艺术魅力。文艺复兴时期达芬奇正式将人体比例发展成为绘画的基本法则，围绕这一法则艺术大师们塑造了古典庄严的人物气质，，浪漫率真的人物性格，现实生动的人物形象，再到现代绘画中追求变形夸张的人物特点。伴随着西方绘画的发展，准确的人物形体作为人物造型的一个重要方面，在人物的塑造上有着不可抹杀的重要地位。然而，进入到现代绘画以后，塞尚开启了变形人物的先河，从此开始了与以往正常人物形态相对的变形人物的绘画形式，并在两次世界大战的前后集中体现出来，逐渐在现代绘画的领域中占有自己的一席之地，在近一个世纪的时间里从一种个别现象发展成为了一种普遍的绘画形式，是偶然，还是必然？本文将以一战到德库宁绘画艺术发展的这段时期为研究对象，探寻为什么这个时代会成为现代绘画中人物变形的盛行期。
[Abstract]:Characters have always been the main subjects of western painting, whether they are the classical beauty of the Renaissance or the abstract morphologies of the figures to this day. In the history of Western painting, the shaping of characters has shown extraordinary artistic charm. Da Vinci formally developed the proportion of human body into the basic rule of painting during the Renaissance. Around this law, the masters of art shaped the classical and solemn character temperament, romantic real character, realistic and vivid character image. Then to the modern painting in pursuit of deformation hyperbole characters. With the development of western painting, accurate figure form, as an important aspect of character modeling, plays an important role in character shaping. However, after entering the modern painting, Cezanne opened the beginning of the deformed character, and from then on began the painting form of the deformed character opposite to the normal figure form before and after the two world wars, and it was embodied in the front and back of the two world wars. Gradually occupies its own place in the field of modern painting, in nearly a century from an individual phenomenon to develop into a universal form of painting, is it accidental, or inevitable? This article will take the period from World War I to Dekkonen's painting art development as the research object, and explore why this era will become the flourishing period of character deformation in modern painting.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209

【共引文献】