当代工笔人物画的“无表情”表情探析
发布时间：2019-04-27 12:20
【摘要】：在人物画中面部表情的塑造对整体艺术形象发挥着巨大的作用，有内容有深度的表情才能给人以想象和思考的空间。纵观自古至今的工笔人物画作品,不难发现这样一种现象:不管是身穿宽大衣袍的古代人物形象,还是充满时代气息的当代人物绘画,人物的面部表情基本上都呈现出一种“无表情”表情。“无表情”表情的普遍性以及成为普遍现象的原因是值得去探究的问题,本项研究能够加深对工笔人物画的理论认识，并会对当代工笔人物画的创作起到一定的促进作用。 本课题就当代工笔人物画中的人物表情进行研究，主要从当代工笔人物画中查找和搜集各种各样的人物表情进行分析，并以“无表情”表情作为本文的重要内容和创新点来探讨。通过归纳梳理具有代表性的当代工笔人物画，从工笔人物画的主要表现形式偏写实造型创作和偏意象造型创作两大类型入手，对何家英、罗寒蕾、王冠军、陈子、唐勇力以及张见等人的作品做深入分析，论述人物的面部表情与整幅画面的关系，探究不同人物的面部表情背后的审美内涵。接下来再从艺术的时代性因素、美术课堂教学、画面本身的和谐需求等方面探究当代工笔人物画“无表情”表情产生的深层次原因。本课题还从审美心理学的角度对绘画者本人和欣赏者进行一个审美因素的探析，以揭示这一现象经久不衰的主观方面的原因，并试图总结归纳当代工笔人物画的创作过程中画家本人的心理状态以及欣赏者对这种“无表情”表情的认同感。最后得出结论，在看似单一的“无表情”表情之下实则有着丰富的表情内涵，这种带有审美倾向性的“无表情”表情更能引发观者心灵的触动和无限的联想。
[Abstract]:In figure painting, facial expression plays a great role in the whole artistic image, and the expression with content and depth can give people space for imagination and thinking. Throughout the works of meticulous figure painting from ancient times to the present, it is not difficult to find such a phenomenon: whether it is the image of an ancient character in a broad dress, or a contemporary figure painting full of the flavor of the times. The facial expressions of the characters basically present a kind of "emotionless" expression. The universality of "emotionless" expression and the reason why it becomes a universal phenomenon are worthy to be explored. This study can deepen the theoretical understanding of meticulous figure painting and play a certain role in promoting the creation of contemporary meticulous figure painting. This topic carries on the research on the character expression in the contemporary meticulous figure painting, mainly from the contemporary meticulous figure painting to find and collect all kinds of character expression to carry on the analysis. And "emotionless" expression as the important content and innovation of this paper to explore. Through summing up and combing the representative contemporary meticulous figure painting, this paper starts with the two main forms of expression of meticulous figure painting: partial realistic modeling creation and partial image modeling creation, for he Jiaying, Luo Hanlei, Wang champion, Chen Zi, and so on, the author thinks that he Jiaying, Luo Hanlei, Wang Guan and Chen Zi are two main forms of expression. Tang Yongli and Zhang Jian's works are deeply analyzed to discuss the relationship between the facial expressions of characters and the whole picture, and to explore the aesthetic connotation behind the facial expressions of different characters. Then from the aspects of the contemporary factors of art, art classroom teaching, the harmonious demand of the picture itself and so on, this paper explores the deep-seated reasons of the expression of "emotionless" in contemporary meticulous figure painting. The subject also analyzes the aesthetic factors of the painter and the appreciator from the point of view of aesthetic psychology, in order to reveal the subjective reasons for the enduring existence of this phenomenon. The author also tries to sum up the psychological state of the painters themselves in the creation process of contemporary meticulous figure painting and the appreciator's identity to this "expressionless" expression. Finally, it is concluded that there is rich connotation of expression under the seemingly single "expressionless" expression, and this kind of "expressionless" expression with aesthetic tendency can trigger the touch of the viewer's mind and infinite association.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2466979
[Abstract]:In figure painting, facial expression plays a great role in the whole artistic image, and the expression with content and depth can give people space for imagination and thinking. Throughout the works of meticulous figure painting from ancient times to the present, it is not difficult to find such a phenomenon: whether it is the image of an ancient character in a broad dress, or a contemporary figure painting full of the flavor of the times. The facial expressions of the characters basically present a kind of "emotionless" expression. The universality of "emotionless" expression and the reason why it becomes a universal phenomenon are worthy to be explored. This study can deepen the theoretical understanding of meticulous figure painting and play a certain role in promoting the creation of contemporary meticulous figure painting. This topic carries on the research on the character expression in the contemporary meticulous figure painting, mainly from the contemporary meticulous figure painting to find and collect all kinds of character expression to carry on the analysis. And "emotionless" expression as the important content and innovation of this paper to explore. Through summing up and combing the representative contemporary meticulous figure painting, this paper starts with the two main forms of expression of meticulous figure painting: partial realistic modeling creation and partial image modeling creation, for he Jiaying, Luo Hanlei, Wang champion, Chen Zi, and so on, the author thinks that he Jiaying, Luo Hanlei, Wang Guan and Chen Zi are two main forms of expression. Tang Yongli and Zhang Jian's works are deeply analyzed to discuss the relationship between the facial expressions of characters and the whole picture, and to explore the aesthetic connotation behind the facial expressions of different characters. Then from the aspects of the contemporary factors of art, art classroom teaching, the harmonious demand of the picture itself and so on, this paper explores the deep-seated reasons of the expression of "emotionless" in contemporary meticulous figure painting. The subject also analyzes the aesthetic factors of the painter and the appreciator from the point of view of aesthetic psychology, in order to reveal the subjective reasons for the enduring existence of this phenomenon. The author also tries to sum up the psychological state of the painters themselves in the creation process of contemporary meticulous figure painting and the appreciator's identity to this "expressionless" expression. Finally, it is concluded that there is rich connotation of expression under the seemingly single "expressionless" expression, and this kind of "expressionless" expression with aesthetic tendency can trigger the touch of the viewer's mind and infinite association.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
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