庄子形、神、德的审美意识对中国书画美学的影响

发布时间：2019-04-29 08:39

【摘要】：文章通过对庄子哲学美学思想的归纳、梳理与阐释,结合秦汉之后中国古代书画美学的重要审美思想,系统地进行了几个重大范畴的论述。通过从庄子美学思想的涵盖到对古代书画美学影响的大体分类,可清晰看出庄子在受到老子哲学审美标准、审美境界、审美心胸、审美创造几个方面影响的同时,庄子通过对道的社会实践,世间万物的形神、品德、美丑、生死、好坏、有无、虚实等美学范畴,认为一切事物都存在"道通为一"的美。庄子美学开启了中国古代书画形神观、品德论。庄子对万物形体及内在精神、品德的系统审美阐述,包含了庄子普遍的哲学思想和审美理念。庄子认为,完美的形体只有赋予了内在生命,注入了审美品德,才能够具有审美精神和依天合道同德的美。内在品德和精神是形体审美的灵魂旨趣。只有对形体的精神和品德加以审美化认识,形体才能至道至理,显得更加完美。
[Abstract]:Through the induction, carding and explanation of Zhuangzi's philosophical aesthetics and combining with the important aesthetic thoughts of Chinese ancient calligraphy and painting aesthetics after Qin and Han dynasties, this paper systematically discusses several important categories. From the coverage of Zhuangzi's aesthetic thought to the general classification of the aesthetic influence on ancient calligraphy and painting, it can be clearly seen that Zhuangzi is influenced by the aesthetic standards, aesthetic realm, aesthetic mind and aesthetic creation of Laozi's philosophy at the same time. Through the social practice of Tao, Zhuangzi believes that there is the beauty of "Tao as one" in all things through the aesthetic categories of form and spirit, morality, beauty and ugliness, life and death, good or bad, existence of existence, virtual reality and so on. Zhuangzi aesthetics opened the ancient Chinese calligraphy and painting form god, moral theory. Zhuangzi's systematic aesthetic exposition of all forms, inner spirit and moral character includes Zhuangzi's universal philosophical thought and aesthetic idea. Zhuangzi believes that only by endowing the inner life and injecting aesthetic character can the perfect form possess the aesthetic spirit and the beauty of the same virtue according to heaven. Inner moral character and spirit are the soul purport of body aesthetic. Only by aesthetically understanding the spirit and character of the form can the form become more perfect.
【作者单位】：南京艺术学院美术学院;
【分类号】：J212

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