水粉画写意性研究

发布时间：2019-04-29 16:41

【摘要】：对于当代背景下的水粉画创作而言，如何使之在富有时代气息的同时,更具有丰富的文化内涵,是其必须要面对的问题。本文依据水粉画自身的特点,在形式和内涵两方面对其进行深层次探讨，通过将现代构成观念和中国写意性思维进行有机结合,而形成写意性构成的基本观念,并使之引导当代水粉画创作实践。通过对之前的自然主义写实创作观的改良，，以使水粉画的画面结构更为清晰、单纯而更具现代审美意味；而将写意性引入到水粉画中来，则是试图使作品在一种单纯的形式中表现出更为丰富的文化内涵,从而使其更富民族特色。本文从解析西方点线面构成观念入手并对其进行了简要的论述，在这一部分重点论述了点、线、面构成的基本概念和美学原理，进而剖析了点、线、面的独立审美价值以及在水粉画中引入构成因素的必要性，同时在这一部分论述中也涉及了与之有关的视觉审美方面的有关内容；并对中国绘画艺术的写意性精神进行了梳理，其中重点论述了中国传统绘画写意精神与水粉画创作关系较为密切的两个方面即绘画书写性和意象性。在此基础上论述了写意性思维指引下的水粉画的写意性构成的可能性；深入论证了写意性原理对水粉画形式构成的影响与作用。这一部分从在水粉画中引入写意性构成的可能性、写意精神指引下的水粉画构成、以及视觉文化心理对水粉画形式构成的启发三个方面进行论述，构成了全文的核心部分。本文在如何将水粉画创作置于具有当代性、民族性的有效表达这一大命题下，结合自己的思考以及创作实践，选取了从中国传统绘画艺术中写意性做为切入点并进行了较为深入的论述，并试图以西方艺术为根基的水粉画创作植入中国传统绘画艺术的审美精神，使其更具有当代性和民族性特征。
[Abstract]:For the creation of waterpowder painting under the contemporary background, how to make it rich in the flavor of the times, at the same time, has a rich cultural connotation, is the problem it must face. According to the characteristics of waterpowder painting, this paper makes a deep discussion on it in form and connotation, and forms the basic concept of freehand composition by organically combining the modern concept of composition with the Chinese freehand thinking, which is based on the characteristics of the painting itself, and makes a deep discussion on the form and connotation of the painting. And make it guide the contemporary water powder painting creation practice. In order to make the picture structure more clear, simple and modern aesthetic meaning, through the improvement of the previous naturalism realistic creation view, we can make the picture structure more clear, simple and more modern aesthetic meaning of watercolor painting; The introduction of freehand to the painting is an attempt to make the work show a more rich cultural connotation in a simple form, so as to make it more rich in national characteristics. In this part, the basic concepts and aesthetic principles of point, line and surface composition are discussed, and then the point and line are analyzed. The independent aesthetic value of the face and the necessity of introducing the constituent factors into the watercolor painting, at the same time, in this part of the discussion, it also involves the related contents of the visual aesthetics; The author also combs the freehand spirit of the Chinese painting art, in which the emphasis is on the two aspects of the close relationship between the Chinese traditional painting freehand spirit and the painting creation, that is, painting writing and imagination. On this basis, this paper discusses the possibility of freehand composition under the guidance of freehand thinking, and deeply demonstrates the influence and function of the principle of freehand writing on the form of waterpowder painting. This part discusses the possibility of introducing freehand composition in water powder painting, the composition of water powder painting under the guidance of freehand spirit, and the inspiration of visual culture psychology to the form composition of water powder painting, which constitutes the core part of the paper. In this paper, under the great proposition of how to put the creation of watercolor painting into an effective expression of contemporary and national character, combined with my own thinking and creative practice, This paper chooses the Chinese traditional painting art as the starting point and carries on the more in-depth discussion, and tries to insert the aesthetic spirit of the Chinese traditional painting art into the waterpowder painting creation based on the western art. Make it more contemporary and national characteristics.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

【共引文献】