意象造型思维在人物绘画中的应用

发布时间：2019-04-30 07:44

【摘要】：在当代人物绘画艺术中,很多艺术家大多注重人物绘画形式语言上的探索或绘画艺术思维向极端的方向发展,而中国传统的意象思维观念,又多多少少带有程式化的表达倾向。难道人物绘画在艺术思维观念上就没有一种折衷的表达状态或是抽象、观念、写实几种艺术思维相互契和的状态吗?答案是有的,那就是“意”的艺术思维观念,他既继承了中国古代先辈大师们在人物绘画中的实践经验和审美定位,又可以与其他民族的审美传统和艺术风格相结合,在人物绘画艺术中达到了创新的目的。全文主要内容为：1.首先简要介绍“意”和“象”二者各自的特点与性质,并针对二者不同认识和相互之间的存在关系,对“意象”做出归纳和阐述。2.综合分析意象造型的内在构成因素,并深刻挖掘意象造型的内在因素理、识、形与抽象、观念、写实之间的相互关系。3.重点介绍中国传统人物绘画艺术史上的几种不同意象造型的表现方式和顾恺之“以形写神”传统人物绘画中的造型思维,并加以总结、借鉴、继承中国古代大师们通过不懈的艺术实践所提炼的艺术观点。4.分析比较当代的几种具有代表性的艺术形式语言,深刻认识这几种艺术形式语言的特点,在继承中国传统意象造型审美的基础上,将各自在视觉绘画艺术中的表现优势与中国传统意象形式语言相结合,达到在意象造型艺术形式语言上的创新。5.结合前文,通过欣赏名家作品和阅读有关文献,在分析了人物绘画过程中的内在精神和外在形式的表达关系之后,具体论述意象造型思维在人物绘画中的思维方式和意象造型思维的表达过程。本文通过对意象造型的内在构成因素的深入研究,力求客观、真实、分析探讨中国传统人物绘画艺术中的不同表现方式和意象造型思维在人物绘画艺术中的具体应用和思维过程,深刻的体现了中西方在艺术造型思维观念上的融合和创新。
[Abstract]:In the contemporary painting art of characters, many artists pay attention to the exploration of the formal language of the painting of characters or the development of the artistic thinking of painting to the extreme direction, while the traditional concept of image thinking in China is more or less stylized in expression. Is there no eclectic state of expression or abstraction, concept and realism of artistic thinking in figure painting? The answer is yes, that is, the concept of artistic thinking of "Yi", which not only inherits the practical experience and aesthetic orientation of ancient Chinese masters in the painting of characters, but also combines with the aesthetic tradition and artistic style of other nationalities. In the character painting art to achieve the purpose of innovation. The main contents of the paper are as follows: 1. First of all, this paper briefly introduces the characteristics and properties of "Yi" and "Xiang", and sums up and expounds the "image" according to their different cognition and the existing relationship between them. Comprehensive analysis of the internal components of image modeling, and in-depth exploration of the image modeling of the internal factors, knowledge, shape and abstraction, concepts, realism. 3. This paper mainly introduces several different ways of image modeling in the history of traditional Chinese characters' painting art and the modeling thinking of Gu Kaizhi's "writing God with shape", and sums up and draws lessons from them. Inherits the artistic point of view refined by Chinese ancient masters through unremitting artistic practice. 4. This paper analyzes and compares several representative art form languages in the contemporary era, deeply understands the characteristics of these art form languages, and on the basis of inheriting the aesthetic appreciation of Chinese traditional image modeling, Combining their respective advantages in visual painting art with Chinese traditional image form language, to achieve the innovation in the image plastic art form language. 5. In combination with the previous article, by appreciating the works of famous writers and reading the relevant literature, after analyzing the relationship between the internal spirit and the external forms of expression in the process of drawing by characters, Specifically discusses the image modeling thinking in the figure painting thinking mode and image modeling thinking expression process. Through the in-depth study of the intrinsic elements of image modeling, this paper strives to be objective and true. This paper analyzes and probes into the concrete application and thinking process of different modes of expression and image modeling thought in Chinese traditional figure painting art, which embodies the fusion and innovation of Chinese and western ideas on artistic modeling thinking.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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