现代表现性肖像画的研究
发布时间：2019-04-30 08:22
【摘要】：随着人类科学技术、社会文化及审美观念的发展,肖像画自古希腊古罗马时期诞生之日起,便经历了漫长的演变过程,形成了各种流派和风格。1880年,是美术史上具有划时代意义的一年,它既是传统绘画与现代绘画的分界线,也是传统肖像画的圆满落幕与现代肖像画扬帆起航的开端。肖像艺术的演变与发展,造就了两种不同的创作形态和理念以及两种不同的肖像画家:第一种,逼真再现描绘对象的外部形象和内心情感的肖像画,充满了理性的绘画思维与创作过程,如古典肖像画;第二种,致力于捕捉描绘对象的真实存在,不拘泥于外貌特征,使描绘的形象更加个性化、直观化、纯粹化的存在于这个整全世界中的肖像画,如艺术家梵高、马蒂斯等他们追求个性、张扬自我的个人体验与绘画精神,用几近疯狂的创作热情来表现和描绘感觉到的对象形象,不拘泥于科学理性的禁锢,随意的、纯粹的表达着自己的艺术情感。本文欲从现代表现性肖像画的产生及发展来解读现代肖像画,并以现代肖像画的表现性来窥探中、西方艺术家在不同时代、不同文化背景下肖像画的不同表现内容及表现内涵。与此同时,现代表现性肖像画的美学价值和社会价值也是不容忽略的,且在现代社会中具有一定的意义。
[Abstract]:With the development of human science and technology, social culture and aesthetic concept, portrait painting has experienced a long process of evolution and formed various genres and styles since it was born in ancient Greece and Rome in 1880. It is an epoch-making year in the history of art. It is not only the dividing line between traditional painting and modern painting, but also the beginning of the successful ending of traditional portrait painting and the sailing of modern portrait painting. The evolution and development of portrait art has created two different forms and concepts of creation and two different kinds of portrait painters. The first one is to vividly reproduce the external image of the object and the portrait painting of the inner emotion. Full of rational painting thinking and creation process, such as classical portrait painting; The second is to capture the real existence of the object, not confined to the features of appearance, to make the portrayal of the image more personalized, intuitive and pure in this world-wide portrait, such as the artist Van Gogh. Matisse and others pursue their individuality, publicize their own personal experience and painting spirit, express and depict the object image they feel with almost crazy creative enthusiasm, and are not bound by the imprisonment of scientific reason, at will, Pure expression of their artistic feelings. This paper attempts to interpret the modern portrait painting from the appearance and development of the modern portrayal painting, and to probe into the different expression contents and connotation of the portrait painting in the western artists in different times and different cultural backgrounds with the appearance of the modern portrait painting. At the same time, the aesthetic value and social value of representative portraits should not be ignored, and it has certain significance in modern society.
【学位授予单位】：广西艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2468633
[Abstract]:With the development of human science and technology, social culture and aesthetic concept, portrait painting has experienced a long process of evolution and formed various genres and styles since it was born in ancient Greece and Rome in 1880. It is an epoch-making year in the history of art. It is not only the dividing line between traditional painting and modern painting, but also the beginning of the successful ending of traditional portrait painting and the sailing of modern portrait painting. The evolution and development of portrait art has created two different forms and concepts of creation and two different kinds of portrait painters. The first one is to vividly reproduce the external image of the object and the portrait painting of the inner emotion. Full of rational painting thinking and creation process, such as classical portrait painting; The second is to capture the real existence of the object, not confined to the features of appearance, to make the portrayal of the image more personalized, intuitive and pure in this world-wide portrait, such as the artist Van Gogh. Matisse and others pursue their individuality, publicize their own personal experience and painting spirit, express and depict the object image they feel with almost crazy creative enthusiasm, and are not bound by the imprisonment of scientific reason, at will, Pure expression of their artistic feelings. This paper attempts to interpret the modern portrait painting from the appearance and development of the modern portrayal painting, and to probe into the different expression contents and connotation of the portrait painting in the western artists in different times and different cultural backgrounds with the appearance of the modern portrait painting. At the same time, the aesthetic value and social value of representative portraits should not be ignored, and it has certain significance in modern society.
【学位授予单位】：广西艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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