传乔仲常《后赤壁赋图》研究

发布时间：2019-05-10 08:59

【摘要】：关于传为北宋乔仲常所作《后赤壁赋图卷》的年代问题，学者意见莫衷一是。本文对它的年代及作者归属问题进行再鉴定。大致从四个路径对它展开考察：第一，先从画作的递藏进行爬梳，得出此作在清初梁清标收藏之前的递藏含混不清的结论；第二，文章从画面的风格入手，重点以年代归属意见比较一致的宋代至明代画作为基准对象，通过对此作山水结构、人物白描风格、山石形象的笔墨语言、纸上干笔技法等方面的分析比对，认为系于乔仲常名下的这幅画不是宋画，最早为元代末期或明代初期的画作；第三，将该画与历代流传赤壁图像、文献著录、李公麟传派山水作品进行对比，推测纳尔逊本为活动于明代中晚期吴门地区的画家于嘉靖至隆庆初年（16世纪40—70年代）临仿传为李公麟底稿的作品，它集中反映了明代中晚期时李公麟传派的白描山水面貌及画家、鉴藏家对李公麟的认知，画家是一位吴门地区的李公麟传派的职业画家；第四，，从画上赋文题写的位置、赋文书法展现的个人风格、赋文避讳、“梦二道士”等问题进行分析，赋文题写人为受到文徵明书风影响者，所持版本也为明代流行版本，最后所得结论与推测时间相应。
[Abstract]:Scholars have different opinions on the age of "Post-Chibi Fu Volume", which was handed down by Qiao Zhongchang in the Northern Song Dynasty. In this paper, its age and author belonging to the problem are re-identified. This paper investigates it roughly from four paths: first, it crawls and combs from the collection of paintings, and draws the conclusion that the collection of Liang Qingbiao in the early Qing Dynasty is ambiguous. Second, the article starts with the style of the picture, focusing on the painting from Song Dynasty to Ming Dynasty, which has the same views from the ages, through which the landscape structure, the white sketch style of the characters, the pen and ink language of the mountain and stone images are made. According to the analysis and comparison of dry pen techniques on paper, it is considered that this painting, which is attached to Qiao Zhongchang's name, is not a Song painting, but was originally a painting in the late Yuan Dynasty or the early Ming Dynasty. Third, the painting is compared with Chibi images, literature descriptions and Li Gonglin's landscape works handed down in the past dynasties. It is speculated that Nelson was originally a work written by Li Gonglin, a painter from Jiajing to the early years of Longqing (1640s and 1970s), who was active in the middle and late Ming Dynasty. It reflects the landscape features and painters of Li Gonglin School in the middle and late Ming Dynasty, and the collector's cognition of Li Gonglin. The painter is a professional painter of Li Gonglin School in Wumen area. Fourth, from the point of view of the position of the inscription on the painting, the personal style of the Fu calligraphy, the taboo of the Fu text, the "Dream two Taoist" and other issues, the author of the Fu text inscription was influenced by the style of the literary declaration, and the version held was also the popular version of the Ming Dynasty. At last, the conclusion is in accordance with the time of conjecture.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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